Dialogue
A jaded forest officer leads a team of trackers and locals intending to capture an unsettled tigress while battling intense obstacles and pressures, both natural and man-made.
Producer
A jaded forest officer leads a team of trackers and locals intending to capture an unsettled tigress while battling intense obstacles and pressures, both natural and man-made.
Director
A jaded forest officer leads a team of trackers and locals intending to capture an unsettled tigress while battling intense obstacles and pressures, both natural and man-made.
Screenplay
Ньютон Кумар — самый честный госслужащий во всей Индии. Он трепетно относится к своей работе и всем сердцем мечтает изменить её в лучшую сторону. Когда в стране намечаются выборы, он первым вызывается отправиться в Дандакаранью, чтобы собрать голоса. Даже несмотря на то, что эти джунгли кишат наксалитами — безжалостными группировками, которые не любят незваных гостей.
Director
Ньютон Кумар — самый честный госслужащий во всей Индии. Он трепетно относится к своей работе и всем сердцем мечтает изменить её в лучшую сторону. Когда в стране намечаются выборы, он первым вызывается отправиться в Дандакаранью, чтобы собрать голоса. Даже несмотря на то, что эти джунгли кишат наксалитами — безжалостными группировками, которые не любят незваных гостей.
Director
In this slacker bro-mantic comedy, writing partners Dulal and Mainak dream of shaking up the Bollywood film industry with their script “Sulemani Keeda” (Hindi street slang for “Pain in the Ass”). When they’re not being rejected by producers who refuse to read their script, they lurk around bookstores and poetry slams shamelessly hitting on girls. They find some hope when the drug addled, cat-obsessed Gonzo Kapoor, the son of a famous B movie producer, hires them to write an art house film billed as “Tarkovsky with orgies” for his directorial debut. All seems well until Dulal meets Ruma, a beautiful photographer who makes him question his choice to sell out.
Writer
In this slacker bro-mantic comedy, writing partners Dulal and Mainak dream of shaking up the Bollywood film industry with their script “Sulemani Keeda” (Hindi street slang for “Pain in the Ass”). When they’re not being rejected by producers who refuse to read their script, they lurk around bookstores and poetry slams shamelessly hitting on girls. They find some hope when the drug addled, cat-obsessed Gonzo Kapoor, the son of a famous B movie producer, hires them to write an art house film billed as “Tarkovsky with orgies” for his directorial debut. All seems well until Dulal meets Ruma, a beautiful photographer who makes him question his choice to sell out.
Screenplay
A hot-shot fashion and wildlife photographer Vikram gets into a relationship with Nisha. She moves in with him in his palatial house outside of the city. The old world house, made decades ago is as beautiful as it is scary. It holds many secrets which Nisha is soon to unearth; of the life of the man who made it and of Vikram, who is dealing with the mysterious disappearance of his former girlfriend Roshni
Dialogue
Chandini comes to India to attend Veer's sisters wedding. In those four days, she wins everyone's heart.
