Daniel Kedem

Фильмы

Голубая коробка
Cinematography
Михал Вейц — правнучка основателя еврейской национальной программы «Голубая коробка», которая с 1901 года является первым фандрайзингом для привлечения денег на озеленение пустынных территорий Палестины. Через историю своего прадеда и своей семьи Михал анализирует историю создания государства Израиль и исследует прошлое, открывая для себя и зрителей его неудобные моменты.
The Bells are Ringing for Ahuva Ozeri
Cinematography
In 1999, after a 23-year absence, gifted musician Ahuva Ozeri is planning a comeback. She's recording a new album - The Bells are Ringing. Ahuva, considered the queen of the Middle Eastern music, sits at home and makes a living as a cook at a meat restaurant. She hopes to break out again with the new album. But at the end of the recording, she is diagnosed with throat cancer and undergoes surgery where her vocal cords are cut. She loses her voice forever, but the album is very successful. It managed to cross audiences and becomes a consensus. This film is based on rare never before-seen materials, sketching her life's course.
Ицхак
Director of Photography
Документальный портрет скрипача и дирижёра Ицхака Перлмана, 16-кратного обладателя премии "Грэмми" за исполнение классической музыки. Несмотря на то, что в детстве главный герой переболел полиомиелитом и теперь вынужден играть на скрипке сидя, он входит в так называемую "израильскую мафию" лучших музыкантов мира. Знаменитый скрипач много рассказывает о своём детстве в Тель-авиве, постоянно шутит, соблюдает субботу и исполняет еврейскую народную музыку. Перлман известен инструментальными обработками народных песен на идиш в сопровождении Израильского филармонического оркестра. В фильме много хорошей музыки, еврейской истории и еврейского юмора!
The Jewish Underground
Director of Photography
It took the Israeli secret service four years to get their hands on right-wing terrorist organisation, the Jewish Underground. After carrying out several attacks on Muslims in the early 1980s, the group plotted to blow up the Dome of the Rock. Director Shai Gal reconstructs the events in the form of a detective story with dramatisations and interviews with key figures, including the perpetrators, who claim they have nothing to hide. With a chilling contemporary relevance, director Gal reveals the ties between members of the Jewish Underground and the Israeli political sphere are stronger than ever.
The 90 Minute War
Cinematography
The Israeli-Palestinian conflict has lasted 100 years. 100 years of war, bloodshed, bitterness, suffering. 100 years of stalemate, intransigence and failed peace deals. And now, it’s all over! They’ve finally found the solution: A game of soccer. The winner gets to stay. The loser leaves forever. And no whining.
A Magical Substance Flows Into Me
Cinematography
Robert Lachmann was a German-Jewish ethnomusicologist. In the 1930s, his radio show "Oriental Music" explored the musical traditions of Palestine and included regular live performances by musicians from different ethnic and religious groups. Inspired by Lachmann’s musicological studies, Palestinian artist Jumana Manna travels through Israel and the Palestinian territories of today with recordings from the programme. What do these songs sound like now when performed by Moroccan, Kurdish, or Yemenite Jews, by Samaritans, members of the urban and rural Palestinian communities, Bedouins and Coptic Christians?
Not Your Life
Cinematography
Born to a Nepalese father and an Israeli mother, Kaya is a foreigner wherever she goes. In Tel Aviv, she is taken for Asian, while in Goa she is perceived as a white person. A few years ago, as a home-schooled child, Kaya looked for ways to connect with her new surroundings and took up boxing at a small club. There, she met Soniya, a Hindu girl who became her close friend and rival in the ring. Now, Kaya and her mother return to India to part from Goa for good. Their journey raises questions of identity, motherhood and responsibility.
Dancing in Jaffa
Director of Photography
Pierre Dulaine, an internationally renowned ballroom dancer, is starting to fulfill his life long dream - to take his program Dancing Classrooms to Jaffa, where he was born. He is teaching 10-year-old Israeli-Palestinian and Israeli-Jewish children to dance together. Pierre recognizes that the future is built by children. By breaking the syndrome of hatred, he will change their lives, and hopefully, the community around them.
A Sketch of Manners (Alfred Roch's Last Masquerade)
Cinematography
Alfred Roch, member of the Palestinian National League, is a politician with a bohemian panache. In 1942, at the height of WWII, he throws what will turn out to be the last masquerade in Palestine. Inspired by an archival photograph, A Sketch of Manners (Alfred Roch’s Last Masquerade) recreates an unconventional bon vivant aspect of Palestinian urban life before 1948. Posing silently for a group photo, the unmasked and melancholic pierrots accidentally personify the premonition of an uncertain future.
Orchestra of Exiles
Cinematography
The suspenseful chronicle of how the prodigious Polish violinist Bronislaw Huberman helped save Europe’s premiere Jewish musicians from obliteration by the Nazis during World War II. In three years, he transformed from a world renowned violinist to a humanitarian racing against time.