Self (archive footage)
The documentary film on the life and legacy of Rahsaan Roland Kirk – a one of a kind musician, personality, activist and windmill slayer who despite being blind, becoming paralyzed, and facing America’s racial injustices - did not relent.
Himself
This 1972 concert, with the excellent support of Ron Buron, Henry Pearson, Richie Goldberg and Joe Texidor, is a perfect example Rahsaan Roland Kirk's unique genius ... featuring classics from Coltrane to Ellington ... Often playing two and three reed instruments simultaneously with amazing skill, he was a living encyclopedia of jazz and an ever-thinking force of energy who swept the audience up into his orbit.
Self - tenor saxophone, manzello, stritch, ...
Jazz Icons: Rahsaan Roland Kirk presents three astounding concerts by this musical superhero playing his entire instrumental arsenal of saxophone, flute, manzello, stritch, clarinet, siren and whistles— oftentimes simultaneously! Kirk is backed by extraordinary side musicians including legendary bassist Niels-Henning Ørsted Pedersen, drummers Alex Riel and Daniel Humair, and long-time pianist Ron Burton who keep the fire and swing burning throughout Rahsaan’s blazing workouts. This collection also includes two different renditions of “Three For The Festival,” arguably Kirk’s most spectacular performance piece, showcasing Rahsaan as a thunderous acrobatic player whose multiple horn work was all jazz and no gimmick.
Himself
This collection presents Rahsaan Roland Kirk playing with his entire instrumental arsenal of flutes, siren, music box, whistles, manzello, stritch, clarinet, and tenor saxophones-sometimes simultaneously! Even longtime Rahsaan Roland Kirk fans will be surprised and delighted by the renditions of Milestones and The Sandpiper. One of Europe's most highly regarded and creative drummers, Daniel Humair, accompanies Kirk on two of the three concert videos and on the other, the ever-resourceful Alex Riel, of Bill Evans Trio fame, provides the fire and the swing. This collection includes two different renditions of "Three For the Festival", arguably Kirk's most spectacular performance piece.
Himself
October 19, 1967. Roland Kirk (multiple reeds), Ron Burton (p), Steve Novosel (b) and Jimmy Hopps (d) share the stage at Fourth Mezinarodni Jazz Festival, Prague
Himself
Although Rahsaan Roland Kirk and John Cage never actually meet in this film (Cage's enigmatic questions about sound are intercut with some of Kirk's more ambitious experiments with it) these two very different musical iconoclasts share a similar vision of the boundless possibilities of music.
