Virginia Bowers

Фильмы

Русалка и дочь короля
Marie-Josephe's Mother
С самого младенчества Мари-Жозеф, дочь «короля-солнце» Людовика XIV, воспитывалась в монастыре, но строгие монахини так и не смогли привить ей ни покорности, ни смирения. Когда уже немолодой король решает, что ему не на кого оставить Францию, и поэтому он должен жить вечно, придворный учёный находит решение — во дворец доставляется пойманная в море русалка, у которой имеется источник бессмертия. В это же время Мари-Жозеф, не знающая о своём родстве с монархом, призывается ко двору, и вскоре между ней и содержащейся в неволе русалкой устанавливается невероятная связь.
Мою любовь не купишь
Harper
Lilly, a hard working EMT, is only focused on her job and getting into medical school. So when wealthy slacker Jeff enters her life it throws her off course. At first, Lilly wants nothing to do with Jeff or his sense of entitlement and lack of direction. As she spends more time with him, she starts to realize that you can’t always judge a book by its cover.
Burlesque
Fiona
Frank Bannister is about to have a very long night. A writer of violent horror stories, Frank is alone, depressed and one step from full blown alcoholism. Late one dark and stormy night his quiet hermit existence is disturbed when two eccentric exotic dancers arrive on his doorstep. Alternatively seductive and sinister the beautiful women promise to make all Frank's dreams come true. They prove to be as good as their word. Only problem is, Frank is a man with very dark dreams indeed.
Little Deaths
Dream Hairdresser
It's about love, it's about loss, it's about sex. Isolated, a lonely tollbooth operator watches as the world flows past him in a never-ending stream of vehicles, their passengers traveling to and from their lives. They don't give him a second thought, but from their clothes, their hair, their cars, he imagines the kind of world they inhabit.
The King
Clara
The King is the story of Graham Kennedy, Australia's first and greatest home grown TV superstar. It traces his rise from working class Balaclava kid, through radio, TV, film, and back to TV again. It also tracks Kennedy's personal tragedies - the loneliness, the unrealised ambitions and the terrible pressures of being Australia's first homegrown superstar in the 1950s and 60s.