The Photograph (2018)
Жанр : драма
Время выполнения : 8М
Директор : Ozan Takış
Краткое содержание
People who have to leave where they live, let their photo taken for the last time in front of a backdrop. The photographer gives the photographs to everyone and they move away from the backdrop. "The Photograp"h takes a glimpse into the lives of all refugees who are forced to leave their country, from the point of view of the last moment they were together and happy. In doing so, the director who does not use any dialogues and thus does not offer any description, reveals his discourse on a global basis.
Путешествие трехтонного игуанодонта по имени Аладар, который был разбужен из своего яйца племенем лемуров и случайно воссоединившегося с себе подобными. Из-за огненных метеоритов, разрушающих ландшафт и нехватки воды в исчезающих водоемах динозавры оказались в гонке за выживание, где главным их противником стало время. Аладар наживает себе врага в лице бессердечного вожака Крона, когда заступается за беззащитных животных в несущемся сломя голову стаде. Лицом к лицу с такими опасностями, как внезапные оползни и атакующие тиранозавры, Аладар и его новые друзья должны преодолеть невероятные трудности до того, как обретут новую родину в прекрасной долине…
Забавный и самовлюбленный неудачник Пэм вечно попадает в дурацкие ситуации, подвергая свое семейство опасности. Однажды он получает травму крыла и падает вниз, где его встречают два маленьких утенка. Пэм берет малышей под свою опеку и отправляется с ними в пешее наполненное испытаниями путешествие.
Син Э переезжает вместе со своим сыном Чжуном в Мильян, родной городок ее недавно скончавшегося мужа. Пока она пытается совладать с собой и начать новую жизнь, происходит еще одно трагическое событие.
Беженка из Китая, которая желает обосноваться в незнакомой стране, вступает в отношения с некой подпольной организацией, занимающейся нелегальной транспортировкой людей через границу. Но вокруг барышни, вторгшейся в конфиденциальные криминальные сферы, разворачивается непредсказуемая игра, соприкосновение с которой для рядовых обывателей содержит смертельную угрозу.
Размеренная жизнь на острове Лампедуза за последние десятилетия претерпела невероятные изменения. С давних времен соседи Самуэле жили морем, но вот уже 20 лет этот остров служит «вратами» в Европу, куда в поисках свободы и лучшей доли спешат сотни тысяч тех, кто бежит от войн, дискриминации, социальных потрясений и стремится к призрачному счастью в чужой стране.
Случайная встреча двух мужчин в провинциальной Мексике стала началом большого, но запретного чувства. Один из них, начинающий шеф-повар, под давлением общества и близких уезжает в Нью-Йорк.
A young Aji Mathew is a communist who goes the whole nine yards for the ideologies he believes in. When the girl he loves leaves to the US out of the blue and her parents fix her wedding, Aji is left with just a fortnight to reach the country albeit with no passport or visa. How far he is willing to go for love forms the plot.
Culture-Clash-Comedy about Turkish brides importet into Germany.
Рамин бежит из Ирана и оказывается вдали от дома, а именно в Веракрузе, портовом городе тропической Мексики.
Every day dozens of decommissioned school buses leave the United States on a southward migration that carries them to Guatemala, where they are repaired, repainted, and resurrected as the brightly-colored camionetas that bring the vast majority of Guatemalans to work each day. Since 2006, nearly 1,000 camioneta drivers and fare-collectors have been murdered for either refusing or being unable to pay the extortion money demanded by local Guatemalan gangs. LA CAMIONETA follows one such bus on its transformative journey: a journey between North and South, between life and death, and through an unfolding collection of moments, people, and places that serve to quietly remind us of the interconnected worlds in which we live.
The story of the Indian immigrant community in Detroit, where a garage mechanic gets unwillingly involved in the criminal world as a getaway driver.
By land, by air, and by sea, viewers can now experience the struggle that millions of creatures endure in the name of migration as wildlife photographers show just how deeply survival instincts have become ingrained into to the animals of planet Earth. From the monarch butterflies that swarm the highlands of Mexico to the birds who navigate by the stars and the millions of red crabs who make the perilous land journey across Christmas Island, this release offers a look at animal instinct in it's purest form.
On the one hand, there’s the desert eating away at the land. The endless dry season, the lack of water. On the other there’s the threat of war. The village well has run dry. The livestock is dying. Trusting their instinct, most of the villagers leave and head south. Rahne, the only literate one, decides to head east with his three children and Mouna, his wife. A few sheep, some goats, and Chamelle, a dromedary, are their only riches. A tale of exodus, quest, hope and fatality.
Алекс с родителями эмигрировал из социалистической Болгарии в Германию по политическим причинам. Дед Алекса, любитель антикоммунистических шуток, так и живёт в Болгарии. Годы спустя Алекс с родителями едут навестить деда, но попадают в аварию. Родители погибли, у Алекса амнезия. Дед приезжает ухаживать за внуком, а затем везёт его в путешествие по Болгарии, здесь к Алексу возвращается память.
Qazi is the story of a young Pakistani refugee who is forced by economic and family circumstances to seek his fortune in Europe.
In this documentary about friendship and perseverance, three young transgender women from El Salvador and Honduras go on a 2,400-mile journey with the high-profile migrant caravan. These women, strangers at the outset and fleeing extortion, discrimination, and abusive relationships, endure hardship as they slowly make their way to the US, teaming up with other trans girls along the route and integrating with the caravan’s LGBTQ community.
Deraldo, a popular poet from Northeast Brazil, arrives in the capital of São Paulo, making a living only from his poetry and pamphlets. All is well until he is mistaken for a multinational worker who killed the boss at a party where he received the title of symbolic worker.
"Our Family" is a film about the time that we can't get back. I left my home along with my friends and family behind in 2017, when I was aged 15 to study in the United States. In some ways I feel like I may have not been best suited to make that decision for myself at the time, but 4 years later, I decided to take this opportunity to reflect on my departure and to reconnect with my family. Because of the COVID-19 pandemic, I haven't been able to go home to Sikkim in over 2 years. Talking to my parents over WhatsApp, I recorded two interviews with them discussing stories from the collective past of our family as well as individual ones. I was able to discover the love story my parents were a part of before I was even born, recollect the bits and pieces of my childhood that I'm beginning to forget, and process how my departure has affected my relationship with my parents and the course of our lives.
Every year, on the steppes of the Serengeti, the most spectacular migration of animals on our planet: Around two million wildebeest, Burchell's zebra and Thomson's gazelles begin their tour of nearly 2,000 miles across the almost treeless savannah. For the first time, a documentary captures stunning footage in the midst of this demanding journey. The documentary starts at the beginning of the year, when more than two million animals gather in the shadow of the volcanoes on the southern edge of the Serengeti in order to birth their offspring. In just two weeks, the animal herd's population has increased by one third, and after only two days, the calves can already run as fast as the adults The young wildebeest in this phase of their life are the most vulnerable to attacks by lions, cheetahs, leopards or hyenas. The film then follows the survivors of these attacks through the next three months on their incredible journey, a trip so long that 200,000 wildebeest will not reach the end.
Two countries, two restaurants, one vision. At Gabriela Cámara's acclaimed Contramar in Mexico City, the welcoming, uniformed waiters are as beloved by diners as the menu featuring fresh, local seafood caught within 24 hours. The entire staff sees themselves as part of an extended family. Meanwhile at Cala in San Francisco, Cámara hires staff from different backgrounds and cultures, including ex-felons and ex-addicts, who view the work as an important opportunity to grow as individuals. A Tale of Two Kitchens explores the ways in which a restaurant can serve as a place of both dignity and community.