Screenplay
An action movie directed by Jess Franco.
Script Supervisor
Erotic drama from France featuring beautiful Florence Guerin as a teenager who is switched in by a writer her mom allow us to move around in with them for the summer. The mom would love to get it on because of the writer not comprehending that he's being seduced by her child.
Second Assistant Director
Assistant Director
How does a country go from a dictatorship to a democracy? A detailed report on the political representation in the heart of the Spanish Transition, only a few months after General Franco’s death, when the sincere democratic vocation of Spanish people must effort to destroy, one heavy brick after another, the wall that those who supported the dictatorship and those who fought it from the exile built with resentment, hatred and prejudices.
Second Assistant Director
A group of adolescents from the same school, although of different social classes, intervene between them. Oscar falls in love with Sandra until Diego seduces her and makes her pregnant...
Sound Director
Five ex-political prisoners meet secretly in a country house one afternoon in 1974 on the same day that Salvador Puig Antich is executed, to talk about their experiences in prison.
Assistant Director
Amid the craggy, dusty hills of southern France, a woman screams in the night. Gorgeous Melissa Comfort, a wealthy heiress confined to a wheelchair since birth, cries out in her nightmares, terrified of a dream that comes night after night. In this night terror, she's 10-years-old. Running from a man who may or may not be her father.
Assistant Director
An atmospheric essay, which is an alternative version of Count Dracula, a film directed by Jess Franco in 1970; a ghostly narration between fiction and reality.
Screenplay
An erotic horror tale about a vixen vampiress seducing and killing women to appease her insatiable thirst for female blood.
Script Supervisor
Portabella’s first feature, co-scripted by poet Joan Brossa, became one of the most influential works of the Barcelona avant-garde, although like all his early films, it circulated only in an underground fashion. Eschewing dialogue, the director constructs a non-narrative story in fragments that reveal the daily lives of an adulterous couple interspersed with a cryptic stream of unrelated imagery. The title of this homage to directors including Eisenstein, Antonioni, Bergman, and Buñuel refers to the 29 “black years” of the Franco dictatorship. — chicago.cervantes.es
Associate Producer
Portabella’s first feature, co-scripted by poet Joan Brossa, became one of the most influential works of the Barcelona avant-garde, although like all his early films, it circulated only in an underground fashion. Eschewing dialogue, the director constructs a non-narrative story in fragments that reveal the daily lives of an adulterous couple interspersed with a cryptic stream of unrelated imagery. The title of this homage to directors including Eisenstein, Antonioni, Bergman, and Buñuel refers to the 29 “black years” of the Franco dictatorship. — chicago.cervantes.es
David (Mark Stevens) is a physician who returns to Spain 30 years after his involvement in the Spanish Civil War. Now a member of a medical convention, he looks up old friends and finds his former lover, now a married woman with a flamenco-dancing daughter. He and the daughter (Manuela Vargas) have an immediate and mutual attraction to each other. He considers running away with the exotic beauty before asking his wife to join him for an extended vacation after the convention .
Chica
A man and a woman, both disappointed with their partners, meet by chance at the beginning of the night. They will spend the night together drinking red wine in Barcelona's Chinatown.