Roberto Bodegas

Logroño, 1959. The death of a local authority creates a double expectation in his family, the coming of the TV set the deceased bought and the mayor to attend the funeral. His grandson (Airas Brispo) will witness the grotesque situations.

Three divorced men who share a flat live together without trouble until they hire a cleaning lady.

The story of El Nani, a juvenile delinquent from the years of the Transition, whose disappearance in a police station after an interrogation has not yet been clarified, putting the accent on the denunciation of police brutality and speculating on the outcome of the story. A story that mixes political denunciation and social chronicle of an era.

Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.

Ups and downs of a news agency led by Antonio Borja, a veteran journalist formed during the Franco regime, with the help of his godson and protegé Tomás. The threat of economic bankruptcy, the appearance of Julia, a young journalist from last university generations, the background of the world of tabloids (tricks used by celebrities to remain so, reports sold exclusively by interested parties, photos of Stolen nudes that have been previously agreed) and what is behind the covers of magazines that weekly buy people eager for gossip form the rest of the plot.

Ups and downs of a news agency led by Antonio Borja, a veteran journalist formed during the Franco regime, with the help of his godson and protegé Tomás. The threat of economic bankruptcy, the appearance of Julia, a young journalist from last university generations, the background of the world of tabloids (tricks used by celebrities to remain so, reports sold exclusively by interested parties, photos of Stolen nudes that have been previously agreed) and what is behind the covers of magazines that weekly buy people eager for gossip form the rest of the plot.

Застенчивый и своенравный банковский служащий становится жертвой событий, которые он видит вокруг себя, и волны преступности, которая, кажется, захлестнула город в первые годы перехода к демократии в Испании.

After the death of Franco, the nostalgic fascist regime attempts to preserve the 1936's order.

A small-time delinquent young man and a book saleswoman at home delivery, who occasionally engage in prostitution as a derivative of her work, try a way of coexistence on the basis of mutual freedom schemes.

With more than thirty years, Malena Fonseca is a spinster and provincial woman who, after coincidentally meeting a Frenchman named Lucien, also a thirty-something bachelor like her, decides to marry him. However, after that, and having moved to Madrid in the company of her unbearable and possessive mother-in-law, Malena will gradually discover that her husband is a very rational man whose zero interest in sex despairs her, making the woman feel attracted to the pharmacist in the corner and the hunky bread delivery man.

With more than thirty years, Malena Fonseca is a spinster and provincial woman who, after coincidentally meeting a Frenchman named Lucien, also a thirty-something bachelor like her, decides to marry him. However, after that, and having moved to Madrid in the company of her unbearable and possessive mother-in-law, Malena will gradually discover that her husband is a very rational man whose zero interest in sex despairs her, making the woman feel attracted to the pharmacist in the corner and the hunky bread delivery man.

Леонор, первая жена монсеньора Ришара, воскресает через десять лет после своей смерти. Неизвестно откуда взявшийся старец сообщает Ришару, что можно победить смерть, если очень этого захотеть. Ришар возвращается в замок и убивает свою вторую жену. Начинается нечто невообразимое: свирепствует чума, кто-то убивает детей. Чтобы положить всему этому конец, Ришар решает убить Леонор.

A Spanish insurance company is absorbed by a multinational, so that, in order to modernize, its employees are obliged to carry out some training courses to adapt to the new situation and the new objectives. Given the relevance of what is at stake, the wives of these men will also be involved at work.

A Spanish insurance company is absorbed by a multinational, so that, in order to modernize, its employees are obliged to carry out some training courses to adapt to the new situation and the new objectives. Given the relevance of what is at stake, the wives of these men will also be involved at work.

A Spanish insurance company is absorbed by a multinational, so that, in order to modernize, its employees are obliged to carry out some training courses to adapt to the new situation and the new objectives. Given the relevance of what is at stake, the wives of these men will also be involved at work.

Enrique is a thirty-year-old lawyer who is married to Ana. Apparently he is a normal man who has only one obsession: the commercials. He feels a real passion for the erotic world of the ads either in billboards, trash cans, public transport, magazines or television. The continuous publicity bombardment ends up leading him towards a neurosis that changes his personality.

In the early 70's, more than forty thousand Spanish in Paris working as maids. Few had crossed the border before, and most had not even left her village. These girls are Emily, who has left behind the hard times and has adapted to the big city, Isabel struggling to her sonthat she had with a man who abandoned she, Dioni, who thinks only of early money, and Francisca, a woman who knows nothing and is lost in life.

Director Christian De Chalonge uses a docudrama-styled approach to tell the lonely story of Portugese workers in France. In hopes of avoiding the Army, a boy leaves Portugal bound for Paris to find a job. He meets other Portugese upon his arrival but spends most of his time wandering the streets of Paris when his friend cannot be found. The tedium of the feature overshadows the good intent to bring attention to the plight of immigrant workers struggling to survive in a new country.

A German scientist takes refuge in an unnamed South American country, and finishes the development of a weapon of mass destruction. Lesky, is assistant, is paid by a Chinese spy ring to abduct the scientist, and appropriate the weapon. Super agent Z7's mission is to find them and prevent that, which he does - at a cost of a number of lives.

Действие картины происходит на острове Родос во II веке до нашей эры. На острове безраздельно царит тиран Ксеркс, окруженный льстивыми предателями-придворными. Немногие честные люди вынуждены скрываться, в противном случае их ожидает тюрьма. В это время на Родос приезжает афинянин Дарио и сразу оказывается вовлеченным в подготовку мятежа против Ксеркса, который планируется осуществить в день торжественного открытия статуи Колосса Родосского. Заговорщики планируют использовать статую в осуществлении своих дерзких планов... И сами боги Олимпа идут им навстречу: в день мятежа разражается буря, и статуя рушится, погребая под своими обломками тиранию Ксеркса.

Северная Африка. Четверка французов пробирается к своим через пустынную территорию, контролируемую немцами. Они совершенно разные по происхождению и образу мысли люди со своими достоинствами и недостатками, но их объединяет одна цель- выжить и пробиться к своим! По пути они захватывают в плен немецкого офицера (Крюгер), потомственного германского военного, человека культурного и образованного. На пути их ждут смертельные опасности и напряженные психологические ситуации. Несмотря на его отчаянное положение немец ведет себя с достоинством и не теряет надежды удрать к своим. Но и тех и других всегда что-то останавливает от жестокого соблазна застрелить беззащитного врага или бросить его без воды в пустыне, что по сути то же самое, что и расстрел.