Boris Troshev

Didar is a poet, but he cannot live from his poetry. He has to write early in the mornings before setting out for his day job as a newspaper editor. Didar is surrounded by a sense of crisis, not just because of his economic situation but also due to discussions at work about the diminishing significance of Kazakh culture, dying languages, and the worldwide dominance of English. He is questioning whether poetry is still relevant in today’s world, but finds solace in contemplating a rebellious 19th-century poet, Makhambet Otemisuly.

In the village, in a small house by the river, an old man lives with his granddaughter. They live a simple life in harmony with the extensive nature. One day, the man’s daughter, living in the city and doing everything in order to survive in an hostile social environment, comes home and asks him to sell a house and move to live with her in the city.

Spurred by his own postmodern musings and the growing inequality, corruption, and kill-or-be-killed ethic of post-Soviet Kazakhstan, a solitary philosophy student steers his directionless life toward the commission of a violent crime, which leads to growing guilt.

Chouga is a beautiful, rich and beloved young woman. She is thirty and lives in Astana, the Kazak new capital. She is married to a famous scientist in his sixties and has a seven-year-old son. Her brother and sister-in-law live in Almaty. The couple is tearing apart and Chouga’s brother requests her to come and try to bring them back together. There she meets Ablaï, a rich and idle young man whom she strongly feels attracted to. Once back to Astana, Chouga tries to withstand this sensual attraction about which she has a premonition of a tragic outcome.

Kairat, a teacher of mathematics, accidentally meets Aslar, along with whom he studied in university. Askar invites him to his home, where Kairat becomes acquainted with Togzhan, the wife of Askar. And he falls in love with her. Though this love was mutual, they couldn't step over the obstacles already made by their lives. Their emotions delayed. The script is based on the novel by Chekhov's About Love, Gooseberry.

This program features three digital short films by Asian filmmakers. Singapore veteran filmmaker Eric Khoo's NO DAY OFF (39 min) records the life of a maid who leaves her husband and baby for Singapore. Darezhan Omirbayev's ABOUT LOVE (38 min) is a bitter love story based on Anton Chekhov's novel, in which a lonely math teacher falls in love with her married university classmate. Pen-ek Ratanaruang's TWELVE TWENTY (30 min) depicts the encounters of a man and a woman on a long haul flight, where they spend the next twelve hours and twenty minutes reading, drinking, eating and watching movies and sleeping by each other's side, as if they are a married couple.

Little Men is about two sympathetic losers with good looks, about groovy tunes and dry slapstick humour.

Marat works as a personal driver in Almaty, capital of Kazakhstan. When he hits a Mercedes, the nightmare begins. The loan he accepts to pay for the damages puts him at the mercy of a Mafia boss.

В родной поселок Аксуат (действие «Конечной остановки» Апрымова происходило тоже здесь) к старшему брату приезжает младший — погрязший в долгах неудавшийся бизнесмен. С ним русская женщина, которая вскоре рожает ему сына. Отец новорожденного сразу же уезжает в город, а она остается в захолустье. Женщина и ее ребенок меняют жизнь старшего брата. Его жильцы не дают покоя соседям. Наметившаяся до их приезда его собственная свадьба расстраивается — невесту выдают замуж за другого. Его лишают работы, и он понимает, что эти двое тут лишние.

У чабанского сына Жасулана больное сердце. Мать привозит его в санаторий, находящийся в горах возле столицы Казахстана, и оставляет там на целый месяц. Драма провинциального мальчика усугубляется тем, что он не владеет русским языком.