K.K. Mahajan

Рождение : 1944-10-02, Gurdaspur, Punjab, India

Смерть : 2017-07-13

История

K. K. Mahajan was an Indian cinematographer who was known for his work in Parallel Cinema. In a career that spanned over four decades, he won four National Film Awards. He was best known for his work with filmmakers such as Kumar Shahani, Mani Kaul, Basu Chatterjee and Mrinal Sen. Starting his career in the late 1960s, Mahajan worked simultaneously in parallel and mainstream films for the next four decades. In all he shot 84 feature films, around 100 commercials and over 20 documentaries and several television serials.

Фильмы

Char Adhyay
Director of Photography
Set in the Bengali Renaissance of the 1930s and 1940s. A group of young intellectuals get embroiled in the struggle for Indian independence, sometimes at the expense of their personal lives.
Время сумасшедших влюблённых
Director of Photography
Сурадж и Пала по жизни были друзья-не-разлей-вода. И только грязные проделки интригана Сундара возвели между друзьями стену непонимания. А после того как Лалу удалось убедить в том, что якобы Сурадж виновен в смерти жены Лалы, то лучшие друзья превратились в кровных врагов. Да таких врагов, что стычки двух преступных кланов потрясли всех в округе. Для того, чтобы стабилизировать обстановку в регионе, полиция штата пошла на необыкновенный шаг. Они решили случайно познакомить и влюбить друг в друга детей двух кровных врагов - любимого сына Сураджа Рахула и элегантную дочь Лала Прию. Через какие только приключения и испытания пришлось пройти молодой влюбленной паре Вы узнаете, только просмотрев наш фильм до конца.
Одиночка
Director of Photography
Двое братьев очень рано остались сиротами. Старший из братьев Виджай пошел работать в полицию, чтобы обеспечить младшему брату Аджаю достойную жизнь и выучить его. Виджаю часто в этой жизни приходилось многим жертвовать, так и получилось с его чувствами. Он любил Симу, но отказался от нее ради счастья друга. Позже Сима и друг Виджая, Шекхар женятся, они счастливы. Проходит время, и младший брат Аджай тоже решил жениться. Но вот только Виджай пока остается одиноким, найдет ли он свое счастье…
Kasba
Director of Photography
The story centers around a small town entrepreneur named Maniram who makes a major profit by cheating people and selling them tainted food. His business is run by his daughter-in-law Tejo, who is married to Maniram's mentally challenged younger son. When Maniram's elder son comes back into town to get married, things start to go awry. He runs away from his wife after their marriage night and ends up being arrested in Delhi. The police, with further investigation, start to crack down on Maniram's corrupt business all the while Tejo starts to become mad with power and greed.
Amba
Director of Photography
When Amba gets her son Rajendra arrested for sexually assaulting their servant's daughter, Rajendra's wife wreaks havoc into their lives as she vows to avenge him.
The Khayal Saga
Director of Photography
A music student listens to stories and legends about the birth and evolution of the Khayal form of classical Indian singing. These stories are re-enacted by actors who play several key figures throughout the history of classical music.
Истина в зеркале
Director of Photography
Муна и Динеш – образцовая супружеская пара. Они познакомились друг с другом еще во время учёбы. И тогда девушка приняла решение сделать своего будущего мужа более образованным и деловитым человеком. Вскоре Динеш стал возвращаться со своей работы поздними вечерами. Их отношениям еще только предстоит пройти проверку на прочность, ведь Динеша обвиняют в домогательствах к телефонистке, работающей на фабрике.
Ответ
Cinematography
Журналист Мехта, спасаясь от людей контрабандиста Джагмохана, передает конверт с уликами против него Раму Прасаду Сингху и просит доставить документы инспектору Шарме в полицейский участок в Бандре. Узнав о гибели Мехты, Рам Прасад передает конверт инспектору, в результате чего Джагмохан на два года отправляется за решетку. Спустя время Раму Прасаду начинают угрожать, и он просит у Шармы защиты. Так, Рам Прасад, его жена Раджни и их сын, изменив имена и биографии, становятся участниками программы по защите свидетелей.
Tarang
Director of Photography
Rahul, the son-in-law of an old industrialist and one of the heirs to his fortune, clashes with Dinesh, the industrialist’s nephew who is openly unscrupulous. Rahul, on his part, conceals his personal ambition under a cloak of liberalism and encourages indigenous production.
Kharij
Director of Photography
A pre-teenager servant boy dies of carbon monoxide poisoning on a cold winter night. He was employed by a young working Calcutta couple with a small boy of their own. Taking money from a neighbor's friendly daughter, he slipped away to watch a movie on a cold winter night. Finding his usual sleeping corner below the stairs too cold, he bolts himself inside the kitchen, where a fire was burning. The next morning we witness a powerful discovery scene like on the morning after Macbeth's murder. The door is forced open and we see the commotion in the apartment block which is the stage of the drama. Who is responsible?
Kaleidoscope
Cinematography
Burning with a desire to be a journalist, a young man gets his chance when a publisher -- the father of a friend -- suggests that he write a story on the daily life of the people in his house (several families worth of people). The material turns out to be too incohesive and abundant to work into a pointed, thematic article, and just when he is about to give up, his younger brother asks him a simple question: "How many coal burners are there in Calcutta?" This triggers an idea for a story about Calcutta's pollution -- and the aspiring journalist dreams of myriads of burner-toting citizens invading the publisher's home demanding redress. Maybe he is finally on the way to a story that matters.
Анатомия голода
Director of Photography
A young, idealistic director arrives in a village to make a picture set during the Great Bengal Famine. It’s a film that he hopes will reveal the problems and privations still current in rural India.
Соперники
Director of Photography
Несмотря на то, что оба героя стоят перед решением сложной задачи: оба влюблены в одну девушку, их благородство достойно уважения.
Родные и близкие
Cinematography
Молодой безработный Чандраканд с женой и детьми живет со своими двоюродными братьями одной большой семьей. Жены состоятельных двоюродных братьев упрекают его и жену по поводу их бедности. Уставшие от насмешек они уезжают в родную деревню. Там они чинят свой старый разрушенный дом и пытаются начать новую жизнь. Но двоюродные братья настойчиво хотят отнять у них даже эту крупицу счастья. Чандраканд терпит их насмешки и оскорбления до тех пор, пока однажды братья не понимают, что он спас их от разорения.
Man Pasand
Director of Photography
Kamli belongs to a poor family. She sells datuns for a living. She sells them in local suburban trains as well as on railway platforms. One day she meets a bachelor named Pratap, who would like her to become a lady, and be educated, to which she agrees. She thinks that Pratap is in love with her, little does she know that she is the subject of a bet between Pratap and his friend, Kashinath, who both find her crude, crass, loud, and uncouth, so much so that both doubt that she can be transformed into a lady.
The Jewelled Lamp
Cinematography
Ratnadeep revolves around a person who was fed up with his job and to get out of that situation, he applied for two months leave. The story follows when on the last day of his job he found the dead body of a man belonged to very rich family and the body resembled him, which brought new adventures in his life.
Cinema Cinema
Cinematography
Director Shah Krishna compiled this compelling documentary of Indian cinema after spending two years searching through film archives from all over the world. Included are films from the turn of the 20th century through the 1970s to illustrate various schools of filmmaking and the historical progression of the art form.
Прости, Аруна
Director of Photography
Аджай, бедняк, и Аруна, дочь богача-адвоката, любят друг друга. Желая во что бы то ни стало выбиться в люди, разбогатеть, обрести тем самым право на брак с Аруной, Аджай организует маленькую фирму, но становится жертвой заговора крупных бизнесменов и попадает на скамью подсудимых. Аруна остается верной своему возлюбленному и в беде. Но...
Do Ladke Dono Kadke
Director of Photography
Two hapless petty thieves find themselves embroiled in a kidnapping when they decide to break into a house on the very same night that two dim-witted kidnappers plan to abduct the child who lives there.
Priyatama
Director of Photography
Jeetu and Dolly are in love and would like to get married. After seeking Dolly's dad's blessings, they do get married and move in together. They live harmoniously for quite some time, until misunderstandings occur, minor molehills soon become mountains, and they threaten to separate from each other. That done, each goes to their respective lawyers to negotiate a divorce. When Dolly's dad finds out about this, he decides to pay them a visit. Alarmed that he will disapprove of their move to separate, both pretend to live together and show him that they are still in love. But truth has the nasty habit of showing up uninvited, and it will not be long before acrimony breaks out in his presence
Safed Jhooth
Director of Photography
Kamla does his best to protect a young woman who reminds him of his slain sister, but it turns out that she has several surprises in store for him.
Oka Oori Katha
Director of Photography
A father living on the fringes of a village believes that working is a fool's errand, for the lord takes what little the workers make. When a young woman enters their home, tensions begin to rise and their idle life is threatened. The film is based on the story ‘Kafan’ by Munshi Premchand
Хозяин
Director of Photography
Еще в раннем детстве Мини потеряла отца, мать ее после смерти мужа больше занималась молитвами, чем дочерью, зато дядя души не чаял в племяннице и все ей позволял. Мини много читала, училась в университете и была немного влюблена в своего соседа Нарена. Перед смертью дядя завещает племяннице выйти замуж за некоего Гханшьяма. Только в этот момент Мини понимает, что любит Нарена. Но приходится выполнять последнюю волю дяди.
Королевская охота
Director of Photography
В деревне живут люди из народа санталов жизнь нелегка-надо бояться диких зверей,и злых духов.Но есть кое-кто пострашнее всякого зверя..Самые мудрые люди сообща обсуждают общинные проблемы-они собрались для этого еще раз.Мимо проходит Дора-ему нет дела до этих проблем,за это его не любят,как и за скверный нрав,и за жадность.К собравшимся подходит Дунгри-ее отец никчемный человек,пьет.С ним у семьи проблемы.Дунгри нравится Гхенуа-сыну деревенского старосты и лучшему охотнику.И он нравится девушке...
Kalicharan
Director of Photography
A police officer goes undercover to catch a wealthy and reputable person, who is involved in criminal activities.
Такая маленькая вещь
Cinematography
Мелкий сотрудник компании "Джексон Толарам" Арун Пратип влюблен в девушку, с которой каждое утро ездит в одном автобусе на работу. Но он слишком нерешителен, чтобы познакомиться с ней. Когда же все-таки пытается это сделать, то попадает в разные неловкие ситуации. К тому же на Прабху положил глаз ее сослуживец Нагеш, гораздо более активный. И если бы не помощь полковника Сингха, неизвестно, какой бы у этой истории был финал.
Самозванец
Director of Photography
Школьный учитель Питамчере Чоудхари живет в одном доме со своей женой и дочерью. В один прекрасный день он получает сообщение от дочери, которая пишет, что скоро в их деревню заедет молодой инженер, отлично подходящий в качестве жениха для другой дочери Питамчера. Семья Чоудхари встречает молодого человека, стараясь обхаживать его, как самого дорогого гостя.
Rajnigandha
Director of Photography
A Delhi-based woman in a steady relationship with her boyfriend is forced to come to terms with her true feelings when a job interview in Mumbai brings an old flame back in her life.
Chorus
Director of Photography
A small company advertises for 100 vacancies and 30,000 apply. The applicants are all from the ranks of the poor and there is a virtual riot. Everyone around is seeking for opportunities. Among them are the applicants who desperately need the job, the photographer who is busy seeking a scoop, the village moneylender who is busy exploiting the poor, the ineffective police, the employers who are advertising posts even while a six month old strike has nearly caused the workmen to become destitute. It is a story of society captured in a tiny framework of a small business. Ultimately, the workmen, the unemployed and the farmers all get to gether to protest against this exploitation.
Padatik
Director of Photography
A political activist escapes the prison van and is sheltered in a posh apartment owned by a sensitive young woman. Both are rebels: the activist against political treachery and the other on social level. Both are bitter about badly organized state of things. Being in solitary confinement, the fugitive engages himself in self-criticism and, in the process, questions the leadership. Questions are not allowed, obeying that is mandatory. Displeasure leads to bitterness, bitterness to total rift. The struggle has to continue, both for the political activist, now segregated, and the woman in exile.
Calcutta 71
Director of Photography
The spirit of a condemned 20-year-old student wanders through time, linking together four stories of people struggling for survival in this gritty meditation on poverty, natural disaster and political strife in India. A middle-class family's home is no match for the monsoons, while another clan's morality is compromised when famine strikes. Young boys smuggle rice, and politicians pity the poor while living in the lap of luxury.
Interview
Director of Photography
Ranjit is a young man who has been assured a lucrative job. All he has to do is turn up for the interview dressed in a western style suit, but all the city laundries are on strike that morning, and his only suit is dirty.
Ek Adhuri Kahani
Cinematography
Ek Adhuri Kahani is 1972 Hindi language movie directed by Mrinal Sen, starring Utpal Dutt, Shekhar Chatterjee, Vivek Chatterjee, Aarti Bhattacharya, Shyam and Shobha Sen. It was based on a Bengali story, Gotrantar by Subodh Ghosh.
One Day Before the Rainy Season
Director of Photography
A literary film based on a play in three acts, Ashad Ka Ek Din portrays the love of Mallika and Kalidasa, the renowned Sanskrit poet and dramatist. Vilom, a friend to both and interested in Mallika, is a passive onlooker for the first two acts. Kalidasa leaves his verdant mountain valley home for the splendour of far off Ujjain, where he wins fame. The action of the film is rooted in the village to which Kalidasa returns years later and finds Mallika married to Vilom and the mother of his child. Mallika sacrificed her love so that the poet could pursue his muse.
Uski Roti
Director of Photography
The film depicts the life of a truck driver Sucha Singh and his wife Balo. Balo has to get Sucha Singh's food ready every day, walk a long distance through the fields and wait for him on the highway as he drives past the village. He leads an independent life, playing cards with his friends and spending time with his mistress, and comes home only once a week. However, he expects his wife to play the traditional role of a devoted wife. One day Balo gets late, trying to save her sister from the advances of a lecherous villager. Sucha Singh is angry, and drives away without his food. She decides to wait for him until nightfall.
Bhuvan Shome
Director of Photography
Bhuvan Shome is a lonely widower, a proud old man and a strict disciplinarian. Looking back on the trodden path, strewn with staunch determination and drab attitudes, Bhuvan Shome, a throughtly unenchanted man, seeks escape in a holiday.
Homage to the Teacher
Cinematography
The film shows the role of school teachers and the importance thereof.