Ignacio Torres

Film in two cities divided by one river: Buenos Aires, Montevideo. Two cities divided by one story: the death of Francisco. One death divided in two parts: an investigation, an escape.

On the banks of the city of Buenos Aires, among the rubble that forms the coast of her ecological reserve, she listens attentively to the confession. The rest, what follows, will be mere inconveniences and questions between a corpse and a double bass, between the imperfect city and its river, which will sow doubt about the resistance of its revenge.

Teen romance comedy.

A band of outlaws appear out of nowhere on a ranchers property and viciously shoot him down. They steal what they can from his ranch and kidnap his wife. They make for the Mexican border, but something starts stalking them. From: Exploitation.TV

Romanticized, glamored-up neorealism, life in a squatter's-rights shantytown.

All it says in my notes is "Like 'Juan Sin Miedo', only with soldiers." So... Army officer seeks revenge for... something...

Gritty-western (B&W/1962 style) about bounty hunters.

A comic movie that involves a guy who sees a kid in his house who escaped from his wealthy grandfather's mansion.

This film tells several short stories that end up lapsing in the emergency room of a hospital, because it is dedicated to nurses. Cantinflas appears at the end of the film playing the role of Luis, a man who has five daughters and looks forward to a boy, but fate plays a trick and the child dies at birth, but history gives a nice twist and a message of hope.

Two rival colleges prepare for a Battle Of The Bands. Also malt-shoppes and football games.

Cowboy-hero series, number two of two: Townsfolk pledge all their jewels and valuables as security for a large loan to undertake a public works project... and then the swag is stolen.

Father and adult sons give help to an orphaned teenage girl.

A humble provincial writer who wants to publish his first book offers it to a film producer who is looking for locations for a film at that time. The novelist's family then moves to the big city, where they will have to face many adversities that will make them wish they had never left their village.

A humble provincial writer who wants to publish his first book offers it to a film producer who is looking for locations for a film at that time. The novelist's family then moves to the big city, where they will have to face many adversities that will make them wish they had never left their village.

A humble provincial writer who wants to publish his first book offers it to a film producer who is looking for locations for a film at that time. The novelist's family then moves to the big city, where they will have to face many adversities that will make them wish they had never left their village.

Jorge Bueno and Pedro Malo are best friends who consider giving up their womanizing ways when they each fall in love. As fate would have it, Pedro Malo unexpectedly marries Jorge Bueno's girlfriend, and the conflict between the former buddies begins. A year later they find themselves in the same town and confront each other once and for all.

Two brothers: one's a cop, one's a gangster.

The simple life and the values ​​of loyalty and solidarity of the poor people in the environment of professional boxing, is the plot of this film, where Pepe el Toro shows the effort and tragedies that are experienced in this profession.

Two brothers known in town for their womanizing, drinking and rowdiness meet their matches when two girls who like them decide to tame the two machos.

Traveling salesman meets a young woman who's running away from home, and helps her evade detectives who are tracking her.

When a robbery goes wrong, the thief takes a singer as hostage, they fall in love and try to rebuild their lives, but tragedy surges in the most unexpected way.

Orphan Manuela's passionate crush on her teacher Lucila scandalizes their all-girl Catholic school.

A poor shepherd is convinced to marry a beautiful woman. This is a Maquiavellian plan schemed by the woman's fiancé and her father.

1830s, guerrillas in the hills resisting the French occupation. Meanwhile, their leader has a French officer and another guy chasing after his fiancé, and...

Hero on horseback protects a family and their farm from human predators.

Stage magician Fu Manchu uses his illusions and trickeries to find a murderer.

Small-time crooks and bargirls, and also their mothers, get involved in a situation over some stolen jewels.

It narrates the adventures of the poet Arturo Cova and his lover Alicia, a story of passion and revenge framed in the plain lands and the Amazon jungle where the two lovers scape from society, and which exposes throughout its plot the harsh living conditions of settlers and Indians enslaved during the rubber rush.

While tracking down the three men that killed his father, a notorious bad-ass commits other misdeeds, seemingly based on his desire to wreck as many lives as possible. Doesn't really have anything to do with the historical figure known as Remington, though they used his name for the character here.

A Mexican family drama.

Soledad, a maid born in Argentina, works at a Mexican farm. The son of her employer will deceive her, pretending to marry her and leaving her pregnant. When she finds out that she has been tricked, she runs away from the farm. During her flight she meets a group of artists that'll change her life.

A Mexican film noir revolving around a crime: the suicide of one of Diana (María Félix)'s lovers and the disposal of his body in order to avoid a scandal. Diana not only engineers the entire scheme, but drafts her two other suitors: her fiance Adolfo (Julio Villareal) and his nephew Miguel (Luis Aldas).

City slicker scams on young farmgirl while her fiance's in USA on a work permit.

Woman chooses between two suitors. The lucky one is a cad and cheats on her, the one who was rejected hangs around in the background to set things right whenever she has a problem.

Remotely based on a famous Spanish zarzuela of 1910, this lavish, daring sex comedy was filmed on a gigantic art deco set that suggests ancient Egypt repurposed for an Astaire and Rogers musical. The Pharaoh, played here as a henpecked husband by the popular comedian Roberto Soto, seeks a virginal slave girl as a bride for his general Potiphar (Fernando Cortés), but Potiphar is impotent and the slave girl (played by Mapy Cortés in a swirl of high-spirited sexuality) has some ideas of her own.