Living in Fukushima: Stories of Decontamination and Reconstruction (2013)

История о ликвидаторах аварии на АЭС Фукусима-1 после землетрясения у восточного побережья острова Хонсю в Японии 11 марта 2011 года, также известного как Великое восточно-японское землетрясение. Как руководству станции, так и обычным сотрудникам предстоит принять ряд важных решений и бороться с мирным атомом ценой собственных жизней.

One of the most important artists of our era, Ryuichi Sakamoto has had a prolific career spanning over four decades, from techno-pop star to Oscar-winning film composer. The evolution of his music has coincided with his life journeys. Following Fukushima, Sakamoto became an iconic figure in Japan’s social movement against nuclear power. As Sakamoto returns to music following cancer, his haunting awareness of life crises leads to a resounding new masterpiece. RYUICHI SAKAMOTO: CODA is an intimate portrait of both the artist and the man.

A powerful documentary that sheds some light on what really happened at the Fukushima nuclear power plant after the 2011 earthquake and the tsunami that immediately followed. A powerful documentary - shot from March 11th, 2011 through March 2015 - that sheds some light on what really happened at the Fukushima nuclear power plant after the 2011 earthquake and the tsunami that followed.

Молодая немка Мари едет в Японию в поисках себя. Она присоединяется к волонтерской организации, которая работает с пострадавшими от техногенной катастрофы в Фукусиме — в основном, стариками, которые не захотели уехать из зоны бедствия. Мари встречает Сатоми, последнюю гейшу Фукусимы, которая решила вернуться в свой разрушенный дом. Девушка и пожилая женщина — из разных миров, но со временем они находят общий язык не только друг с другом, но и со своим прошлым.

At 2:46 PM on March 11, 2011, the Fukushima Daiichi Nuclear Power Plant experiences a black out due to the aftermath of the Tōhoku earthquake and tsunami. The cooling system fails at the nuclear power plant and the temperature of the nuclear reactor rises. The worst case is coming. Scientists face an unexpected situation and government officials are confused by lack of information. Residents says goodbye to their hometown before evacuating.

The Great East Japan Earthquake of 2011 triggered a tsunami, nuclear meltdown and mass evacuations in Fukushima Prefecture. Today, as part of a Government push to encourage resettlement, local hunters have been enlisted to dispose of radiated Wild Boars that now roam the abandoned streets and buildings. This short film follows a lone hunter into an isolated and changed landscape. Along the way, other citizens who still live near the reactor share their perspectives on the aftermath. "The Toxic Pigs of Fukushima" was inspired by the photographs of co-producers Toru Hanai and Yuki Iwanami. The original score was written and performed by renowned ambient artist Midori Takada.

Fukushima's Minami-soma has a ten-centuries-long tradition of holding the Soma Nomaoi ("chasing wild horses") festival to celebrate the horse's great contribution to human society. Following the meltdown of the Fukushima Daiichi Nuclear Power Plant in the wake of the March 11, 2011 earthquake and tsunami, local people were forced to flee the area. Rancher Shinichiro Tanaka returned to find his horses dead or starving, and refused to obey the government's orders to kill them. While many racehorses are slaughtered for horsemeat, his horses had been subjected to radiation and were inedible. Yoju Matsubayashi, whose "Fukushima: Memories of the Lost Landscape" is one of the most impressive documentaries made immediately after the disaster, spent the summer of 2011 helping Tanaka take care of his horses. In documenting their rehabilitation, he has produced a profound meditation on these animals who live as testaments to the tragic bargain human society made with nuclear power.

Every nuclear weapon made, every watt of electricity produced from a nuclear power plant leaves a trail of nuclear waste that will last for the next four hundred generations. We face the problem of how to warn the far distant future of the nuclear waste we have buried --but how to do it? How to imagine the far-distant threats to the sites, what kinds of monuments can be built, could stories or legends safeguard our descendants? Filmed at the only American nuclear burial ground, at a nuclear weapons complex and in Fukushima, the film grapples with the ways people are dealing with the present problem and imagining the future. Part observational essay, part graphic novel, this documentary explores the idea that over millennia, nothing stays put.

The exciting story of the splitting of the atom, a scientific breakthrough of incalculable importance that ushered in the nuclear age, has a dark side: the many events in which people were exposed to radiation, both intentionally and by accident.

After the 11 March 2011 tsunami and nuclear disaster, residents of Futaba, a town in Fukushima Prefecture, are relocated to an abandoned high school in a suburb of Tokyo, 150 miles south. With a clear and compassionate eye, filmmaker Atsushi Funahashi follows the displaced people as they struggle to adapt to their new environment. Among the vivid personalities who emerge are the town mayor, a Moses without a Promised Land; and a farmer who would rather defy the government than abandon his cows to certain starvation.

In the aftermath of the Fukushima nuclear disaster, a Japanese farmer ekes out a solitary existence within the radiation red zone.

The Japanese population’s reaction to the catastrophe of March 2011 has been described as “stoic” by the Western media. The Japanese code of conduct is indeed deeply rooted in their Buddhist traditions, and young filmmakers Tim Graf and Jakob Montrasio observe in detail what this means for the people and their religion. At graveyards, in temples, at monasteries and with families, they question the impact this triple affliction has had on the lives and beliefs of the inhabitants. How deeply do their beliefs affect their grieving? What role do the monks play in assisting people with their grief? And, what effects has this enormous catastrophe had on their religious rituals? SOULS OF ZEN inserts the events of March 2011 into the context of traditional Zen Buddhism, examining Japan’s religiousness and the beliefs of those practising it at a crucial turning point.

Tokyo = Fukushima is a time-lapse, stop-frame animation film of the city of Tokyo, six months after the nuclear meltdown at Fukushima. The film depicts Tokyo as throbbing with life and (nuclear) electricity despite the crisis and constant radioactive threat. Recorded over a two-month period, using a Bolex Super 16mm wind-up camera on the streets of Tokyo, the film acts as a love letter to an anxious friend. The city is trying to return to normal, although paranoia and anxiety are found everywhere due to minor earthquakes, aftershocks and government untruths. This beautiful and dark film is propelled by electronic music recorded by the filmmaker in Tokyo.

True story of an American volunteer who discovered the unvarnished truth about the Fukushima nuclear disaster cover-up while living in Japan. A critical look at how the authorities handled the nuclear crisis and Tsunami relief by an American who volunteered in the clean-up.

The Radiant explores the aftermath of March 11, 2011, when the Tohoku earthquake triggered a tsunami that killed many thousands and caused the partial meltdown of the Fukushima Daiichi nuclear power plant on the east coast of Japan. Burdened by the difficult task of representing the invisible aftermath of nuclear fallout, The Radiant travels through time and space to invoke the historical promises of nuclear energy and the threats of radiation that converge in Japan in the months immediately following the disaster.

Over a year since three nuclear reactors went into full meltdown at the Fukushima Daiichi Nuclear Power Plant, a broad anti-nuclear movement is growing in Japan. Nowhere is that more apparent that in Fukushima Prefecture, where a group of local women protest the deafening silence of the Japanese government. Ignored by their own media, these women share their brutally honest views on the state of the clean up, cover-ups, untruths and the stagnant political climate in modern Japan.

Eerie images of landscapes after the Fukushima nuclear disaster shot on black and white 8mm.

Six months after the explosions at the Fukushima nuclear plant and the release of radiation there, Professor Jim Al-Khalili sets out to discover whether nuclear power is safe. He begins in Japan, where he meets some of the tens of thousands of people who have been evacuated from the exclusion zone. He travels to an abandoned village just outside the zone to witness a nuclear clean-up operation. Jim draws on the latest scientific findings from Japan and from the previous explosion at Chernobyl to understand how dangerous the release of radiation is likely to be and what that means for our trust in nuclear power.

'No-go zone' chronicles the daily life of the last man remained in the red zone after the evacuation of the Fukushima area and the nuclear power plant accident.