Raimundo Higino

Two friends get rich running an illegal gambling business. But soon they start to compete, and become rivals.

In the 19th century, a country girl is seduced by a young doctor who's staying at her house for a few days, caring for her, and tries to hide the forbidden romance from her father, who disapproves of the relationship.

Romantic adventures of a group of Rio de Janeiro teenagers and surfers.

When a pedestrian is hit by a bus, the simple clerk Arandir runs and kisses the moribund in a gesture of sympathy and unconditional pure love. Opportunist photographer Amado Pinheiro witnesses the scene and sees the opportunity to sell newspaper and, together with the despicable and abusive chief of police Cunha, accuses Arandir of homosexuality.

As soon as Mauro, an Administration student, discovers a strong vocation for mediumship, he drops everything to go deeper and dedicate himself to Umbanda, a religion he embraces so strongly that it makes him give up his studies. Determined to open his own spiritist center, Mauro moves to the countryside.

Dr. Jegue is a fumbling inventor and scientist, who in his spare time helps his friends Kiko, Sassá, and Quindim in a mechanic's shop. The four are great friends of Carlos Alberto, a stock car driver who suffers from the frames of rival Hugo and his gang. By doing scientific research in his mini-lab, Jegue discovers two powerful formulas: one extracted through the Quince tree, an abundant fictitious plant in the Northeast; and another that turns Dr. Jegue into a big, bearded, moody man with powerful strength. The Marmeleiro formula is tested in a race at the Interlagos Autodrome in the old track and the news of a "new fuel" becomes the main news of the country. Soon, buyers from all over the world come to Brazil to try to buy the formula, offering a lot of money for it, but Jegue, not ambitious, decides not to sell the formula anymore and leaves it in his country.

Documentary about the Football World Cup held in Argentina in 1978, focusing on the competition and behind the scenes of the most important soccer competition in the world. Two versions of the 1978 official film exist, the first "Copa 78 - O Poder do Futebol" was made by Brazilian directors Maurício Sherman and Victor di Mello in 1979 but was later withdrawn by FIFA because of its controversial content. The film includes an interview with Rodolfo Galimberti, one of the leaders of the Montoneros guerrilla group and also made accusations that the Argentinian competition organisation committee had deliberately hindered Brazilian chances of success by tampering with the pitch at Mar del Plata.

Rio de Janeiro police investigator Galvão is pursuing two trails, one professional and one personal. While he tracts a serial killer of taxi-drivers, he also seeks his estranged daughter, Sandra, who he had thrown out of the family home when she adopted a promiscuous teenage lifestyle. Lives intersect when the serial killer, Toninho, a young man of unsavoury connections, befriends Sandra, now an exotic dancer and prostitute living and working in the seamy underside of late 1970s Rio.

In a financially troubled farm in the 1930's, its depraved owners become attracted to their new handsome and young handyman.

In a financially troubled farm in the 1930's, its depraved owners become attracted to their new handsome and young handyman.

In a financially troubled farm in the 1930's, its depraved owners become attracted to their new handsome and young handyman.

Solange is a recently married young woman whose wedding night did not end well. After constant fights with her husband, she decides to live through her sexual frustration by sleeping with strangers she picks up on crowded buses in Rio de Janeiro.

When a prominent U.S. Nobel Laureate arrives in Salvador, Bahia, the city with the largest black population in Brazil, he stirs emotions by championing a long-forgotten local writer named Pedro Archanjo, who believed that humanity would be improved only through miscegenation.

In the 1930s, a blacksmith is accused of murdering his wife and becomes a hero and political leader.

Соня Брага играет прекрасную женщину, чей муж, игрок и бабник, умирает после того, как провеселился всю ночь напролет на карнавале. Решив снова выйти замуж, вдова выбирает скучного аптекаря средних лет, который любовью занимается раз в год по обещанию. Как-то ночью, когда она лежала в постели рядом со своим спящим мужем, появился призрак ее первого супруга. Она пытается от него избавиться, но он отказывается исчезать. В конце концов она уступает и ложится с ним в постель, а второй муж тем временем продолжает мирно посапывать.

A newlywed woman, frustrated after her honeymoon, decides to search for lovers on the streets and ends up causing a conflict between her husband, a baker and a black artist.

A veteran popular singer remembers her early days before fame as a humble woman who faced many obstacles in order to achieve fame, notoriety and make her dreams come true. Her life, the songs, the men she knew and helped her on her ladder to success all have a big influence on her life.

A couple do everything in order to stay together, against their families' wish.

"Lula, 'bon vivant' who subsists at the expense of small blows, goes on with his life without a present or future purpose. Basically, he just tries to forget having been abandoned by his fiancee Helena, who gave in to his father's imposition. The situations in which he gets involved from then on are paradoxical, trying to survive in the best possible way and spending money he doesn't have, but which comes to him in one way or another. On a day of complete despair, Lula meets a group of "hippies" and leaves catechized. Willing to anything, he becomes a preacher of new customs and new ethics of life. In turn, Helena, whose marriage had failed, dreams of meeting Lula again, hoping to return to his arms.

A professional hitman returns to Brazil and is hired to eliminate an Argentine Delegate in a Rio de Janeiro convention. Inspector José da Silva realizes the plot and starts to pursuit him.

In a small town in the State of Minas Gerais, Brazil, a woman rebels against local morality after her child dies, with tragic results.

The unfaithful wife Malena travels to Cabo Frio with the hustler Betinho, her virgin and naive daughter Soninha and her lesbian friend Nanan to spend the weekend. Nanan tries to seduce Soninha and Betinho decides to rape the girl.

A gang of bandits led by Faustão intervene in a fight between two members of rival families, the Pereiras and the Araújos. Henrique Pereira, son of Colonel Pereira, is wounded in an ambush. Faustão rescues him and demands the father to pay a ransom in exchange for the life of his son. The bandit makes it clear to Henrique that he is not a prisoner and that he is only obeying the law of the backlands. Lucena, a henchman working for the Araújos, finds Faustão and offers twice the amount being asked to the colonel in order to take Henrique as a prisoner, but the bandit refuses the offer. Colonel Henrique pays the ransom, but the son refuses to return home, even being aware of the feud between his family and the Araújos. The young man chooses to join the gang.

Man raised in a brothel tries to earn his living as a pimp, but gets in trouble when his girlfriend cheats him with an older man.

Two outcasts fight over a pair of shoes in a run-down boarding-house room.

Wealthy banker Antônio witnesses the murder of a journalist, who got killed for exposing the activities of a gang of smugglers. After they find out about him, Antônio and his wife are both targeted and pursued by the criminals.

While making a movie in Rio de Janeiro, the singer Roberto Carlos is kidnapped by an international gang that wants to make money with his songs in a computer, together with Pierre (José Lewgoy) , the villain of the movie, and sent to New York.

Young congressman Miguel Horta represents a party that is directly opposed to the present government. He slyly switches parties in order to gain favor with those in power, seriously compromising his own ideals and ethics in the process.

A shockingly irreverent follow-up to the rural austerity of Barren Lives, dos Santos’ Godardian social satire owes more than a nod to the self-conscious antics of the French New Wave. The pampered son of a general, El Justicero is a hipster playboy who fancies himself a James Bond/Jean Paul Sartre urban hero. “Archetypical” yet “full of contradictions,” he sees that justice is achieved for the disadvantaged while taking advantage of certain bourgeois perks. His exploits are closely followed and eventually directed by his biographer who decides a film is not only more lucrative than a book, but it gives him the luxury of reviewing previous scenes. Unlike Bond, El Jus eventually experiences an awakening which threatens to compromise the entertainment value and glamour of his life story. - Harvard Film Archive

A shockingly irreverent follow-up to the rural austerity of Barren Lives, dos Santos’ Godardian social satire owes more than a nod to the self-conscious antics of the French New Wave. The pampered son of a general, El Justicero is a hipster playboy who fancies himself a James Bond/Jean Paul Sartre urban hero. “Archetypical” yet “full of contradictions,” he sees that justice is achieved for the disadvantaged while taking advantage of certain bourgeois perks. His exploits are closely followed and eventually directed by his biographer who decides a film is not only more lucrative than a book, but it gives him the luxury of reviewing previous scenes. Unlike Bond, El Jus eventually experiences an awakening which threatens to compromise the entertainment value and glamour of his life story. - Harvard Film Archive

In a small town in Minas Gerais, the arrival of a young priest causes a commotion in the conservative atmosphere of the place, aggravated by the sudden attraction this priest feels for a beautiful girl. This forbidden love affair soon turns into an unbridled passion.

Womanizer suddenly finds a woman who makes him change the way he looks at women. He falls in love, and believes she is in fact all women in one. Because of that, he has to face an important decision: to go on with his old life or embrace this special relationship and become a monogamous man.

В крайне бедном районе на северо-востоке Бразилии группа солдат пытается удержать местное население от разворовывания запасов пищи

В крайне бедном районе на северо-востоке Бразилии группа солдат пытается удержать местное население от разворовывания запасов пищи

For his first in a long series of wildly imaginative literary adaptations, dos Santos reinvented Nelson Rodrigues' novel about a pathological gangster with solid gold teeth and a voracious appetite for women and power. Embracing radically modernist narrative techniques, Golden Mouth offers a splintered, refractive portrait of brutal masculinity that returns repeatedly to the same moment from different vantages, each time revealing unexpected perspectives on the brutal yet strangely charming criminal. Lurid and disturbing, Golden Mouth delivers a savage satire of marriage and class pretensions, revealing a similar venality at the corroded heart of the sanctimonious bourgeoisie, the moneyed elite and the working class as they all mercilessly claw their way up and down the rickety and ruthlessly hierarchical Brazilian social ladder. -Harvard Film Archive

A psychopathic rapist is contained by two young farmers, one of whom is involved with the police and, while he protects a threatened young girl, finds the 'redemption'.

A talented songwriter of sambas is forced to face the social injustices of the city around him.