Yilmaz Arslan

Рождение : 1968-04-20,

Фильмы

Io sto bene
Producer
Antonio has spent his whole life away from Italy, his home country. He crosses paths with Leo, a young Italian artist who is trying to make it abroad. The old man and the young woman's destinies mirror each other. Memories from the past are awoken and end up offering a more peaceful future to the both of them.
Sandstern
Producer
Sandstern
Writer
Sandstern
Director
Fratricide
Producer
Two young Kurdish refugees, recently arrived in Germany struggle to make their way through the harshness of the occidental city. Their encounter with a gang of Turks will rapidly led them into an inevitable tragical spiral filled with death and revenge.
Fratricide
Writer
Two young Kurdish refugees, recently arrived in Germany struggle to make their way through the harshness of the occidental city. Their encounter with a gang of Turks will rapidly led them into an inevitable tragical spiral filled with death and revenge.
Fratricide
Director
Two young Kurdish refugees, recently arrived in Germany struggle to make their way through the harshness of the occidental city. Their encounter with a gang of Turks will rapidly led them into an inevitable tragical spiral filled with death and revenge.
Angst isst Seele auf
Producer
Shot with striking immediacy by a subjective camera, “Angst isst Seele auf” assumes the point of view of a black actor in Germany dealing with racist abuse as he prepares to appear in a play based on Fassbinder’s film, about the taboo relationship between an older German woman and an Arab man. Sharing the same lead actress (Brigitte Mira), cinematographer (Jürgen Jürges), and editor (Thea Eymèsz) as in Rainer Werner Fassbinder’s 1974 Film “Angst essen Seele auf”, these twin works offer a searing indictment of prejudice within German society.
Angst isst Seele auf
Screenplay
Shot with striking immediacy by a subjective camera, “Angst isst Seele auf” assumes the point of view of a black actor in Germany dealing with racist abuse as he prepares to appear in a play based on Fassbinder’s film, about the taboo relationship between an older German woman and an Arab man. Sharing the same lead actress (Brigitte Mira), cinematographer (Jürgen Jürges), and editor (Thea Eymèsz) as in Rainer Werner Fassbinder’s 1974 Film “Angst essen Seele auf”, these twin works offer a searing indictment of prejudice within German society.
The Wound
Director
Directed by Yilmaz Arslan.
Passages
Writer
A rehabilitation center for physically handicapped children and youth is the focus of this docudrama. Long corridors, offbeat characters and passions.
Passages
Director
A rehabilitation center for physically handicapped children and youth is the focus of this docudrama. Long corridors, offbeat characters and passions.
Passages
Vergewaltiger
A rehabilitation center for physically handicapped children and youth is the focus of this docudrama. Long corridors, offbeat characters and passions.