Bé Mặn Mimih (2017)

"What we were trying to do was the ultimate form of architecture, which was predicting how society would use space, land and time." Curtis Schreier, ANT FARM Space, Land and Time: Underground Adventures with Ant Farm is the first film to consider the work of the renegade 1970s art/architecture collective Ant Farm, best known for its iconic land-art piece Cadillac Ranch. Radical architects, video pioneers, and mordantly funny cultural commentators, the Ant Farmers created a body of deeply subversive multidisciplinary work that questioned the boundaries of architecture and everything else in the process. Incorporating breathtaking archival video, new footage shot over ten years and animation based on zany period sketches, this film is about the joy of creation in a time when there were no limits. —Beth Federici

This collaborative video project is based on a short story by H.G. Wells called "The Country of the Blind"—about a man who travels to a country of blind people and attempts to dominate their sensual, feminine culture with his male, sight-derived power. Following this theme, "Blind Country" begins with animated fruit dancing over Mike Kelley's body and the admonition of "Northerners" to "refill the quickly emptying sack." In the male-dominated land of the North, candy-spurting pinatas stand as phallic symbols. Presumably castrated, and stripped of his authority, Kelley acts the buffoon as he is led through the murky land of the South, a "female," earthy, "realm of the senses" opposing the phallocentric world of the North.

Documentation of Lygia Pape’s 1968 performance Divisor - reactivated in the city of Villeurbanne (France) in October 2014. Commissioned by Institut d'Art Contemporain de Villeurbanne / Rhône-Alpes.

A performance artist prepares for an event, whether they truly want to attend is uncertain.

A video portrait of the legendary late performance artist, fashion designer and nightlife icon Leigh Bowery. Atlas's camera follows Bowery as he flamboyantly strolls through Manhattan's Meatpacking District, outrageously costumed in a self-made reinterpretation of "Mr. Peanut," the Planter's Peanut mascot. Bowery's molded full-bodysuit, accessorized with a floral print dress, top hat and transparent-heeled platform shoes, draws stares from onlookers. Peanut-related pop songs accompany him on the soundtrack.

Nina Regan, an established performance artist, launches her much-anticipated exhibition, the first since spending a decade in prison for the killing of her long-term collaborator Saul Olufsen.

Джейн просыпается утром на чердаке дома, привязанная к стулу. Она не помнит ни обстоятельств, при которых она оказалась здесь, ни того, кто её связал. Пытаясь выбраться из этого дома, девушка обнаруживает, что на улице нет ни души. Каждый раз попытки Джейн выбраться из ловушки приводят к одинаковому результату: она всегда просыпается тем же самым утром, на этом же чердаке, привязанная к стулу. Ей необходимо найти способ разорвать временную петлю прежде, чем она окончательно заблудится в параллельных мирах.

A documentary edited from ORLAN's seventh surgery in the The Reincarnation of Sainte-ORLAN series which aired live, vis satellite from New York in 1993.

A meditation on the female body as a source of both power and pain that focuses on the tragic figure of renowned American-Greek opera singer Maria Callas (1923-77), whose stunning soprano voice captivated audiences around the world in the mid-20th century while her life was wracked by scandal and personal suffering.

Vanessa Place is a writer, artist, and criminal defense attorney. Her 2010 book "The Guilt Project: Rape, Morality, and Law" critically examined the laws and punitive measures currently employed in the US regarding sex crimes, in addition to proposing that we expand our conception of “rape culture” into an understanding of culture broadly. "If I Wanted Your Opinion, I’d Remove the Duct Tape" is a recording of a performance work of the same title that she toured in 2016 onward, in which she read a set of rape jokes.

Ulysses Jenkins composed "Dream City" from documentation of a twenty-four-hour performance he organized in collaboration with David Hammons, Maren Hassinger, and Senga Nengudi. A discordant, absurdist, and poetic montage, the video weaves together jazz and punk shows, recitations by Jenkins, and shots of the Los Angeles skyline and oil wells to comment on power and nation in the early years of Ronald Reagan's presidency.

In the dystopian 2040, a performance artist shots himself dead in front of a live audience. While the extreme act shocks the society, his friend is kidnapped and interrogated as a murder suspect; he has to prove his innocence to survive.

Desperate for a clue to a mysterious case, an Investigator pushes for a last minute interview with his only witness: an A.I. called ANDI-7291. There's only one problem, fearing the A.I. is corrupt, the scientists at Lang Industries made the suspicious decision to wipe her memory. Now the Investigator has about 10 minutes to find out if any memories remain before ANDI-7291 is dismantled by the scientists.

A woman begins working at an institute that works to determine if the romance in a given couple is genuine.

A film that is an interview with a road.

Following a four-month visit to Taiwan during the pandemic, New York-based artist Yo-Yo Lin shares a first-person account of returning to a place of medical and familial trauma. Moving through the artist’s intimate thoughts, Re:collections melds together new media performance, documentary, Chinese medicine, and Taoist cosmology to question how identity and language are conceived in the context of disability and immigration.

In some way, to all of those who took me along at doors and windows opennings wich I never jumped of.

The Accordion Pigeon, formerly Adolphe Le Prince, evolves into Adolphe Le Pigeon by accordion induced mutation.

From an inverted position, high above the floor, the camera records Nauman’s trek back and forth and across the studio; his stamping creates a generative rhythm reminiscent of native drum beats or primitive dance rituals. However, Nauman is not participating in a social rite or communal ritual—he is completely individualized. Isolated in his studio, his actions have no apparent reason or cause beyond his aesthetic practice.

A witch appears in the south of the city, recites a poem, performs a spell and vomits the world.