Ask Not (2008)

Bizet's Carmen gets a modern adaptation. Seducting, provocating, sensual. All the ingredients for a perfect drama. With her charm, Karmen gets out of many situations.

Bizet's Carmen gets a modern adaptation. Seducting, provocating, sensual. All the ingredients for a perfect drama. With her charm, Karmen gets out of many situations.

Two screwballs get mixed up with monsters, mad scientists and vampires.

Two screwballs get mixed up with monsters, mad scientists and vampires.

Anu is a tomboy. Although she was married off at a young age – as was customary in Taiwan in the 1970s – and had two children, she quickly divorced her violent husband and brought up her daughters alone. Since then her only relationships have been with women who, like her, earn a living as professional mourners at funerals. One of her daughters is filmmaker Hui-chen Huang. It’s considered taboo in Chinese culture to question a mother’s unconditional love, and yet this is exactly the topic of Huang’s intimate portrait. Mother and daughter set off on a journey together into the past during which Anu is confronted with questions that have tormented her daughter for years. In a series of long shots the two women discuss such topics as trust, abuse and cognisance, and yet most of these discussions end in painful silence. Shifting focus in order to plumb the depths of the depicted room, the director attempts to understand her mother by also talking to her mother’s siblings and ex-lovers.

Anu is a tomboy. Although she was married off at a young age – as was customary in Taiwan in the 1970s – and had two children, she quickly divorced her violent husband and brought up her daughters alone. Since then her only relationships have been with women who, like her, earn a living as professional mourners at funerals. One of her daughters is filmmaker Hui-chen Huang. It’s considered taboo in Chinese culture to question a mother’s unconditional love, and yet this is exactly the topic of Huang’s intimate portrait. Mother and daughter set off on a journey together into the past during which Anu is confronted with questions that have tormented her daughter for years. In a series of long shots the two women discuss such topics as trust, abuse and cognisance, and yet most of these discussions end in painful silence. Shifting focus in order to plumb the depths of the depicted room, the director attempts to understand her mother by also talking to her mother’s siblings and ex-lovers.

Vincent Vivant agrees to Stephan the spy's proposal: he is to cross the border with a mysterious suitcase.

Vincent Vivant agrees to Stephan the spy's proposal: he is to cross the border with a mysterious suitcase.

История семьи Рикорди, самого престижного музыкального издателя во всей Италии.

История семьи Рикорди, самого престижного музыкального издателя во всей Италии.

A pop sci-fi lesbian fantasy set in the year 2700 in the fictive burned-out city of Ache which follows the tangled lives of three woman -- Volley, Nun and Spy.

A pop sci-fi lesbian fantasy set in the year 2700 in the fictive burned-out city of Ache which follows the tangled lives of three woman -- Volley, Nun and Spy.

Through the prism of a beauty pageant staged by female inmates of a Siberian prison camp emerges a complex narrative of the lives of the first generation of women to come of age in Post-Soviet Russia. Miss GULAG explores the individual destinies of three women: Yulia, Tatiana, and Natasha, all bound together by long prison sentences and circumstances that have made them the vigilantes of their own destinies. For these women, undoubtedly, life is harsh under the constant surveillance of UF-91/9, but it is no less so on the outside. Today they, their families, and loved ones are sustained by hope for a better life upon release. This is a story of survival told from both sides of the fence.

Through the prism of a beauty pageant staged by female inmates of a Siberian prison camp emerges a complex narrative of the lives of the first generation of women to come of age in Post-Soviet Russia. Miss GULAG explores the individual destinies of three women: Yulia, Tatiana, and Natasha, all bound together by long prison sentences and circumstances that have made them the vigilantes of their own destinies. For these women, undoubtedly, life is harsh under the constant surveillance of UF-91/9, but it is no less so on the outside. Today they, their families, and loved ones are sustained by hope for a better life upon release. This is a story of survival told from both sides of the fence.

A young married woman who is desperately unhappy is tempted into a lesbian relationship with an interior decorator.

A young married woman who is desperately unhappy is tempted into a lesbian relationship with an interior decorator.

This feature film looks at five individuals who made a decisive change later in life-to come out as lesbian, gay, or trans gender, after the age of 55. Why did they wait until their 50's, 60's, or 70's to come out? And what was the turning point that caused each of these people finally to openly declare their sexuality? From Canada to Florida, to Kansas, we find out what ultimately led these dynamic individuals to make the liberating choice to pursue fully integrated lives.

This feature film looks at five individuals who made a decisive change later in life-to come out as lesbian, gay, or trans gender, after the age of 55. Why did they wait until their 50's, 60's, or 70's to come out? And what was the turning point that caused each of these people finally to openly declare their sexuality? From Canada to Florida, to Kansas, we find out what ultimately led these dynamic individuals to make the liberating choice to pursue fully integrated lives.

The same day of their marriage, Jean's wife dies of a strange ailment in the middle of surgery. Afflicted by the loss, the young man abandons his medical studies and takes refuge in the memories of his time of courtship. At the same time that this happens, a wave of murders shakes the city with the same pattern of behavior: the victims are surgery students whose bodies have had both hands amputated.

The same day of their marriage, Jean's wife dies of a strange ailment in the middle of surgery. Afflicted by the loss, the young man abandons his medical studies and takes refuge in the memories of his time of courtship. At the same time that this happens, a wave of murders shakes the city with the same pattern of behavior: the victims are surgery students whose bodies have had both hands amputated.