Sergio Mazza

Фильмы

One Shot
Director
Marita is a trans-sexual woman from a small town in Entre Rios, Argentina who lives a solitary life in a world that sees trans-sexuality as a misunderstood phenomenon instead of an identity choice.
My Mother Is a Parrot
Editor
Juana, an eleven-year-old girl, comes from a very special family - they have the ability to transform into animals, although she doesn't know it yet. She discovers the truth the day her mother transforms into a parrot. Juana has three days to return her mother to human form otherwise she will stay a parrot forever.
The Kid
Editor
His mother has left and Gonzalo doesn't know why. How he is taking care of his little infant sister all alone, though he himself is barely ten years old. Neighbours help and try to figure out what should be done with the two children. Like old Felipe with his pub, the veterinarian Julio and his wife, or kind Lorena, who's stranded in the town. And gradually Gonzalo finds out what is really going on.
The Kid
Writer
His mother has left and Gonzalo doesn't know why. How he is taking care of his little infant sister all alone, though he himself is barely ten years old. Neighbours help and try to figure out what should be done with the two children. Like old Felipe with his pub, the veterinarian Julio and his wife, or kind Lorena, who's stranded in the town. And gradually Gonzalo finds out what is really going on.
The Kid
Director
His mother has left and Gonzalo doesn't know why. How he is taking care of his little infant sister all alone, though he himself is barely ten years old. Neighbours help and try to figure out what should be done with the two children. Like old Felipe with his pub, the veterinarian Julio and his wife, or kind Lorena, who's stranded in the town. And gradually Gonzalo finds out what is really going on.
Natal
Director
Graba
Art Direction
Graba
Editor
Graba
Music
Graba
Producer
Graba
Writer
Graba
Director
The Yellow
Writer
The stopped time of the entrerriana siesta. The songs of a woman like suspension bridges. A lost foreigner with desire to be. A day, an encounter. Almost like a documentary, the film introduces to us in this place; a news article to the Earth, the landscape; where a small one, but deep fiction history is shown with simplicity, the intensity and the love of the rural atmosphere that contains it.
The Yellow
Producer
The stopped time of the entrerriana siesta. The songs of a woman like suspension bridges. A lost foreigner with desire to be. A day, an encounter. Almost like a documentary, the film introduces to us in this place; a news article to the Earth, the landscape; where a small one, but deep fiction history is shown with simplicity, the intensity and the love of the rural atmosphere that contains it.
The Yellow
Editor
The stopped time of the entrerriana siesta. The songs of a woman like suspension bridges. A lost foreigner with desire to be. A day, an encounter. Almost like a documentary, the film introduces to us in this place; a news article to the Earth, the landscape; where a small one, but deep fiction history is shown with simplicity, the intensity and the love of the rural atmosphere that contains it.
The Yellow
Director
The stopped time of the entrerriana siesta. The songs of a woman like suspension bridges. A lost foreigner with desire to be. A day, an encounter. Almost like a documentary, the film introduces to us in this place; a news article to the Earth, the landscape; where a small one, but deep fiction history is shown with simplicity, the intensity and the love of the rural atmosphere that contains it.
Gallero
Writer
Gallero
Director
About Buenos Aires
Production Assistant
Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.