Nicolás Mateo

Brisa’s daily life alternates between the world of show business, appearances, and the stark reality presented by his son Hilario, who fell into poverty as a result of his addiction to drugs. The film portrays an intense fragment of Susana and Hilario’s story, the difficulties that arise when she tries to keep her professional commitments, the elegance with which she manages to avoid the low blows and her pain; but, fundamentally, the film reveals how this woman faces a difficult process without losing her dignity or sense of humor.

Many stories happen simultaneously through Internet. In the real world, people are lonely, isolated, desperate for finding love, friendship and tenderness. They project themselves as superheroes, with infinity of friends and hypersex. They live asphyxiated in front of their machines, unable to live with the people that surround them, exasperated for finding a pinch of love in the fantasy of the net. Outside the virtual world, they do not exist.

Three intertwining stories that take place in La Salada — the largest unregulated market in Buenos Aires: a Korean father prepares his daughter for an arranged marriage, a young Bolivian man searches for work, and a Taiwanese DVD seller tries to woo a young woman to be his girlfriend.

The night. One night. Perhaps any night anywhere. It rains. A woman. No. A man. A man and a woman. No. A man, a woman and someone else. The table. A table. A table immersed in alcohol, singing, playing music. The music. No, jazz. JAZZ! The seduction, the crossing. Acting, pretend. Laught. The kisses. No. Decline. One night, a woman a man and someone else, on a table. No. The Void.

Buenos Aires at the outskirts of XIX century. A society rigid in patriarchal rules. A war between brothers of Argentina, Brazil, Uruguay and Paraguay. Two young and very much in love youngsters, fight for their right to be together. Obeyance and fear sets them apart along more than ten years. When they are finally reunited, will they be able to overcome the pain and tragedy that haunts them?

Three situations of vaguely theatrical origin, stripped of all outer clothing, reveal the track of a different cinema. whose realism seeps into the cracks of his apparently self-contained, closed world.

Thirty four year old Goyo, a former open water swimming champion, has been hiding out in the desert. Wrongly accused of doping in the Santa Fe-Coronda Marathon, a 57 kilometer river swim, he has abandoned his career and his dreams. Eight years later, Goyo returns to Santa Fe where the marathon will be held again to try to re-gain his title and clear his name. However, long buried emotions come back to haunt him. He meets Chino, a stubborn and disciplined pool swimmer, who tries hard to be selected for the national team, but fails. Identifying with Chino, Goyo asks him to be his guide on the boat that follows him during the marathon.

The film does not describe, rather it observes, in a distant manner, the world of Martin, a seventeen year old who feels he doesn’t belong anywhere, not at home, school, nor with his friends or members of his rock band. In search of some happiness, Martin takes off to the coastal town of Mar de Plata, where his older brother lives. Unglamorous, yet enchantingly addictive and refreshingly genuine, Acuña paints a confused and uncomfortable world, and makes us want revisit it over and over again.

A young man wants to make a girl fall in love with him and on the way he discovers that what he wanted was something else...