The Train (2021)
Who is destroying the Roman Catholic Church?
Жанр :
Время выполнения : 1Ч 30М
Директор : L. Steven Stanley
Краткое содержание
THE TRAIN is an allegory inspired by current events. There is an ongoing battle between good and evil, and Christianity is now under severe persecution. The film starts in the not-too-distant future in the year 2041 and it pivots between two different timelines. This film illustrates the conflicts as well as the erosion evil powers have created within the Roman Catholic Church. The laity itself becomes the main force holding the church together, as it fights the powers of darkness that takes the lives of Father Michael, Christie and her two daughters, Anna and Mary. The evil "Grandmother" who is the head of an ancient crime syndicate, and hates all of humanity, is desperately trying to get her hands on a vial which contains some droplets of the blood of Christ, now in the possession of Cardinal Langham, who bravely stands up to the communist forces that are chopping Christian's heads off.
Четыре года из жизни Джули — молодой женщины, чьи попытки разобраться в личной и профессиональной сфере приводят ее к осознанию, кто она такая на самом деле.
Юная Тельма влюбляется. Пробуждающиеся чувства внезапно высвобождают ее пугающие тёмные способности. Когда подруга Тельмы пропадает, девушка осознает, что это может быть ее виной…
Сюжет фильма расскажет о мужчине и двух его сыновьях, которые пытаются справиться со смертью матери и жены через три года после того, как она умерла.
Четверо молодых людей собираются провести немного времени на природе. Но выбирают не то место и не то время (лето 1974… лучше бы они остались дома). Прекрасный поход превращается в ад. Один за другим главные герои гибнут от рук неизвестных фанатиков.
Через год после смерти брата-близнеца Лиллиан в компании друзей возвращается в свой лесной дом рядом с озером. Почти сразу же девушку начинают преследовать жуткие видения, а вскоре и остальные замечают, что происходит нечто странное. Кроме того, местная легенда гласит, что это озеро может свести с ума.
Недовольная славой своего парня, который создает скульптуры из украденной мебели, Сигна вынашивает коварный план по возвращению себе внимания культурной элиты Осло.
The Devil of Comparisons (original title: El Demonio de las Comparaciones), was a 30-hour black & white silent film from 1929 by Narding Salome Exelsio (1883-1949). It explores the cyclical lives, deaths, and rebirths of Jose Rizal and his characters (played by hitherto unidentified actors) in a wasteland ruled by demons.
With the aid of usb microscopes and X-ray scanners, this is the first of many test films, peering into the surface structure of decayed and rotted 35 mm celluloid film. Thank you Brian Eno for the music.
“And, 'twixt the shadows and frights of nocturnal splendors, My beloved will secretly be hiding. Say what you will, say what you may.” The sound of a distant whistle and theorbo calls a sleeping singer through the empty streets of Stuttgart in a midnight journey to the opera house. ‘dei notturni splendori’ is an experimental opera film made for the Staatsoper Stuttgart in the early months of the Coronavirus pandemic lockdown. Anderson Matthew captures the singer Helene Schneiderman through a midnight dream with a hand-cranked kino camera in an ecstatic 35mm photo roman, in search for her own performance of the Tarquinio Merula madrigal Folle é ben chi se crede from 1638.
THE TRAIN is an allegory inspired by current events. There is an ongoing battle between good and evil, and Christianity is now under severe persecution. The film starts in the not-too-distant future in the year 2041 and it pivots between two different timelines. This film illustrates the conflicts as well as the erosion evil powers have created within the Roman Catholic Church. The laity itself becomes the main force holding the church together, as it fights the powers of darkness that takes the lives of Father Michael, Christie and her two daughters, Anna and Mary. The evil "Grandmother" who is the head of an ancient crime syndicate, and hates all of humanity, is desperately trying to get her hands on a vial which contains some droplets of the blood of Christ, now in the possession of Cardinal Langham, who bravely stands up to the communist forces that are chopping Christian's heads off.
Stacey is a young mother trapped in a violent marriage who wants to see her daughter as Cinderella in the school play but must first escape the nightmare of her own Prince Charming.
Today, the art world and beyond is obsessed with shooting analog. Whether it's a fashion house seeking to bring a new edge to their creative work, an amateur perusing eBay for the perfect vintage Polaroid, or an influencer attempting to capture a comforting retro aesthetic on social media, analog photography has piqued the interest of people everywhere. Is this resurgence a backlash against digital photography? Is it just a trend perpetuated by our desire for authenticity in an increasingly superficial world? Or is it something else entirely?
Grain: Analog Renaissance is a documentary by Alex Contell and Tommaso Sacconi that explores the stories of those committed to using film in modern day photography.
Some Things Hidden (2020) is an experiment in rhythmic succession of still images to create illusions of movement through space in an altered time. The film documents a day with the artist and his parents on a hike through active bear country, beneath the Grand Tetons in Wyoming using a hand cranked 35mm movie camera.
“Nauseous,” is a spontaneous experimentation with light and shadow that taken in a still photograph made into a moving image. Using only 35mm analogue camera. Some of the photos are archival photos during the production of GMIII: Essay 23-28 (short film project) while several other are taken in a nauseous state. During the state, the photos are barely planned and to be thought of, in resulting a pure sporadic irregular experimentation of black and white medium. An attempt of visualization the concept of duality (black (+) white) and human irrational yet vivid visual of sickness.
