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adieu to love (2022)

Жанр : музыка, драма

Время выполнения : 27М

Директор : Andrew Thomas

Краткое содержание

A short experimental film about the effects digital noise and lack of privacy can have on interpersonal connection.

Актеры

Oisín Porter
Oisín Porter
Harry
Zaina Newesser
Zaina Newesser
Liz
Danny O'Leary
Danny O'Leary
Niall
Leona Burke
Leona Burke
Cadhla

Экипажи

Andrew Thomas
Andrew Thomas
Director
Andrew Thomas
Andrew Thomas
Editor
Andrew Thomas
Andrew Thomas
Writer
Andrew Thomas
Andrew Thomas
Producer
Andrew Thomas
Andrew Thomas
Sound Designer
Kevin Cawley
Kevin Cawley
Camera Operator
Ciarán MacChoncarraige
Ciarán MacChoncarraige
Still Photographer
Niamh Ní Mheara
Niamh Ní Mheara
Musician
Jack Lee
Jack Lee
Musician
Andrew Thomas
Andrew Thomas
Director of Photography
Andrew Thomas
Andrew Thomas
Camera Operator

Подобные

Surrealist Overdose
At a peculiar dinner party, an actress tries to survive amidst visions of her darkest nightmares. Without the slightest notion of space-time, the bewildered actress faces her fears and addictions, lost between what could be real or a figment of her imagination, dinner takes on a life of its own.
Possibly in Michigan
A musical horror story about two young women who are stalked through a shopping mall by a cannibal. He follows them home, and here the victims become the aggressors.
Euphoria
Consistent stylistic-thematic structures link and merge throughout the bewildering event chain. The distinction between organic forms and human artifacts is blurred by the visual style which is enigmatic without being ambiguous.
Generation
A brief journey through the human experience as seen by the eyes of an Artificial Intelligence.
Mothlight
Seemingly at random, the wings and other bits of moths and insects move rapidly across the screen. Most are brown or sepia; up close, we can see patterns within wings, similar to the veins in a leaf. Sometimes the images look like paper cutouts, like Matisse. Green objects occasionally appear. Most wings are translucent. The technique makes them appear to be stuck directly to the film.
99 days
Two instants separated by 99 days conflict with each other.
Happy End
A dark comedy about a murder and its consequences presented in a backwards manner, where death is actually a rebirth. The film starts with an "execution" of the main protagonist and goes back to explore his previous actions and motivations.
Symbiopsychotaxiplasm: Take One
In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?
Empire
Experimental film consisting of a single static shot of the Empire State Building from early evening until nearly 3 am the next day.
Ground Control
A journey to an unknown star, a children's theatre play, an untalented writer and the fear of becoming the worst version of oneself. A mixture of live-action footage and animated scenes. A stream of (un)conscious stereotypes.
Tar Pits Film
Tar pits form as petroleum seeps to the surface through fissures in the Earth’s crust, leaving viscous asphalt pools. To make Tar Pits Film, Jennifer West threw a strip of film into the La Brea Tar Pits in Los Angeles, still-bubbling asphalt pools which have seeped from the ground for tens of thousands of years. The film was then ridden over hot asphalt by a motorcycle and drenched in other substances including thick mayonnaise and body lotion.
House
An experimental short film by Walerian Borowczyk and Jan Lenica.
Prelude: Dog Star Man
A creation myth realized in light, patterns, images superimposed, rapid cutting, and silence. A black screen, then streaks of light, then an explosion of color and squiggles and happenstance. Next, images of small circles emerge then of the Sun. Images of our Earth appear, woods, a part of a body, a nude woman perhaps giving birth. Imagery evokes movement across time. Part of the Dog Star Man series of experimental films.
Blazes
100 basic images switching positions for 4000 frames.
В паутине
Кто не мечтал переснять финал любимого фильма? Спасти героя “Титаника” или “Железного человека”? Ким стал для этого режиссёром. Теперь его единственная цель – протащить свою безумную концовку через производственный ад. А для этого придётся обмануть всех: от актёров и продюсеров до киношной мафии, умеющей превращать талантливых режиссёров в неопытных каскадёров...
Yo, Diablo
Joey works as a waiter for a hedonistic community of summer holiday makers in a small Mediterranean paradise. It is unclear if their exaggerated behaviors are due to the fact that the summer is coming to an end or if its just the last of their summers.
Друг мира
После катастрофической глобальной войны молодой режиссер просыпается в кровавой бойне и ищет убежища в единственном выжившем: эксцентричной, идеологически оппозиционной фигуре вооруженных сил Соединенных Штатов. Вместе они преодолевают токсичный ландшафт в поисках безопасности... и ответов.
Glens Falls Sequence
Starting in the late 1930s, illustrator and experimental animator Douglass Crockwell created a series of short abstract animated films at his home in Glen Falls, New York. The films offered Crockwell a chance to experiment with various unorthodox animation techniques such as adding and removing non-drying paint on glass frame-by-frame, squeezing paint between two sheets of glass, and finger painting. The individual films created over a nine-year period were then stitched together for presentation, forming a nonsensical relationship that only highlights the abstract qualities of the images. —Kansas City Electronic Music and Arts Alliance
Momentum
"Momentum is Belson's most serene and gentle film since Allures. This treatment of the sun as an almost dreamlike hallucinatory experience is both surprising and curiously realistic." -Gene Youngblood
Cone Eater
With this abstract digital video, Murata presents viewers with a field of seething colors and line, within which a suggestive, Rorschach-like formation manages to retain its structure even as it is in a constant state of flux. The mesmerizing tableau that results is accompanied by a cyclical, dronelike sound track.