Alvaro Rivero

The story of an unfinished documentary about Alfredo Zitarrosa and that of his director, Francisco "Papico" Cibils.

For thirty years, Carlos Escayola was the main politician of the small town of Tacuarembó, Uruguay. This farmer was known both for his political and cultural achievements (including the construction of a theater), and for the reputation of seducer, which earned him one of the greatest family polemics in the history of the region.

The Crop of the Invisible Flower is a daily painting of a group of people who have been struck by forzed dissapearances on Uruguay. The documentary follows them through 5 years, starting from the first triump of the left on the country, exploring reality through their eyes. The movie also explores the search for the truth on a society divided by justice and memory.

A rainy night in Montevideo. Two brothers escape the city in their car. They just did something serious. A clumsy and untidy escape, where regret and guilt weigh more than thought.

Лео — симпатичный, хотя и нерешительный 20-ти летний аспирант, у которого не ладятся отношения с красавицей Андреа. Ее сексуальные желания ставят Лео в неудобное положение, и он всячески увиливает от интима, объясняя это необходимостью учиться. К тому же, из-за своей робости и нерешительности Лео не хочет признавать в себе гомосексуальность. Лео арендует комнату и заточает себя в ней. Заручившись поддержкой симпатичного психотерапевта, отправляется на гей-сайты знакомств для поиска нового спутника жизни. Эти поиски неожиданно сталкивают его с девушкой по имени Каро — любовью детства. Поддержка со стороны давней подруги и матери позволяет Лео признать свою гомосексульность и познакомиться с Себой — привлекательным и милым молодым человеком. Но достаточно ли этого, чтобы выйти из комнаты?

Within the context of the uruguayan press, there's a group of people named "Perejiles". These attend launching parties, inaugurations and all other sorts of events within the uruguayan press with the purpose of free eating. Under a, supposedly, "journalistic patent", their appearance goes unnoticed by most attending these events, except for the press teams consisting of reporters, camera men and drivers or assistants who clearly recognize them and reject their presence.

The Silva family is pioneer and a role model within the community; it shows values and the goal to not let the candombe tradition fade away. Not only do they have an internal hierarchy, but also in his neighbourhood, Waldemar “Cachila” Silva is a respected leader. Cachila decide to pass on his legacy to his sons Matias and Wellington, who should now lead the family business, afro descendants playing candombe, a drum rhythm for the carnival contest and keep the privilege place obtained by the family. Patriarchy, hierarchy and cultural traditions are the concepts that drive this documentary about the life of a man of African descent and a dysfunctional family trying to perpetuate its power, which is crucial for the future of a culture.

Through the memories and confessions of some of the most important names in Uruguayan music, the film brings back to life the stories of the songs that defined a country and that, in some cases, helped change history.

After 22 years an old photographer finds lost negatives of El Popular, the newspaper he worked for when it was closed down by the dictatorship in 1973. A teenager is looking for the way to deliver to it's owner the treasure he had found playing in the garage as a child, inside a hole in the wall. A building reveals a secret that has been hidden inside it: fifty thousand ever enduring negatives with the untold story of a country.