Winsor McCay
Рождение : 1869-09-26, Michigan, USA
Смерть : 1934-07-26
История
Zenas Winsor McCay (c. 1866–71 – July 26, 1934) was an American cartoonist and animator. He is best known for the comic strip Little Nemo (1905–14; 1924–26) and the animated film Gertie the Dinosaur (1914). For contractual reasons, he worked under the pen name Silas on the comic strip Dream of the Rarebit Fiend.
McCay was an early animation pioneer; between 1911 and 1921 he self-financed and animated ten films, some of which survive only as fragments. The first three served in his vaudeville act; Gertie the Dinosaur was an interactive routine in which McCay appeared to give orders to a trained dinosaur. McCay and his assistants worked for twenty-two months on his most ambitious film, The Sinking of the Lusitania (1918), a patriotic recreation of the German torpedoing in 1915 of the RMS Lusitania. Lusitania did not enjoy as much commercial success as the earlier films, and McCay's later movies attracted little attention. His animation, vaudeville, and comic strip work was gradually curtailed as newspaper magnate William Randolph Hearst, his employer since 1911, expected McCay to devote his energies to editorial illustrations.
In his drawing, McCay made bold, prodigious use of linear perspective, particularly in detailed architecture and cityscapes. He textured his editorial cartoons with copious fine hatching, and made color a central element in Little Nemo. His comic strip work has influenced generations of cartoonists and illustrators. The technical level of McCay's animation—its naturalism, smoothness, and scale—was unmatched until the work of Fleischer Studios in the late 1920s, followed by Walt Disney's feature films in the 1930s. He pioneered inbetweening, the use of registration marks, cycling, and other animation techniques that were to become standard.
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Himself (Archival Footage)
Before Mickey there was Oswald, the floppy-eared star of Walt Disney's first cartoon series, THE ADVENTURES OF OSWALD THE LUCKY RABBIT. Fun and mischievous, the cheerful rabbit's popularity quickly multiplied, and so did his shorts. Between 1927 and 1928, Disney created a bounty of legendary and rarely seen Oswald cartoons. Now for the first time ever on DVD, the premiere collection of Disney's Oswald shorts -- all featuring new scores composed by Robert Israel especially for this release. The long-lost rabbit's life story, from his birth to his long-awaited return to Disney, and a documentary on the legendary Ub Iwerks set the stage for the comeback of one of the most important stars in Disney's menagerie. Featuring exclusive introductions by film historian Leonard Maltin, this is a timeless collection from generations past for generations to come.
Himself
Winsor McCay was the first master of animation. This movie features every surviving film by this cinema pioneer with lovely piano score by famed composer Gabriel Thibaudeau. Highlights in this collection include: Little Nemo (1911), Gertie the Dinosaur (1914), How A Mosquito Operates (1912), The Sinking Of The Lusitania (1918), The Centaurs (1918-21), Gertie On Tour (1918-21), Flip’s Circus (1918-21), Bug Vaudeville (1921), The Pet (1921) and The Flying House (1921). DVD features a commentary by film historian John Canemaker and his charming documentary Remembering Winsor McCay.
Writer
Маленький мальчик по имени Немо видит страшный сон, о том, как за ним по земле и по воде мчится огромный поезд. На утро папа зовет его смотреть цирк, который приехал в город. Среди участников циркового представления Немо видит тех, с кем ему суждено дальше встретиться. На следующую ночь он просыпается от странного света. За Немо прилетел дирижабль, и ему предлагают отправится в Страну Снов по приглашению Принцессы, которая, кстати, прислала в подарок печенье. Немо радостно отправляется в путь. По пути дирижабль попадает в шторм в море Кошмаров, которое отделяет мир Немо от Страны Снов.
Comic Book
На остров, не обозначенный ни на одной карте, судьба забросила мальчика-фантазера Немо, прекрасную принцессу Алису, ученого-исследователя графа Данилова, его сестру, женщину-вамп Душку и чернокожего слугу по фамилии Пушкин. Сколько же этой компании предстоит преодолеть опасностей, пока не подоспеют спасители-инопланетяне!
Writer
The first of three pilot shorts that eventually became the 1989 movie Little Nemo: Adventures in Slumberland.
Writer
After eating a rarebit, a man falls asleep and dreams his wife adopts a mysterious animal with an insatiable appetite. The pet eats its milk, the house cat, the house's furnishings, rat poison, and passing vehicles, including airplanes and a blimp, while growing larger and larger. This cartoon is part of a Dream trilogy animated by Winsor McCay in 1921. (CBGP)
Director
After eating a rarebit, a man falls asleep and dreams his wife adopts a mysterious animal with an insatiable appetite. The pet eats its milk, the house cat, the house's furnishings, rat poison, and passing vehicles, including airplanes and a blimp, while growing larger and larger. This cartoon is part of a Dream trilogy animated by Winsor McCay in 1921. (CBGP)
Writer
Windsor McCay's partially lost follow-up to his tremendouly successful Gertie the Dinosaur. Gertie has been brought into the modern world. Continually perplexed by her new surroundings, she begins to explore the new sights. But when she sleeps, she dreams of the way it used to be, in the days when the world was full of dinosaurs like herself.
Writer
И снова Уинзор МакКэй. Он не раз и не два использовал этот сюжетный ход - некто съел сырные гренки, заснул и видит совершенно безумные сны. Вот и в этот раз, бродяге снится странное представление насекомых. Я бы по-другому перевел название фильма. "Варьете/кабаре/мюзик-холл насекомых" было бы точнее. Мультик и представляет собой сборник эстрадных номеров в исполнении шестиногих.
Writer
Flip is balancing his hat on his face while leaning forwards and backwards. He eventually falls face forward. Flip opens the tent flap to reveal a lot of large animals behind him. A large animal creature-I have no idea what it is-comes out and starts to interact with Flip. Flip keeps hitting him. Flip puts his head in the animal's mouth. At one point, the animal swallows him as we see moving bumps on the stomach. He then spits him back out!
Director
Windsor McCay's partially lost follow-up to his tremendouly successful Gertie the Dinosaur. Gertie has been brought into the modern world. Continually perplexed by her new surroundings, she begins to explore the new sights. But when she sleeps, she dreams of the way it used to be, in the days when the world was full of dinosaurs like herself.
Director
Flip is balancing his hat on his face while leaning forwards and backwards. He eventually falls face forward. Flip opens the tent flap to reveal a lot of large animals behind him. A large animal creature-I have no idea what it is-comes out and starts to interact with Flip. Flip keeps hitting him. Flip puts his head in the animal's mouth. At one point, the animal swallows him as we see moving bumps on the stomach. He then spits him back out!
Director
И снова Уинзор МакКэй. Он не раз и не два использовал этот сюжетный ход - некто съел сырные гренки, заснул и видит совершенно безумные сны. Вот и в этот раз, бродяге снится странное представление насекомых. Я бы по-другому перевел название фильма. "Варьете/кабаре/мюзик-холл насекомых" было бы точнее. Мультик и представляет собой сборник эстрадных номеров в исполнении шестиногих.
Animation
A female centaur enters a clearing in the woods and picks flowers. She is met by a male centaur and the two romance each other. They then seek parental consent for their union. Surviving footage of a now lost film.
Producer
A female centaur enters a clearing in the woods and picks flowers. She is met by a male centaur and the two romance each other. They then seek parental consent for their union. Surviving footage of a now lost film.
Writer
A female centaur enters a clearing in the woods and picks flowers. She is met by a male centaur and the two romance each other. They then seek parental consent for their union. Surviving footage of a now lost film.
Director
A female centaur enters a clearing in the woods and picks flowers. She is met by a male centaur and the two romance each other. They then seek parental consent for their union. Surviving footage of a now lost film.
Writer
Это последний анимационный фильм Уинзора Маккея. В своих фильмах Маккей раскрепощал свою фантазию по полной. В этом фильме сюжет простой и близкий сердцу - вы просрочили платежи по ипотеке и у вас собираются забрать дом. Катастрофа! Что делать?! Без паники, друг. Если здесь все так плохо, надо просто улететь отсюда. На чем улететь? А вот прямо на доме и улететь.
Director
Это последний анимационный фильм Уинзора Маккея. В своих фильмах Маккей раскрепощал свою фантазию по полной. В этом фильме сюжет простой и близкий сердцу - вы просрочили платежи по ипотеке и у вас собираются забрать дом. Катастрофа! Что делать?! Без паники, друг. Если здесь все так плохо, надо просто улететь отсюда. На чем улететь? А вот прямо на доме и улететь.
Himself
Только-только закончилась Первая Мировая, еще свежи раны. Этот фильм по существу является анимационной инсценировкой печально известного торпедирования немецким ВМФ океанского лайнера «Лузитания», гражданского пассажирского судна.
Writer
Только-только закончилась Первая Мировая, еще свежи раны. Этот фильм по существу является анимационной инсценировкой печально известного торпедирования немецким ВМФ океанского лайнера «Лузитания», гражданского пассажирского судна.
Director
Только-только закончилась Первая Мировая, еще свежи раны. Этот фильм по существу является анимационной инсценировкой печально известного торпедирования немецким ВМФ океанского лайнера «Лузитания», гражданского пассажирского судна.
Animation
Although not the first feature-length animated film, as is sometimes thought, it was the first cartoon to feature a character with an appealing personality. The appearance of a true character distinguished it from earlier animated "trick films", such as those of Blackton and Cohl, and makes it the predecessor to later popular cartoons such as those by Walt Disney. The film was also the first to be created using keyframe animation.
Producer
Although not the first feature-length animated film, as is sometimes thought, it was the first cartoon to feature a character with an appealing personality. The appearance of a true character distinguished it from earlier animated "trick films", such as those of Blackton and Cohl, and makes it the predecessor to later popular cartoons such as those by Walt Disney. The film was also the first to be created using keyframe animation.
Writer
Although not the first feature-length animated film, as is sometimes thought, it was the first cartoon to feature a character with an appealing personality. The appearance of a true character distinguished it from earlier animated "trick films", such as those of Blackton and Cohl, and makes it the predecessor to later popular cartoons such as those by Walt Disney. The film was also the first to be created using keyframe animation.
Himself
Although not the first feature-length animated film, as is sometimes thought, it was the first cartoon to feature a character with an appealing personality. The appearance of a true character distinguished it from earlier animated "trick films", such as those of Blackton and Cohl, and makes it the predecessor to later popular cartoons such as those by Walt Disney. The film was also the first to be created using keyframe animation.
Director
Although not the first feature-length animated film, as is sometimes thought, it was the first cartoon to feature a character with an appealing personality. The appearance of a true character distinguished it from earlier animated "trick films", such as those of Blackton and Cohl, and makes it the predecessor to later popular cartoons such as those by Walt Disney. The film was also the first to be created using keyframe animation.
Animation
A hungry mosquito spots and follows a man on his way home. The mosquito slips into the room where the man is sleeping, and gets ready for a meal. His first attempts startle the man and wake him up, but the mosquito is very persistent.
Producer
A hungry mosquito spots and follows a man on his way home. The mosquito slips into the room where the man is sleeping, and gets ready for a meal. His first attempts startle the man and wake him up, but the mosquito is very persistent.
Writer
A hungry mosquito spots and follows a man on his way home. The mosquito slips into the room where the man is sleeping, and gets ready for a meal. His first attempts startle the man and wake him up, but the mosquito is very persistent.
Director
A hungry mosquito spots and follows a man on his way home. The mosquito slips into the room where the man is sleeping, and gets ready for a meal. His first attempts startle the man and wake him up, but the mosquito is very persistent.
Animation
Cartoon figures announce, via comic strip balloons, that they will move - and move they do, in a wildly exaggerated style. Also known as "Winsor McCay, the Famous Cartoonist of the N.Y. Herald and His Moving Comics".
Producer
Cartoon figures announce, via comic strip balloons, that they will move - and move they do, in a wildly exaggerated style. Also known as "Winsor McCay, the Famous Cartoonist of the N.Y. Herald and His Moving Comics".
Writer
Cartoon figures announce, via comic strip balloons, that they will move - and move they do, in a wildly exaggerated style. Also known as "Winsor McCay, the Famous Cartoonist of the N.Y. Herald and His Moving Comics".
Himself
Cartoon figures announce, via comic strip balloons, that they will move - and move they do, in a wildly exaggerated style. Also known as "Winsor McCay, the Famous Cartoonist of the N.Y. Herald and His Moving Comics".
Director
Cartoon figures announce, via comic strip balloons, that they will move - and move they do, in a wildly exaggerated style. Also known as "Winsor McCay, the Famous Cartoonist of the N.Y. Herald and His Moving Comics".
Writer
Это один из самых необычных фильмов, снятых на заре кинематографа, фильм, хоть это и избитая фраза, опередивший своё время. Это ответ на вопрос - что будет, если к мильесовским фантазиям добавить немного реализма... Некий господин весьма плотно поужинал (сцена снята столь аппетитно, что натощак смотреть не рекомендуется), но от главной детали нас старательно отвлекают - тем не менее обратите внимание, сколько бутылок стоит на столе... И ясно, что не от гренок с сыром у господина, вышедшего на улицу, земля уходит из-под ног, а весь мир закрутился вокруг него. Добравшись домой (спасибо полицейскому), он ложится спать. И тут его посещают не то сны, не то галлюцинации: мебель стремительно покидает комнату, а из прилетевшей кастрюльки с гренками вылезают белые (это симптоматично!) чёртики, кайлом и трезубцами стучатся ему в голову. И наконец, герою этого фильма предстоит полёт на кровати над ночным городом. В общем, на ночь очень вредно так наедаться...