Xu Wei

Xu Wei

Рождение : 1975-01-01, Sichuan, China

Профиль

Xu Wei

Фильмы

Remember Me
Director
Speed Rescue
Director of Photography
When an investigation financed by a wealthy businessman is about to end the operation of a dangerous drug cartel, his daughter and a brave soldier must team up to deliver evidence to the police.
Fantasten
Wong
When Claus, a car salesman and a passionate gambler, gets his 19-year-old son Silas mixed up in considerable gambling debts owed to criminals, he is forced to put his own life at risk to save his son.
Redemption
Director of Photography
Xiao Likun, handsome, sensitive, is fond of poetry.He has a strong ego, but his butcher family background makes him ashamed. Jiang Yue'e is a kinder-garden music teacher, sexy , craving for romance. They meet across, get a crush for each other and get a marriage very soon. However, this happy marriage buries a tragic seed. The conflict due to their different social backgrounds and status intensifies. Unsurprisingly, they get a divorce and Xiao loses everything but the guardianship for his son, Xiao Lei. He revenges Jiang by hiding their son from her. Eventually, Jiang asks for paternity test on the son, and announces this child doesn't belong to Xiao biologically. Xiao is overwhelmed. He wants to revenge Jiang by killing her on his won...
Lethal Hostage
Director of Photography
Produced by Crazy Racer director Ning Hao, Lethal Hostage revolves around a drug dealer who falls in love with his hostage and decides to quit the business following one final deal.
Dooman River
Director of Photography
Chang-ho, 12, becomes friend with a North-Korean immigrant about the same age who just crossed the Dooman river, border between North-Korea and China. His mute sister and his wise grand-father will get along with him in a series of misfortunes.
Night Train
Yulong Li
Wu Hongyan is a female bailiff in a regional court in West China dealing with women awaiting execution—more often than not, sentenced for crimes of passion. Every weekend, without much luck, she looks for love at the Good Luck Matchmaking dance, until she meets the husband of one of her prisoners.
Thirteen Princess Trees
Director of Photography
The film follows several disaffected youth in the fictional Thirteen Princess High School in Chengdu. Feng, the film's protagonist, is a short-haired tomboy who has a love affair with the jock, Taotao. With the arrival of Bao, a student from Beijing, Feng finds herself gravitating to the new presence.
Walking on the Wild Side
Cinematography
Han Jie’s feature debut draws on his own experiences growing up in a desolate mining district in northern China’s Shanxi province. A Chinese road movie, Walking on the Wild Side charts a young gang’s continuous flights from one kind of trouble to the next. Mirroring the stark and barren landscape, the film relays the grim story of these delinquents’ dreams of liberty and easy money. Played by nonprofessional actors who are real life troublemakers, the film offers a realism that is at once oppressive, cruel, and sympathetic.
Walking on the Wild Side
Director of Photography
Han Jie’s feature debut draws on his own experiences growing up in a desolate mining district in northern China’s Shanxi province. A Chinese road movie, Walking on the Wild Side charts a young gang’s continuous flights from one kind of trouble to the next. Mirroring the stark and barren landscape, the film relays the grim story of these delinquents’ dreams of liberty and easy money. Played by nonprofessional actors who are real life troublemakers, the film offers a realism that is at once oppressive, cruel, and sympathetic.
Before Born
Director of Photography
Huang is a taciturn detective, hired to catch the elusive Li Chonggao in an illicit tryst. Having failed that, he placates himself by collecting evidence: taking pictures of a rumpled bed or attempting to question the locals. When he meets the stunning Yu Ran, he suspects she may be the key to capturing Li, but she has secrets of her own.
Phoenix
Cinematography
Phoenix is a film that reflects the love life of modern people. Ji Tong, Chen Lang, and Ma Wen reunite after 10 years. Their lives have changed a lot: Ji is a down-and-out literati, Chen the owner of a small leisure center, and Ma is in jail. Ma asks his former lover, Tong Fei, to come see him on the same day that Chen and Ji visit. Tong's beauty attracts both men — Tong chooses Ji. Chen then pursues a relationship with an online lover, Xia Yi, but once the relationship is consummated, he doesn't know what to do. While at first, this film seems like a typical romantic drama, Ding Jiancheng and Xu Wei - as sixth generation purveyors of the avant-garde - are up to something more here, as is gradually revealed through the relationships between the characters.
Cry Woman
Director of Photography
Desperate to support her family and earn enough money to get her husband out of jail, a woman with an unusual crying style becomes a professional mourner.
Eleven
Director of Photography
Eleven, which played at the 2001 Venice Film Festival, is the first short film of director Zhang Lu. He is a forty-year-old writer whose works engage with issues of cultural difference stemming from his own background as a member of the Korean cultural minority in China. Eleven is a fourteen-minute long vignette, virtually silent, of an eleven-year-old boy's encounter with a group of soccer players his own age.
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Director of Photography
Eleven is a fourteen-minute long vignette, virtually silent, of an eleven-year-old boy’s encounter with a group of soccer players his own age.
Подними красный фонарь
Деревенская девушка, за дальнейшее обучение которой семья не может больше платить, оказывается в доме с богатыми традициями четвёртой женой. На протяжении всего фильма происходит психологическая шахматная игра, в которой каждая деталь ритуала кажется освящённой веками. Красный фонарь — символ того, что именно сюда придёт Мужчина. Постепенно пышность, подробности ритуала перестают волновать и героиню, и зрителей, и на первый план выступает эмоциональный бунт, в котором не остаётся места разуму. Не остаётся места для живого человека...