Diogo Dahl

'The Last Party' is a young romantic comedy that follows a group of four friends at their high school graduation party. Each protagonist with their love dilemma to solve throughout the night, all connected by the issues of this generation. It's their last night as teenagers. The last night with friends before being separated by different colleges. The last night before the rest of their lives.

A deep investigation, in the way of a poetic essay, on one of the main Latin American movements in cinema, analyzed via the thoughts of its main authors, who invented, in the early 1960s, a new way of making movies in Brazil, with a political attitude, always near to people's problems, that combined art and revolution.

A deep investigation, in the way of a poetic essay, on one of the main Latin American movements in cinema, analyzed via the thoughts of its main authors, who invented, in the early 1960s, a new way of making movies in Brazil, with a political attitude, always near to people's problems, that combined art and revolution.

Police officer Jorge Capitão is a competent BOP captain and a Brazilian idol. But after he saved Argentina's greatest ace from a kidnapping, on the eve of the World Cup, he ended up becoming the nation's number 1 public enemy. Expelled from the corporation and discredited by the people, Captain must relearn how to work as a team to avoid an attempt on the Pope in the final of the tournament. That's when the sex shop manager Bia Alpinistinha, a medium and her very crazy mother, enters the scene.

A couple face problems because he can no longer have sex with her. Always charged due to the lack of lust, he feels increasingly diminished in the relationship. That's when she presents a bold proposal: that they switch roles in sex, as a way of proving their commitment to the relationship.

A couple face problems because he can no longer have sex with her. Always charged due to the lack of lust, he feels increasingly diminished in the relationship. That's when she presents a bold proposal: that they switch roles in sex, as a way of proving their commitment to the relationship.

Амбициозный режиссер-нонконформист Педро убеждает актрису Анну, что страсть неотделима от страданий, и ставит в независимом театрике одну из самых печальных повестей на свете, предтечу всех последующих ромео и джульетт – о Тристане и Изольде. Сценический роман перекидывается в жизнь, а страдания приносит не столько любовь, сколько флирт Анны с телевидением: мыльная опера «Свиньи и бисер» – страшный соперник. Обстановка накаляется, когда Педро поступается принципами и заключает контракт с медиа-магнатом на адаптацию старинной легенды. И вот съемки в бразильской провинции в разгаре, а у Анны, похоже, намечаются серьезные отношения с молодым пройдохой, обманом добившимся роли Тристана...

Colonel Furtado struggles to keep his lands, the Sobradinho Farm, and win the heart of his cousin Esmeraldina. In the process, he fights big beasts, experiences the taste of a bohemian life in town, fends usurers and thieves off, and uses all his cunning to get rid of haunting entities. His rival is the man he was brought up with, Pernambuco Nogueira, a werewolf.

The life of Brazilian actress Odete Lara, muse of the movement called Cinema Novo in Brazil, who exchanged stardom for a quiet and religious life.