Piero Bargellini

Piero Bargellini

Рождение : 1940-01-05, Arezzo, Tuscany, Italy

Смерть : 1982-07-10

История

Pierfrancesco Bargellini (Arezzo, 1940-1982), also known as Piero, bought his first movie camera when he was 20 and pointed it at his youthful passions: competition cars and motorcycles. A few years later he met Marco Melani, who became his cinema companion and an actor in his films. He started to make a name for himself in the world of amateur filmmakers and won a prize at the festival of Montecatini. One of the members of the jury was Massimo Bagicalupo, a founder of the Cooperativa cinema indipendente, and he invited Bargellini to enter the brand-new world of Italian underground cinema. While working as an agronomist at the Val di Chiana Irrigation Office he continued to make films in his free time, but shortly afterwards, with the notice and support of the magazines “Cinema & Film” and the group “Filmstudio 70,” he left his job and moved to Rome. Here, during the early 1970s he worked occasionally for RAI and carried on his activity as an independent director in the world of underground cinema. During this period he suffered a series of misadventures with the law and ended up fleeing to Turkey with his wife Oriana and their daughter Rebecca in 1975. After returning to Italy he continued experimenting, jotting down his discoveries in a series of notebooks and fruitlessly trying to find financing for various projects for experimental programs for Rai. Bertolucci and Storaro consulted with him during preparation for La Luna (1981) to try to resolve problems with various special effects. But Bargellini progressively lost contact with the world of cinema and shortly thereafter his troubles with the law began. He was found dead, officially because of an overdose, at dawn on July 10, 1982.

Профиль

Piero Bargellini

Фильмы

Луна
Special Effects
Подросток Джо, сын известной оперной певицы Катерины Сильвери, считает, что муж матери, Даглас Уинти, его настоящий отец. Вот только Джо хочется, чтобы отец был крепким и решительным, а не мягким и безвольным, как Даглас. В отчаянии Джо ищет поддержки в наркотиках. Рискуя карьерой, разрушая все собственные планы, но надеясь спасти сына, Катерина с Джо едет в Италию. В Италию, потому что там живёт настоящий отец парня, работающий школьным учителем. Катерине удаётся найти общий язык с сыном, и их отношения развиваются намного глубже, чем она предполагала…
Dove incominciano le gambe
Images of everyday life in the family for Bargellini, his wife Oriana and little Rebecca alternate with others whose meaning is less clear (the crypt of a vampire, a flower that blooms).
Dove incominciano le gambe
Director
Images of everyday life in the family for Bargellini, his wife Oriana and little Rebecca alternate with others whose meaning is less clear (the crypt of a vampire, a flower that blooms).
Stricnina
Director
The story: the death of a dog, filmed subsequently, a violent death because it is caused in a veterinarian’s clinic; a man in a white coat injects the strychnine… The film: afterwards there’s a moment when the animal’s eye emit violet-blue flashes, then nothing, but only apparently. Now everything is sweetness, what continues is death: the voyage into death – the transfiguration – the images that return, only to disappear from memory, emerge from the recollections in a purifying vortex that take them back to their essence. It’s the gradual breaking down of the image into form and then into colours and then into light and finally it’s the beginning: the vibration that is the matrix of sound of light of life. It’s the cosmos that makes that meat good to eat for a million years.
Due silenzi e un'armonica
Director
Migration
This is the third and most extensive part of the cycle Eryngium. The essential theme is the migrations that have populated our world, starting from ancient India and descending into Greece and Western Europe.The film’s conceit is that this movement is still in progress. The characters are shown in transit, as if they were part of an ancient caravan. While they move they make up myths and they worship the Great Goddess,impersonating her story. Thus she appears as young girl and mature woman, and is evoked in the stories and music given on the soundtrack: the Virgin of Bach’s Magnificat, the Sulamite of Stockhausen’s Song of Solomon (“I am black but comely”), tales by Herodotus, Kafka, Villon (as set to music by Ezra Pound). A section is devoted to the idea of celebration, where the migrants get together to worship the life-principle. Later the film moves back to the individual and solitude.
Erinnerung an die Zukunft
Unfinished feature film by Piero Bargellini
Erinnerung an die Zukunft
Director
Unfinished feature film by Piero Bargellini
Zukie
Director
A home movie by Piero Bargellini.
Gasoline
Director
Un ottofilm di Pierfrancesco Bargellini
Writer
Experimental short involving various forms of manipulaiton of light sources.
Un ottofilm di Pierfrancesco Bargellini
Director
Experimental short involving various forms of manipulaiton of light sources.
Nelda
Director
A woman sits, smokes, and reads in various states of 16mm exposure.
Fractions of Temporary Periods
Director
To me, to go to the window and look outside is like watching a film. Filming is a way to draw out the condition of spectator and alienate it. I made this film very instinctively, naturally. Now I am beginning to learn to watch it. The very idea of something that moves, like a bird in flight… movement. The sensation of an object in space, like the light on a screen… space. The speed of the sun… time… the opposite of an image or perhaps its absence/essence. Some advice: go see a good Hollywood film: a melodramatic, sentimental story. (P. Bargellini)
Transfer of Modulation
Director
Part of Piero Bargellini's Lost Cinema.
Baraccone
Director
Water-Closet aka Waiting for a Defecation
Director
A young man reads Ginsberg in his briefs, and shows off his body.
Macrozoom
Director
Tempo-Tempio-Ritratto
Director
Short study of a
Morte all'orecchio di Van Gogh
Director
Part of Piero Bargellini's Lost Cinema.
Questo film è dedicato a David Riesman e si intitolerà «Capolavoro»
Director
Dell'Acqua
Director
Film fragment shot by Piero Bargellini to be featured in "Erinnerung An Die Zukunft".
La striscia
Director
A film by Piero Bargellini.
Vi prego di accettare questo semplice bouquet di parentesi appena sbocciate
Director
Part of Piero Bargellini's Lost Cinema
Club 3P Battifolle [Un'inchiesta di Pierfrancesco Bargellini]
Director
The Dream Fair [Frescoes of Naked Women]
Director
Short movie by Piero Bargellini.
L'incompiuta
A very young Marco Melani is divided between reading cinema magazines and watching car racing on TV.
L'incompiuta
Director
A very young Marco Melani is divided between reading cinema magazines and watching car racing on TV.
Anno 2000
Director
Il teschio
Director