Thanks
This is an animated documentary about FOOD! I interviewed vegetarian, vegan, pescetarian and meat eater about their opinions about food and life choices. Then I animate real food with stop-motion technique based on the interviews. By putting the conversations in different context, the food speak for themselves.
Succorbenoth
A flesh-rotting zombie leads a support group for down and out monsters. Made at CalArts 2010.
Director
A short film composed structurally of overlapping time capsules, concerning American language in general, and specifically during the Bush years.
Director
1. История о коте и луне - создан португальским режиссером Педро Серразином. История расскажет о коте, который безумно влюблен в луну.
2. Клуб брошенных – чешского режиссера Иржи Барта. Расскажет о манекенах, которые ожили, и решили создать небольшое общество на чердаке одного здания, чтобы быть похожими на людей.
3. Обезьяна - Юлия Заммархи. Муж и жена сидят за обеденным столом, и мужчина предъявляет жене претензию, что каждый день она готовит ему обезьяну на ужин.
4. Кроткая – польского режиссера Петра Дюмалья. Фильм снят по рассказу Федора Достоевского.
5. Похищение – фильм Пола Вестера. Построен на рассказах обычных граждан, которые уверены, что стали жертвами похищения инопланетян. Мини-фильм построен на нарезках документального кино, на анимации разных стилей и техник.
6. Улица радости, созданный Сюзан Пит. Женщина, доведенная до отчаяния, решается на самоубийство, но надежда в лице посланца из мира духов, возвращает ее к жизни.
Director
Five tales of alien abduction told using a wide range of animated techniques.
Director
British animation short from Paul Vester
Animation
The bizarre adventures of the cartoon character Foska, drawn by 22 animators working in collaboration. Each animator worked on his or her own sequence only and did not know what action preceded or followed his or her sequence, except that the first drawing of a sequence is the last drawing from the previous sequence.
Director
Finding out what is atop a sunbeam.
Animation
Football crazy, football mad. Don’t watch this off-beat jukebox cartoon expecting any conventional soccer action. Equal parts Disney, Dali and Duchamp, this abstract mix of black and white photos and alternative comix style animation is accompanied by a medley of doo-wop classics and documentary soundbites. The film is certainly an extreme departure for those familiar with the more conventional output of the Halas & Batchelor studio, best known for their feature-length version of George Orwell’s Animal Farm (1954). Paul Vester was one of a number of sixties art school graduates that brought a mix of pop art and illustration influences to the company whilst it was undergoing a brief change in its ownership. As a warning, in keeping with its progressive, adult style there is some brief nudity at the end of the film.
Writer
Football crazy, football mad. Don’t watch this off-beat jukebox cartoon expecting any conventional soccer action. Equal parts Disney, Dali and Duchamp, this abstract mix of black and white photos and alternative comix style animation is accompanied by a medley of doo-wop classics and documentary soundbites. The film is certainly an extreme departure for those familiar with the more conventional output of the Halas & Batchelor studio, best known for their feature-length version of George Orwell’s Animal Farm (1954). Paul Vester was one of a number of sixties art school graduates that brought a mix of pop art and illustration influences to the company whilst it was undergoing a brief change in its ownership. As a warning, in keeping with its progressive, adult style there is some brief nudity at the end of the film.
Director
Football crazy, football mad. Don’t watch this off-beat jukebox cartoon expecting any conventional soccer action. Equal parts Disney, Dali and Duchamp, this abstract mix of black and white photos and alternative comix style animation is accompanied by a medley of doo-wop classics and documentary soundbites. The film is certainly an extreme departure for those familiar with the more conventional output of the Halas & Batchelor studio, best known for their feature-length version of George Orwell’s Animal Farm (1954). Paul Vester was one of a number of sixties art school graduates that brought a mix of pop art and illustration influences to the company whilst it was undergoing a brief change in its ownership. As a warning, in keeping with its progressive, adult style there is some brief nudity at the end of the film.
