Pepe Iglesias

Pepe Iglesias

Рождение : 1915-02-11,

Смерть : 1991-03-04

Профиль

Pepe Iglesias

Фильмы

Pobre, pero honrado
Perfecto López
To keep his daughter away from a gold digger, a millionaire hires a young man to make her fall in love.
¡Che, qué loco!
Pepe Valdés
A bankrupt man tries to marry a millionaire woman, which triggers a whole series of misunderstandings.
There is nobody like you
Los sobrinos del zorro
René Mendoza
A postman must interrupt his honeymoon to take care of four spoiled nephews.
El heroico Bonifacio
Bonifacio Quesapa
A gang of criminals uses a boastful store clerk posing as a hero.
Si usted no puede, yo sí
Out-of-work actor and his burglar pal get jobs at an agency that pledges to do things the client doesn't want to deal with. Meanwhile, their boss is being stalked by seven Italian brothers who want revenge for something that happened to their great great grandfather.
El zorro pierde el pelo
Pedro Medina
A womanizer's girlfriend and future father-in-law try to teach him a lesson.
Avivato (El rey de los vivos)
Fast-talking con artist type falls in love with a nice young woman and tries to go straight to win her father's approval.
Una noche en el Ta-Ba-Rín
El barco sale a las diez
Un ángel sin pantalones
El tercer huésped
Antonio Larrau / Gómez
A threatened financier is impersonated during a train ride by an identical-looking salesman.
Llegó la niña Ramona
Mi novia es un fantasma
Mariano Torres
A humble maid is confused with a millionaire from a misunderstanding in the hotel that works and a journalist falls madly in love with her.
24 hours free
A millionaire woman is the victim of harassment by loan sharks and a journalist will do everything possible to rescue her.
Dos amigos y un amor
Two young men from the radio environment dispute for the love of a girl.
El mono relojero
Mono Relojero / Various / Sounds
El Mono relojero is a 1938 Argentine animated short film directed by Quirino Cristiani. It is the only film from this director that exists up to this day, since all his other productions (including the first two animated feature films, El Apóstol (1917) and Sin dejar rastros (1918), as well as the first animated film with sound, Peludópolis (1931)) were lost in a series of fires at the facilities where the negatives and copies were stored.