Nandan Rao

Фильмы

#monalisa
Cinematography
People looking at the Mona Lisa in the Louvre – or are they just looking at themselves?
Slackjaw
Director of Photography
Rob and his best friend Austyn apply to become human guinea pigs at the local medical testing facility of a vaguely intentioned multinational company called EvCorp. As the facility's mere presence has bitterly polarized their town, the two apply in stealth. Only Austyn is accepted - ushered away and out of contact into EvCorp's shadowy interior - leaving Rob to bear the burden of secrecy as well as the private concern that perhaps not all will be well with his buddy. As he navigates both sides of the town's deepening rift, guilt and denial do battle in his mind - evoking eerie visions, paranoia, and a strange physical malady. SLACKJAW is a mildly absurd bromantic dramedy about the path to personal responsibility amidst the divisive fog of a politicized landscape.
Devil Town
Director of Photography
A young woman's sister goes missing. She then sets out on a quest through Brooklyn to find her on her own, enlisting the help of a motley crew of New York weirdos.
Hawaiian Punch
Editor
Hawaiian Punch follows two young Mormons, Nick and Tor, during their time in Hawaii. The audience is privy to their lives sharing a house and their recreational activities around the island. Afternoons are spent cliff diving, cruising on their moped along palm tree-lined streets and talking about relationships and religion.
Hawaiian Punch
Cinematography
Hawaiian Punch follows two young Mormons, Nick and Tor, during their time in Hawaii. The audience is privy to their lives sharing a house and their recreational activities around the island. Afternoons are spent cliff diving, cruising on their moped along palm tree-lined streets and talking about relationships and religion.
Hawaiian Punch
Director
Hawaiian Punch follows two young Mormons, Nick and Tor, during their time in Hawaii. The audience is privy to their lives sharing a house and their recreational activities around the island. Afternoons are spent cliff diving, cruising on their moped along palm tree-lined streets and talking about relationships and religion.
MMXIII
Friend
An experimental self-portrait, MMXIII explores phenomenological subtlety, intersections of construct and verité, and the ways in which technology, landscape, and beauty coalesce.
The Men of Dodge City
Cinematography
Twentysomething J. and two of his close friends are in the process of realizing their utopian dream: turning an abandoned cathedral into a grant-powered, environmentally sustainable art space. Newcomers to the post-industrial frontier where they found this chapel, they have been carried here by progressive beliefs that have since left them in a muddled quandary to question the validity of their presence. But there is work to do every day. Work to realize the dream they might still have.
The Men of Dodge City
Director
Twentysomething J. and two of his close friends are in the process of realizing their utopian dream: turning an abandoned cathedral into a grant-powered, environmentally sustainable art space. Newcomers to the post-industrial frontier where they found this chapel, they have been carried here by progressive beliefs that have since left them in a muddled quandary to question the validity of their presence. But there is work to do every day. Work to realize the dream they might still have.
The International Sign for Choking
Director of Photography
Josh (Zach Weintraub) is a young American who has traveled to Buenos Aires to find subjects for a documentary series he has been commissioned to produce. While there, he seems also to be hoping to use the time to regroup—although regroup from what is unclear. The change of venue is not without its own set of problems, however. Josh finds it difficult to get his footing in Buenos Aires. Subjects aren’t coming easy, and he is having trouble connecting socially. He spends long stretches of time isolated in his rented room, struggling to move forward with his work and make social in-roads. Enter Anna (Sophia Takal), a young woman renting a room with an adjoining wall to Josh. After discovering each other through this shared wall, a friendship quickly blossoms which may lead to something more. What remains uncertain is if Anna’s presence will help pull Josh out of his doldrums.
Зеленое
Cinematography
Пара интеллектуалов из Нью-Йорка приезжает в деревню, чтобы заниматься фермерством и писать об этом в свой блог. Неожиданно, в их жизнь вторгается третий человек, способный круто ее изменить.
Fresh Starts 4 Stale People
Unemployed college graduates Zach and Rob find themselves adrift in the wake of their education's real-world uselessness, looking for immediate gratifications wherever possible. When a cross-country call to adventure comes in the form of a 10,000 dollar-bounty on a mysterious package delivery, the two men engage in a gonzo road-trip to find meaning, adulthood and/or America itself. Fresh Starts 4 Stale People, a film about friendship, responsibility and the pop-culture mind-fuck.
Fresh Starts 4 Stale People
Director of Photography
Unemployed college graduates Zach and Rob find themselves adrift in the wake of their education's real-world uselessness, looking for immediate gratifications wherever possible. When a cross-country call to adventure comes in the form of a 10,000 dollar-bounty on a mysterious package delivery, the two men engage in a gonzo road-trip to find meaning, adulthood and/or America itself. Fresh Starts 4 Stale People, a film about friendship, responsibility and the pop-culture mind-fuck.
Bummer Summer
Producer
Seventeen year-old Isaac tags along on an impromptu road trip with his older brother Ben and Ben's ex-girlfriend Lila. The trip staggers along uncertainly as the trio's delicate and ambiguous dynamic is made increasingly weaker by the brothers' mutual feelings for Lila.
Bummer Summer
Director of Photography
Seventeen year-old Isaac tags along on an impromptu road trip with his older brother Ben and Ben's ex-girlfriend Lila. The trip staggers along uncertainly as the trio's delicate and ambiguous dynamic is made increasingly weaker by the brothers' mutual feelings for Lila.