For over 70 years, Jonas Mekas, internationally known as the "godfather" of avant-garde cinema, documented his life in what came to be known as his diary films. From his arrival in New York City as a displaced person in 1949 to his death in 2019, he chronicled the trauma and loss of exile while pioneering institutions to support the growth of independent film in the United States. Fragments of Paradise is an intimate look at his life and work constructed from thousands of hours of his own video and film diaries-including never-before-seen tapes and unpublished audio recordings. It is a story about finding beauty amidst profound loss, and a man who tried to make sense of it all... with a camera.
Director
A picturing of sound in 3D.
A “Cinéma, de notre temps” series episode directed by french filmmaker Jackie Raynal, originally aired 29 May 2016.
Blankets for Indians blends a stereoscopic study of water spurting from New York’s City Hall fountain with an intimately detailed portrait of an Occupy Wall Street march. While in the process of shooting the fountain in 2012, Jacobs serendipitously turned his camera toward a large protest marching to Zuccotti Park in support of Occupy Wall Street. The unexpected connection gives the film new life, seamlessly moving between sensual observation and political commentary, reflection, and abstraction. Using freeze-frames, text, and 3D manipulation, Jacobs questions the contemporary conditions of socio-political struggle, its relation to aesthetics, and the labor necessary to produce both.
Mom
В этой теплой, остроумной и мудрой комедии уже разменявший тридцатник Майки приезжает в Нью-Йорк по делу и останавливается в лофте родителей на Манхеттене, где прошло его детство. А когда приходит время возвращаться домой к жене и новорожденному ребенку, Майки находит предлог задержаться, и еще предлог, и еще.
Quartet Number One (1991) 8 min.
Anne Frank
Ken Jacobs’s most elusive and mysterious film is at once an allegory of movie-making, a demonstration of 8mm versatility, and a celebration of a now vanished neighborhood beneath the Brooklyn Bridge.
"The whole film are non-art portraits of people in which they do what they want with this hat – and therefore, act or stand in front of my camera. It’s only love: therefore it can’t harm you". Joyce Wieland.
