Why We Need Pride (2016)

Англия, конец XVIII века. Родители пятерых сестер Беннет озабочены тем, чтобы удачно выдать дочерей замуж. И потому размеренная жизнь солидного семейства переворачивается вверх дном, когда по соседству появляется молодой джентльмен — мистер Бингли… Само собой, среди друзей нового соседа оказывается немало утонченных аристократов, которые не прочь поухаживать за очаровательными сестрами. Однако, все не так просто. Своевольная Элизабет знакомится с другом Бингли — красивым и высокомерным мистером Дарси, и между ними разгорается нешуточное противостояние, результатом которого может стать как любовь, так и ненависть…

Элизабет Беннет и ее сестры вынуждены противостоять заполонившим Англию ходячим мертвецам, а мистер Дарси выступает наставником девиц, обучающим их основам выживания.

Спортивный журналист Эдди Виллис вращается в мире профессионального бокса и становится, как сейчас говорят, «пиарщиком» начинающего боксера. Проработав 17 лет в газете и не заработав ничего на «черный» день, он соглашается вести грязную «раскрутку» бездарного, слабого боксера внушительной внешности и роста. «Бокс — это балет, шоу, на котором делают деньги», — так говорит ему полукриминальный промоутер Род Стайгер, — но ведь в балете не убивают в раздевалке танцоров, отказывающихся танцевать. Только сейчас Эдди понимает всю подноготную этого безжалостного мира, где менеджеры жестоко и без всяких сантиментов манипулируют своими боксерами. Хватит ли у него силы воли восстать против хорошо отлаженной машины криминального бизнеса?

1852-й год. Новый Орлеан. Великосветская красавица Джули Марсден готовится выйти замуж за молодого политика и банкира Престона Дилларда. Однако, поругавшись с ним, Джулии назло своему жениху появляется в красном платье на ежегодном, престижном «Олимпийском» балу. Поскольку незамужние девушки в свет должны выходить только в белом, светское общество шокировано выходкой Джули. Престон расторгает помолвку и уезжает на Север. Спустя год, он возвращается в Нью-Орлеан с молодой женой. В городе бушует эпидемия желтой лихорадки, общество парализовано паникой и страхом, а у Джули появляется шанс доказать Престону свою любовь…

Молодые ленинградцы, вчерашние школьники, вступают во взрослую жизнь. Соня влюблена в Стёпу, но он любит Таню, а Таня отдаёт предпочтение Феде. Отвергнутый Стёпа уезжает в далёкий сибирский город и начинает работать на заводе, обучаясь в вечернем институте. Соня уезжает вслед за ним и устраивается работать на тот же завод. Таня и Федя, поженившись, поступают в институт, и молодому мужу приходится подрабатывать шофёром, чтобы содержать семью. Эгоистичная натура Тани отказывается мириться со скромным положением, в котором вынуждены находиться молодожёны, и она заводит роман с престарелым композитором...

Professor Griggs, teaching at the college, doesn't get paid a living wage; his next door neighbor, successful shoemaker Olsen, has money and plentiful food, while the Griggses have hardly any. When the professor's rich student Phil West falls for beautiful Griggs daughter Amelia and also befriends the poor Reverend Gates (a young man who is also in love with Amelia), he observes the difference in his life and theirs and tries to help make a difference.

Henry Rollins waxes at a high rate of speed about the brilliance of RuPaul, meeting David Bowie, his weirdest shows, why women should rule and more in a live performance from Portland, Oregon.

The Webster Family enjoyed the good life of weekend shopping sprees, nice cars and a beautiful home. Matt Webster was respected by his peers and envied as the man who had it all. But when hard times came, having it all on the outside did not mean there is anything on the inside. Broken relationships, isolation and pain are the result of their misplaced priorities, selfishness and pride. In their chaos the Webster family will soon discover the American dream and pride of ownership does not build character. It took a financial crisis to show Matt that all things work together for good… to those who Stand Strong in Faith.

Modern western detailing the drama of a man struggling to hold on to his ranch and struggling to raise a granddaughter he never knew.

Canadian icon Shane Koyczan has brought his spoken word poetry to stages all over the world, including TED Talks that have gone viral and the 2010 Vancouver Olympics. This documentary, both an introduction to his poetry and an exploration of his relationships with those around him, highlights his journey of seeking reconciliation with his father who abandoned him at an early age, and how in order to accomplish this, Koyczan has to rely on his poetry's vulnerability like never before.

Over the course of a year, film follows Vancouver Pride Society president Ken Coolen to various international Pride events, including Poland, Hungary, Russia, Sri Lanka and others where there is great opposition to pride parades. In North America, Pride is complicated by commercialization and a sense that the festivals are turning away from their political roots toward tourism, party promotion and entertainment. Christie documents the ways larger, more mainstream Pride events have supported the global Pride movement and how human rights components are being added to more established events. In the New York sequence, leaders organize an alternative Pride parade, the Drag March, set up to protest the corporatization of New York Pride. A parade in São Paulo, the world's largest Pride festival, itself includes a completely empty float, meant to symbolize all those lost to HIV and to anti-gay violence.

In partnership with filmmaker Lauren Tabak and writer/consulting producer Barry Walters, we dive into the music career of Sylvester, starting from church choir in South Central LA to his early years in San Francisco. It follows his ascent to stardom through his evergreen, international hits "Dance (Disco Heat)" and "You Make Me Feel (Mighty Real)". Through his groundbreaking career, Sylvester blew open the doors for queer visibility and gender fluidity in mainstream music, leaving a legacy that continues to influence today's pop music.

A look at the challenges of living in a small Australian town, portrayed through the lens of a novelist and her teenage son.

The story of a baker named Allyson who, with the help of a little bit of magic, realizes that love knows no gender, race, or orientation.

An anthology film told through a spoken word narrative, chronicling the mental states of three filmmakers while under the conditions of the Covid-19 pandemic.

Short film set to a poem about why Pride is important to say thanks for human right's campaigners and to show solidarity. Dedicated to those who lost their lives in Orlando as that terrible attack happened during production.

Yayoi Kusama born March 22, 1929 is a Japanese artist and writer. Throughout her career she has worked in a wide variety of media, including painting, collage, scat sculpture, performance art, and environmental installations, most of which exhibit her thematic interest in psychedelic colors, repetition and pattern. A precursor of the pop art, minimalist and feminist art movements, Kusama influenced contemporaries such as Andy Warhol, Claes Oldenburg and Yoko Ono.

Kate Tempest (born Kate Esther Calvert, 22 December 1985) is an English spoken word performer, poet, recording artist, novelist and playwright. In 2013, she won the Ted Hughes Award for her work Brand New Ancients. She was named a Next Generation Poet by the Poetry Book Society, a once-a-decade accolade. Her albums Everybody Down and Let Them Eat Chaos have been nominated for the Mercury Music Prize. The latter's accompanying poetry book (also titled Let Them Eat Chaos) was nominated for the Costa Book of the Year in the Poetry Category. Her debut novel The Bricks That Built the Houses was a Sunday Times bestseller and won the 2017 Books Are My Bag Readers Award for Breakthrough Author. She was nominated as Best Female Solo Performer at the 2018 Brit Awards.

A kinetic typography animation set to a reading of the poem "The Wings" by Sebastian Fox.

A short film by Albert Watson from 1997 starring Henry Rollins as himself, doing his spoken word bit I Know You of the album The Boxed Life.