Catarina Apolônio

An old hired killer is hiding in the interior of Bolivia, in the desert region of the Salar de Uyuni. You just committed your last murder. After months in isolation, he travels to the interior of Paraguay where he receives a good reward and heads to Asunción with the aim of meeting his daughter.

Dona Amélia is an Angolan refugee from the war who started her life anew in Olinda, in the Northeast of Brazil. From her photograph mural, her Brazilian daughter goes in search of her roots, divided between the family memories and the manifestations of African origin that she encounters along the way.

Dona Amélia is an Angolan refugee from the war who started her life anew in Olinda, in the Northeast of Brazil. From her photograph mural, her Brazilian daughter goes in search of her roots, divided between the family memories and the manifestations of African origin that she encounters along the way.

Аманда и Бруно летят из Рио-де-Жанейро в Сан-Паулу. Она — домой, он — из дома. Их самолет совершает вынужденную посадку в другом городе, и героям фильма «Воздушный мост» приходится ночевать в отеле. Ту ночь едва знакомые Бруно и Аманда проводят вместе, и оба не считают свой роман чем-то серьезным — скорее, просто дорожным приключением. Но случай (или, если угодно, судьба) вновь сводит их вместе.

The boy runs after the ball. The worker builds concrete dreams between buildings and soccer balls in a lowland field in Recife. The poet receives a word ball, gives a literal stroke and makes an imaginary goal in this film about football, passion and poetry. João Cabral's America goes beyond the four lines of the field or paper, it transcends time and the field; update the memory to the fact that the love of football will not be volatile or ephemeral, neither in defeat nor in victory.

Ignacio has one obsession: creating a play about his uncle Jaime Guzmán, an ideologist of the 80's constitution and collaborator of the Pinochet military-civic dictatorship. But things get out of control...

A documentary about the village of Regoufe, threatened by wolves and endangered by human desertification.

Life in a middle-class neighbourhood in present day Recife, Brazil, takes an unexpected turn after the arrival of an independent private security firm. The presence of these men brings a sense of safety and a good deal of anxiety to a culture which runs on fear. Meanwhile, Bia, married and mother of two, must find a way to deal with the constant barking and howling of her neighbour’s dog. A slice of ‘Braziliana’, a reflection on history, violence and noise.