Roland Petit

Roland Petit

Рождение : 1924-01-13, Villemonble, Seine-Saint-Denis, France

Смерть : 2011-07-10

История

Roland Petit (13 January 1924 – 10 July 2011) was a French ballet company director, choreographer and dancer. He trained at the Paris Opera Ballet school, and became well known for his creative ballets. The son of shoe designer Rose Repetto, Petit was born in Villemomble, near Paris. He trained at the Paris Opéra Ballet school under Gustave Ricaux and Serge Lifar and began to dance with the corps de ballet in 1940. He founded the Ballets des Champs-Élysées in 1945 and the Ballets de Paris in 1948, at Théâtre Marigny, with Zizi Jeanmaire as star dancer. Petit collaborated with Constant Lambert (Ballabile - 1950), Henri Dutilleux (Le Loup - 1953), Serge Gainsbourg, Yves Saint-Laurent and César Baldaccini and participated in several French and American films. He returned to the Paris Opéra in 1965 to mount a production of Notre Dame de Paris (with music by Maurice Jarre). He continued to direct ballets for the largest theatres of France, Italy, Germany, Great Britain, Canada and Cuba. In 1968, his ballet Turangalîla provoked a small revolution within the Paris Opéra. Four years later, in 1972, he founded the Ballet National de Marseille with the piece "Pink Floyd Ballet". He directed the Ballet National de Marseille for the next 26 years. For the décor of his ballets, he would work in close collaboration with the painter Jean Carzou (1907–2000), but also with other artists such as Max Ernst. The creator of more than 50 ballets across all genres, he choreographed for a plethora of famed international dancers. He refused the free technical effects; he did not stop reinventing his style, language, and became a master in the arts of pas de deux and of narrative ballet, but he succeeded also in abstract ballets. He collaborated also with the nouveaux réalistes including Martial Raysse, Niki de Saint Phalle and Jean Tinguely. Le jeune homme et la mort ("The Young Man and Death") of 1946 (libretto by Jean Cocteau) is considered his magnum opus and it is also his most well-known work; the choreography and the costumes are of astonishing modernity. In his 1949 ballet Carmen, he made an unusual use of the en dedans, while he gave a non-figurative treatment to Turangalîla. Among the films to which he contributed are Symphonie en blanc by René Chanas and François Ardoin (1942 short film on history of dance) in which he appeared as a dancer; the choreography for the 1948 film Alice in Wonderland, The Glass Slipper in 1954, Anything Goes (with others) in 1956, and Black Tights as choreographer, writer, and dancer in 1960. In 1994, he was awarded the Prix Benois de la Danse as choreographer. In 1954, Petit married dancer Zizi Jeanmaire, who performed in a number of his works. His memoirs were published in 1993 under the title J'ai dansé sur les flots ("I Danced on the Waves"). He and Jeanmaire had one daughter, Valentine Petit, a dancer and actress. Petit died in Geneva, Switzerland, aged 87, of leukemia in 2011. Source: Article "Roland Petit" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Профиль

Roland Petit

Фильмы

Notre-Dame de Paris (Opéra Bastille)
Choreographer
Notre-Dame de Paris (Opéra Bastille)
Stage Director
La Scala Ballet: Notre-Dame de Paris
Choreographer
With Roland Petit’s cool, cabaret-style choreography and chic costumes by Yves Saint Laurent, Notre-Dame de Paris has been a modern ballet hit ever since its 1965 premiere. Petit’s deft condensation of Victor Hugo’s epic and tragic novel is now renewed by two stars of our own time, Roberto Bolle and Natalia Osipova: a stunning tribute to Petit’s genius after his death in 2011. Recorded live at Teatro alla Scala, Milan, March 2013.
Dancing Chaplin
Himself
Dancing Chaplin
Choreographer
Proust ou les Intermittences du cœur
Choreographer
Ballet en deux actes et treize tableaux du chorég. This is a live recording of a performance at Paris Garnier in 2007. Petit's earlier production for the Ballet de Marseille used more realistic stage sets, but the current Paris version has minimal stage sets. Also, the costumes were redesigned. Roland Petit created a ballet based on "In Search of Lost Time" for the Ballet de Marseille in the 1970s. Petit's intention was not to make a faithful adaptation of the novel, but to capture its flavour and convey, through a number of selected scenes, the narrator's incessant fluctuations between happiness and torment. The highlights are the series of poetical pas de deux.
Большой балет: Пиковая дама/Пассакалья
Story
Pique Dame (or "The Queen of Spades") inspired by Alexander Pushkin, set to a music by Tchaikovsky; Passacaglia (or "Passacaille") set to a music by Anton Webern: two Roland Petit masterpieces brought together on one memorable evening at the Bolshoi Theater of Moscow. Recorded live, 19th of May 2005.
Большой балет: Пиковая дама/Пассакалья
Choreographer
Pique Dame (or "The Queen of Spades") inspired by Alexander Pushkin, set to a music by Tchaikovsky; Passacaglia (or "Passacaille") set to a music by Anton Webern: two Roland Petit masterpieces brought together on one memorable evening at the Bolshoi Theater of Moscow. Recorded live, 19th of May 2005.
Carmen - Roland Petit
Choreographer
Roland Petit’s ballet Carmen was a smash hit at its premiere at London’s Prince’s Theatre in 1949. Structured in five scenes, the work reimagines the classic opera, using an innovative mixture of modern and classical ballet, mime, and Spanish-style movement to create a contemporary interpretation of Bizet’s Romantic masterpiece. In this 2005 production at the Palais Garnier, Clairemaire Osta (Carmen), Nicolas Le Riche (Don José), and Guillaume Charlot (Escamillo) star, framed by Antoni Clavé’s vibrant decor and costumes. Experience this landmark ballet in a striking 21st-century revival!
Le Jeune Homme Et La Mort - Roland Petit
Choreographer
Nicolas Le Riche and Marie-Agnès Gillot star in the legendary Roland Petit and Jean Cocteau's pioneering one-act ballet Le Jeune homme et la Mort. This 2005 production at the Opéra de Paris stays true to Petit’s original scenic and choreographic conception, from the dark, dingy apartment of the Young Man to the disturbing yellow dress and jet-black coiffe of the villainess. A mesmerizing drama in dance as virtuosic as it is unsettling!
Il pipistrello (La Scala)
Choreographer
Every night, Johann puts on bat's wings and flies off to enjoy himself. Bella, troubled by her husband's hedonistic activities, consults with her friend Ulrich and plots to disguise herself as a mysterious beauty to seduce her husband. A ballet in two acts after Johann Strauss' "Die Fledermaus" choreographed by Roland Petit, staged by Teatro alla Scala and filmed for television.
Clavigo
Choreographer
Inspired by Goethe's early romantic play Clavigo, Roland Petit's ballet recounts the agonies of a weak-willed lover torn between the contradictory promptings of his heart and his evil spirit, which urges him to serve his own interests and forsake true love in favor of a life of debauchery. Recorded live at the Opera National de Paris, Palais Garnier, October 1999.
Carmen
Choreographer
Carmen
Don José
Pink Floyd Ballet
Choreographer
Roland Petit Rock Ballet Performed to the music of Pink Floyd Performed Live November 22-26, 1972 Broadcast on French TV January 12-13, 1973
Black Tights
Screenplay
Lively scenes of Paris, all narrated by Maurice Chevalier, link together four dramatic ballet choreographies by Roland Petit: La Croqueuse de diamants (The Gold Digger), Cyrano de Bergerac, Deuil en 24 heures (A Merry Mourning), and Carmen.
Black Tights
Choreographer
Lively scenes of Paris, all narrated by Maurice Chevalier, link together four dramatic ballet choreographies by Roland Petit: La Croqueuse de diamants (The Gold Digger), Cyrano de Bergerac, Deuil en 24 heures (A Merry Mourning), and Carmen.
Black Tights
Cyrano / The Suitor / Don José
Lively scenes of Paris, all narrated by Maurice Chevalier, link together four dramatic ballet choreographies by Roland Petit: La Croqueuse de diamants (The Gold Digger), Cyrano de Bergerac, Deuil en 24 heures (A Merry Mourning), and Carmen.
Длинноногий папочка
Choreographer
Юркая и смышленая Джуди воспитывается в сиротском приюте. Когда она достигает 18-летнего возраста, у нее появляется таинственный опекун, решивший оплатить ее обучение в колледже, при условии, что девушка никогда не будет пытаться увидеть его. Джуди не подозревает, что ее благодетель — миллионер Джервис Пенделтон, влюбившийся в нее с первого взгляда…
Ганс Христиан Андерсен
Choreographer
Датский город Оденс в 1830-е годы. Молодой сапожник Ганс Христиан Андерсен (Дэнни Кэй) проводит свой день, рассказывая сказки для деревенских детей и преподавая им уроки гордости, смирения, любви и взросления через причудливых персонажей своих историй. Суровый учитель местной школы полагает, что сказки Ганса крадут у учеников драгоценное время, которые они должны посвящать занятиям и труду. Он пытается повлиять на сапожника с помощью бургомистра и членов совета. Но Ганса не так-то просто отдалить от детей. Он любит их всей душой и уверен, что монотонная скучная учеба не может вырастить из них настоящих людей. Тогда члены совета вынуждают Ганса покинуть Оденс... Это не биографический фильм, а сказка о великом сказочнике.
Ганс Христиан Андерсен
The Prince in 'The Little Mermaid' Ballet
Датский город Оденс в 1830-е годы. Молодой сапожник Ганс Христиан Андерсен (Дэнни Кэй) проводит свой день, рассказывая сказки для деревенских детей и преподавая им уроки гордости, смирения, любви и взросления через причудливых персонажей своих историй. Суровый учитель местной школы полагает, что сказки Ганса крадут у учеников драгоценное время, которые они должны посвящать занятиям и труду. Он пытается повлиять на сапожника с помощью бургомистра и членов совета. Но Ганса не так-то просто отдалить от детей. Он любит их всей душой и уверен, что монотонная скучная учеба не может вырастить из них настоящих людей. Тогда члены совета вынуждают Ганса покинуть Оденс... Это не биографический фильм, а сказка о великом сказочнике.
Alice in Wonderland
Choreographer
This exceptional theatrical version of Lewis Carroll's 1865 classic features a combination of live characters and puppets.