Juan Bernardo Sánchez Mejía

Фильмы

The Wedding Dress
Cinematography
Days before her wedding, young Sara starts experiencing disturbing visions that may be related to her recently acquired wedding gown.
No One!
Director of Photography
In a post-apocalyptic future, the last survivor on earth tries desperately to contact someone else using an old telephone while confined in a small room.
Подставное имя
Cinematography
Фелино, его девушка и двое их друзей снимают свой первый полнометражный фильм на деньги, занятые у местного гангстера, но его не принимают ни на один крупный фестиваль. Фелино уговаривает свою команду добавить в титры вместо них самих известного режиссёра Томаса Гевару, который давно отошёл от кинопроизводства. Узнав о возвращении легенды кинематографа, организаторы решают устроить целую церемонию и встретить его со всеми почестями. Теперь четырём друзьям нужно разыскать маэстро Гевару, чтобы он представил свой фильм.
Perras
Director of Photography
Something terrible is happening in class 3A at Calmecatl Junior High. No one can leave the classroom until the guilty party is found. This is the device that gives us a glimpse of the ethics, games, esthetics and eroticism of these girl-women. It is not easy to say what the subject is, there are so many: the discovery of sexuality, discrimination, chance, drugs, maternity, traditions, betrayals, power, love. A mural of a complex reality from the point of view of twenty-something women in the skin of 14 to 15 year old girls.
Borrar de la Memoria
Cinematography
A love story turned assassination against the backdrop of the 1968 student massacre whose unresolved status is finally resolved in tense life threatening conditions. The story of a stubborn journalist who undertakes the clarification and bringing to justice of the heinous murder of one student forty years later represents a dedicated effort to force a country from denial to reconciliation and closure of tragic social and political events in a country´s history. A nation cannot allow official cover-ups that seek to delete and erase from the collective memory events that prevent a nation´s march towards social justice.
Dos mil metros (sobre el nivel del mar)
Cinematography
Galo has enough free space in his old and luxurious apartment so he asks Fama, an exgirlfriend with cash problems, to come live with him. She arrives with her Canadian boyfriend, Alex. They both couldn’t find themselves in a more comfortable situation: free space to live in, stocked fridge and no pressures to leave anytime soon. Nevertheless not everything goes smoothly for Fama while in there, specially with Carlota (the fourth roomate in the house) who seems to hold an interest for Alex.
Bridge
Director of Photography
The relationship of two men is threatened by a secret.