Epistolary (2020)

«Квадрат» — новый экспонат шведской галереи, призванный вызывать у горожан приступы любви и альтруизма. По крайней мере, так задумал куратор Кристиан с внешностью и сладкой жизнью Марчелло Мастрояни: коллеги, арт-тусовка, девушки — все от него без ума. Но когда средь бела дня у Кристиана крадут бумажник и телефон, он садится в свою Теслу и пускается в авантюру-реванш. Поначалу шутливое наказание воришек приводит к последствиям, которые заставят Кристиана забыть и «Квадрат», и его заповеди.

Однажды Гуфи, сидя дома и смотря любимую игру, заметил как соседу завозят новенький, большой, домашний кинотеатр. Это никуда не шло в сравнение с его мини-телевизором, на котором постоянно приходилось двигать антенну чтобы не было помех. С этого момента Гуфи собирается купить себе всё необходимое, чтобы провести просмотр любимой игры с максимальным качеством и комфортом.

Portrait of Andy Goldsworthy, an artist whose specialty is ephemeral sculptures made from elements of nature.

Ливорд пишет музыку для необычных музыкальных инструментов — игрушек своей маленькой дочурки. Лила занимается созданием клипов, но никак не может пробиться наверх и вынуждена скитаться по всевозможным мероприятиям в поисках спонсора. Встреча этих двух творческих людей поможет им реализовать все свои амбиции.

In his book "1984", George Orwell saw the television of the future as a control instrument in the hands of Big Brother. Right at the start of the much-anticipated Orwellian year, Paik and Co. were keen to demonstrate satellite TV's ability to serve positive ends-- Namely, the intercontinental exchange of culture, combining both highbrow and entertainment elements. A live broadcast shared between WNET TV in New York and the Centre Pompidou in Paris, linked up with broadcasters in Germany and South Korea, reached a worldwide audience of over 10 or even 25 million (including the later repeat transmissions).

An experimental film comprised of Stanley Kubrick's THE SHINING played forwards and backwards at the same time on the same screen, creating bizarre juxtapositions and startling synchronicities

The goddess Diana and her two attendants traverse the rugged terrain of Idaho’s Sawtooth Mountains in pursuit of the elusive wolf. An Engraver (Matthew Barney) furtively documents their actions in copper engravings and provokes a series of confrontations. The characters communicate through dance, letting movement replace language as they pursue each other and their prey.

The video opens with a barrage of explosive imagery along with an audio track of a siren taken from the 1970s TV show Wonder Woman. The following scenes are fast paced repeated shots from Wonder Woman, with several scenes following of actress Lynda Carter as the main character Diana Prince, performing her transformative spin from secretarial role into superhero role. […] The representation of repeated transformations expose the illusion of fixed female identities in media and attempts to show the emergence of a new woman through use of technology. […] The video ends with a scene of repeating explosions that precedes a blue background with white text that scrolls upwards, delivering a transcription of lyrics to the song ‘Wonder Woman Disco'.

White Homeland Commando takes the familiar terrain of network action drama and tilts the playing field. Reminiscent of today's popular reality-based cop shows, White Homeland Commando offers a straightforward story: four members of a special police unit investigate and infiltrate a New York-based white supremacist organization. But that is where the commonplace ends. The teleplay is shot and edited in a highly textured visual style, the colors are subdued yet somehow garish, and the sound is deliberately just out of sync with the speaker's lips. Occasional static combines with jumps in the plot — the editing is reminiscent of a television viewer flipping channels.

'Ki or Breathing' is a spare concoction assembled from slow motion shots of nature and set to a score by the much-acclaimed Tohru Takemitsu.

Manipulating a variety of sources, Vasulka uses creative imaging tools to situate historical images against Southwestern landscapes of incredible beauty. Contorting the images into a variety of isomorphic forms, Vasulka creates a literal shape for these memories, developing these shapes as metaphors for the processes of fragmentation, condensation, and inversion, that inevitably contort fact into memory. While much of the raw material for the tape is drawn from World War II and its rehearsals, the Spanish Civil War and the Russian Revolution, The Art of Memory is really an extended meditation seeking to reconcile the blurry, banal photographs of historic figures with the mass destruction they helped engineer.

Boys will be boys.

Expansion remixes the images of Matsumoto’s Esctasis into an more colourful psychedelic short.

The video debut of experimental musicians and culture jamming artists Emergency Broadcast Network.

In Junior War, a throng of highschoolers congregate at night for a party in the woods sometime in the year 2000. A band plays, the kids get drunk, the boys and girls tepidly flirt, and groups deploy into cars for the purpose of destroying mailboxes, tee-peeing houses, breaking lawn ornaments, and sparring with the police. The film is composed entirely of footage Trecartin took during his senior year of high school in exurban Ohio; as such, it baits the viewer with genealogical significance.

The story of two young men as they navigate a Midwestern dystopia. Tackles issues of identity, authenticity, and desperation in a post-ironic and late capitalist America.

This is an attempt to process abstract images without the use of camera. The central circle divides the creen into two parts that continually vibrate hypnotically and change colors to the accompanying rumbling of modulated sound.

Real time development of a video feedback, processed and controlled through a video keyer. Sound results from video signals, interfaced with audio synthesizer.

CGI collage short film originally premiered as part of the 'Extinction Renaissance' exhibition at the Loyal Gallery in Stockholm.

Pegasus viz. incorruptibility undergoes a stress test to prove its name. Will his code of chivalry stand the attempts at corruption? Here we have four situations in which he gets proved. Criminal solicitations interfere digitally in the shape of data moshing. He takes a rough ride onto the mosh pit of the blockchain. Cybercryptocy video art meets classical Greek mythology.