Pjer Žalica

After ten years in Germany, Armin returns to Bosnia. He just got married and wants to surprise his father, but he is not home. Neighbours say that he has been arrested, nobody knows why. The papers say that he is a suspect for the war crime back in the 90s. Armin wants to learn the truth and the neighbourhood to celebrate May Labor Day.

After ten years in Germany, Armin returns to Bosnia. He just got married and wants to surprise his father, but he is not home. Neighbours say that he has been arrested, nobody knows why. The papers say that he is a suspect for the war crime back in the 90s. Armin wants to learn the truth and the neighbourhood to celebrate May Labor Day.

After ten years in Germany, Armin returns to Bosnia. He just got married and wants to surprise his father, but he is not home. Neighbours say that he has been arrested, nobody knows why. The papers say that he is a suspect for the war crime back in the 90s. Armin wants to learn the truth and the neighbourhood to celebrate May Labor Day.

April 1992. Members of a large family strewn around the former Yugoslavia gather around the death bed of their elderly matriarch. She is not well, but the forecast of a family doctor that her death is a matter of minutes away proves incorrect, so the waiting stretches out for days. Relatives start bickering, playing tricks and arguing over the inheritance to be left by the old woman, especially over her large family house in Sarajevo. Despite her deteriorating health, Grandma happily joins the fray. It appears as if that might be what is keeping her alive. Family feuds and intrigues directed against one of the sisters are more important to the family than the clear, terrifying signs of an approaching cataclysm. When the scheming is finally revealed, it is too late. A war has begun in Sarajevo.

April 1992. Members of a large family strewn around the former Yugoslavia gather around the death bed of their elderly matriarch. She is not well, but the forecast of a family doctor that her death is a matter of minutes away proves incorrect, so the waiting stretches out for days. Relatives start bickering, playing tricks and arguing over the inheritance to be left by the old woman, especially over her large family house in Sarajevo. Despite her deteriorating health, Grandma happily joins the fray. It appears as if that might be what is keeping her alive. Family feuds and intrigues directed against one of the sisters are more important to the family than the clear, terrifying signs of an approaching cataclysm. When the scheming is finally revealed, it is too late. A war has begun in Sarajevo.

While researching or playing a role, an actor decides to quit acting and live the life of their character instead.

Zeko, a barber and ex-soldier suffering from Post-Traumatic Stress Disorder, invites his brother Braco and his friend Švabo to Eid festivities. He intends to take advantage of the festive mood and ask his brother, a gambler and alcoholic, to change his ways. Braco doesn’t want to listen and will not take the conversation seriously. Zeko puts a razor under his brother’s neck, forcing him to promise he will change; furious, Braco leaves, telling Zeko he will never see him again, while Švabo suggests that Zeko see a psychiatrist. Alone, without his only friend and his brother, Zeko decides to kill himself – until Muki, a young man selling books door-to-door, stops him.

Story about Plavi orkestar (Blue Orchestra), a pop band from Sarajevo who were one of the biggest pop sensations in the 1980s Yugoslavia.

Story about Plavi orkestar (Blue Orchestra), a pop band from Sarajevo who were one of the biggest pop sensations in the 1980s Yugoslavia.

Based on a true story, the film presents events similar to those in the Lukić indictment.

Fuke visits his uncle Idriz and aunt Sabira to fix a broken boiler. He soon finds out there's a lot more that needs to be repaired. Idriz and Sabira aren't ready to accept the loss of their only son in the Balkan war, seven years earlier. When Fuke's car refuses to start, Fuke has to stay over in their house. He meets a lot of old friends and neighbors there.

Two years after the Bosnian civil war, a town that is slowly rebuilding itself must whip together a democracy when it's announced the U.S. President Bill Clinton might be paying a visit.

Two years after the Bosnian civil war, a town that is slowly rebuilding itself must whip together a democracy when it's announced the U.S. President Bill Clinton might be paying a visit.

Old man Zaim is alone in the world and wants to change that. He is in love with his neighbor Munevera. Munevera doesn't want him. But there are those who do.

Old man Zaim is alone in the world and wants to change that. He is in love with his neighbor Munevera. Munevera doesn't want him. But there are those who do.

История боснийского поэта Хамзы, который живет со своей семьей в Сараево во время Боснийской войны. Отправив жену и дочь в Хорватию, он вскоре встречает двух братьев-сирот, сбежавших от резни в их деревне. Они пришли в боснийскую столицу в поисках давно потерянной тети. Хамза решает помочь ребятам искать родных и выживать в условиях ужасов войны и полной блокады города. После долгих поисков Хамза узнает, что их тетка перебралась в Германию. Но переправить мальчиков туда неимоверно трудно, учитывая, насколько смертельно опасны любые выходы из осажденного Сараево.

This is a film that shows portraits of three children who lived in Sarajevo during the siege. Through their stories the film tries to give a picture of youngsters who live in the war for three and a half years and their efforts to overcome the trauma. The stories are seemingly separate, but the thread that connects them is a three-year-old boy who on his tricycle constantly wanders the streets of Sarajevo, passing everywhere and always seeing everything. He takes us from one child to another, opening up before us a picture of the bizarre life of children in Sarajevo.