'Authentic' is a portrait of a man desperately trying to find meaning - or, perhaps, escape - in the compulsive pursuit of climax. In his quest for satisfaction, he either does not see his real desires or ignores it deliberately; but it all changes when the 'Right One' steps in.
Director
It spins the tale of a writer, obsessed with the Marquis De Sade, who begins to live out De Sade's violent sexual fantasies. Featuring the spectacular Babette Bardot (Russ Meyer's MONDO TOPLESS) and a host of assorted lovelies!
Director
A religious prostitute who sees an atheist client die after blaspheming believes the next man she runs into is Jesus.
Cinematography
Radioactive waste dumped off the coastline creates mutant monsters. The beasts attack slumber parties, beaches, tourists, and terrorize a waterfront community as a scientist, his daughter, her boyfriend and the local police try to find a way to stop them.
Screenplay
Radioactive waste dumped off the coastline creates mutant monsters. The beasts attack slumber parties, beaches, tourists, and terrorize a waterfront community as a scientist, his daughter, her boyfriend and the local police try to find a way to stop them.
Director of Photography
The wealthy patriarch of the Sinclair family lives in mortal fear of being buried alive because he suffers from a rare condition that causes him, at times, to appear lifeless. So, when he dies, his relatives learn that his will stipulates that nobody will see a penny unless they follow a strict set of orders which would allow for him to "return from the dead." When the relations refuse to comply with his wishes, he returns from the grave and proceeds to exact his revenge on his insubordinate kin, killing each of them in precisely the ways they most fear.
Original Story
An axe murderer is loose in a small New England town.
Director
An axe murderer is loose in a small New England town.
Director
Three college students all fall in love with a stripper.
Director
Maniac kidnaps a young girl and holds her prisoner in a shack in the woods.
