Jean-Louis Vialard

In a dystopia Paris, this is about a campaign manager named Tristan who is knocked sideways when he receives an anonymous letter containing a positive pregnancy test. Potentially suffering from a fatal and incurable genetic illness, Tristan becomes obsessed with the idea of finding the woman who sent him this test. He decides to carry out an investigation, risking his love life and his career in the process.

The film is set in a pre-Covid Taipei, where a group of disenchanted souls are lost in a parallel virtual world.

Fei works illegally as a hustler in order to support his family, yet when he realizes they are willing to accept his money but not his way of life, there is a major breakdown in their relations. Through his relationship to the headstrong Long, Fei seems able to find a new lease on life, but then he encounters Xiaolai, the love of his youth, who confronts him with the guilt of his repressed past.

In the wake of his wife’s death, Simon tries to make a fresh start by moving with his son Camille to Dubai. In that extraordinary city, Camille manages to forget, let go, and begin a new life. But for Simon, it’s not so easy. He begins to feel an alarming presence in their home - someone quietly, patiently lurking in the shadows. Could it really be his double? Simon slowly succumbs to anxiety and thinks he is going mad. But he’s not the only one to feel threatened this way. It seems to be happening to all people in Dubai who refuse to cut off all ties to their past.

It's summer beside the Mediterranean. Garance joins her sister to look after the latter's children. But for several months now, something upsets her appearance. It's there, near the water and waves, that she sees again a man that she once knew.

This is a story about a common man who has extraordinary events in his mundane life. The film depicts the protagonist's turns of events in three eras, three seasons, three nights, in the same city, as told with reverse chronology.

During the Iraqi invasion of Kuwait, invading forces sieged a group of Kuwaiti youths, who had only two choices: either to surrender, or to die for the sake of their homeland.

«Посмотреть мир (Voir du pays)» - таким слоганом французская армия приглашает добровольцев на контрактную службу, в том числе женщин. И вот группа солдат летит домой после тяжёлой миссии в Афганистане, где они потеряли несколько человек убитыми и ранеными. В рамках программы посттравматической реабилитации их завозят на несколько дней в пятизвёздочный отель на Кипре, где их ждут встречи с психологом и коллективные сеансы работы над травматическими воспоминаниями с использованием виртуального шлема и трёхмерного моделирования пережитой ситуации. В свободное время солдаты могут расслабиться в спа и попробовать нормально общаться с обычными туристами: буйными русскими, загорелыми немцами, краснощёкими англичанами.

Setting up as the prequel of two existing films of similar name, Belle de jour by Luis Buñuel, and Belle toujours by Manoel de Oliveira, the film is about the new story of Severine, the main character, with Paris as background. Two artists' ideas to recompose the original films make the beautiful and unique world in this movie. - 25 FPS

После того как упрямая девушка-подросток по случайности становится беременной, группа сверстниц-школьниц заключают между собой пакт и осознанно следуют её примеру. Это становится настоящим шоком для их родителей и всего небольшого консервативного городка.

An elderly woman wants to meet her son’s murderer. A sixteen-year-old girl who has crossed paths with a young hoodlum needs an adult to accompany her to the prison visiting room. A young medical supplies delivery man is offered a deal to take the place of a gangster inmate so that the latter may escape. Two women, one man, three destinies that come together in the visiting room of a prison…

Paul, depressed from his recent break-up with Anna, returns home to Paris and moves back in with his divorced father and amorous younger brother, Jonathan. While his carefree sibling and doting father try in vain to cheer him up, a visit from his mother seems to be the only thing that brings him joy. When Paul is then left in the house to brood and talk to one of his brother's girlfriends, he begins to realize that while things haven't gone according to plan, one can always find something to live for.

The passionate relationship between two men with unusual consequences. The film is divided in two parts. The first half charts the modest attraction between two men in the sunny, relaxing countryside and the second half charts the confusion and terror of an unknown menace lurking deep within the jungle shadows.

Чувствуя приближение старости, Тордур, глава семейства, попросил всех своих детей приехать в деревню, чтобы обсудить дальнейшую судьбу семейного бизнеса, работу всей своей жизни. Его надежды связаны с младшим сыном — Аугустом, который уехал в Париж изучать бизнес. Но отец не знает, что Аугуст мечтает стать композитором.

The film is set in present-day Istanbul. Selim is a shop owner in his early forties. He sells clothing for men in his shop situated in one of the back streets of Istanbul. Selim is a family man who has devoted his life to his home and his work. He lives with his wife Ayla, his six-year-old daughter Esma and his old father in a simple flat in and old, modest neighbourhood. He has warm relations with his family. He is an affectionate father. One of his neighbours, a young widow named Nihal tries to seduce Selim, but her flirtation leaves him cold. Selim is known for his honesty and integrity among his family and friends. He is a careful spender. As a little child, he has learned that money is not easily earned. He has no tolerance for petty "trickery" met in daily life. One day, Selim finds a bag full of dollar bills (approximately 500,000$) in a cab. From that day on, Selim finds himself in a bewildered state with a bag full of money on his hands.

Pierre Huyghe's work questions how diverse languages can apply to the same reality. In his short film Blanche-Neige Lucie (Snow White Lucie), Huyghe tells the story of Lucie Dolene who sang in the French version of Disney's Snow White and the Seven Dwarfs. The film shows an aged Lucie humming the famous song while an interview with her runs as subtitles to the images. This mirroring of dubbing and translation serves as the vehicle for Huyghe's questioning of multiple identities and the ideal of translating a meaning to create a universal image.