Geoffrey Wardwell

Сумасшедший убивает человека, который только что унаследовал большое имение, затем выдаёт себя за свою жертву, чтобы получить доступ к имению, для того чтобы убить своих врагов.

Dramatization of the first climbing of the Matterhorn in 1865.

Young Raymond Rudford,sculptor, is on trial for slitting the throat of his uncle, who had adopted and raised him after Raymond's parent's died when he was a young boy. The prosecution allows his motive was fear of being disinherited if he married his fiancé, the fair Alicia Atherton, against his uncle's wishes, and the prosecution lays a mountain of evidence against Raymond, including his razor, dragged from an artificial lake on the estate, as the murder weapon; Raymond's bloody fingerprints and footprints found at the scene of bedroom crime, and his bloody shoes, found in his cupboard and bloody monogrammed-handkerchief found under his uncle's death bed. Raymond's only defense is that he could not have committed the crime as he goes into a paroxysm of dread at the mere sight of blood, a phobia he has had ever since childhood when his dog was run over by a lorry and the dog's blood was splattered into his face.

“Each vase has a story to tell, if only you have the eyes to read it.” In this charming silent film, a drawing student’s daydream at The Metropolitan Museum of Art brings the ancient Greek myth of Perseus to life. Embark on a classic journey filled with strange encounters, from the mysterious old women who share a single eye to the enchanting nymphs of the western sea. And of course, don’t miss the dramatic showdown with Medusa.