Johanna Heer

This film by Johanna Heer and Werner Schmiedel represents a homage to a man revered internationally as one of the great humanitarians of the 20th century. Raul Hilberg and other intellectuals also perceive him as a philosopher, although his primary work for many decades was the investigation of Nazi criminals.

This film by Johanna Heer and Werner Schmiedel represents a homage to a man revered internationally as one of the great humanitarians of the 20th century. Raul Hilberg and other intellectuals also perceive him as a philosopher, although his primary work for many decades was the investigation of Nazi criminals.

This film by Johanna Heer and Werner Schmiedel represents a homage to a man revered internationally as one of the great humanitarians of the 20th century. Raul Hilberg and other intellectuals also perceive him as a philosopher, although his primary work for many decades was the investigation of Nazi criminals.

This film by Johanna Heer and Werner Schmiedel represents a homage to a man revered internationally as one of the great humanitarians of the 20th century. Raul Hilberg and other intellectuals also perceive him as a philosopher, although his primary work for many decades was the investigation of Nazi criminals.

This film essay explores the strange case of G.W. Pabst, the Austrian filmmaker who was considered a giant of early cinema before his reputation went behind a cloud.

This film essay explores the strange case of G.W. Pabst, the Austrian filmmaker who was considered a giant of early cinema before his reputation went behind a cloud.

This film essay explores the strange case of G.W. Pabst, the Austrian filmmaker who was considered a giant of early cinema before his reputation went behind a cloud.

This film essay explores the strange case of G.W. Pabst, the Austrian filmmaker who was considered a giant of early cinema before his reputation went behind a cloud.

In a large city lives a lonesome, 38-year old woman. Without friends, she has indulged in food and candy too much and has become a bit overweight. In short, she is disappointed of her life. One day she sees a young and handsome subway driver and instantly falls in love with him. In a very short time, she finds out all about him and eventually makes contact with him.

Главный герой Ф. М. проводит время за странными аудиоэкспериментами, его не менее «фриковая» подруга Кристиана работает в пип-шоу, и помешана на лягушках. Однажды Ф. М. узнаёт, что в местной сети фаст-фуд используется «зомбирующая» музыка Muzak, и хочет воспрепятствовать этому. Во сне ему является загадочный старик, подсказывающий направление поисков. После этого Ф. М. знакомится с группой подпольщиков — «информационных пиратов», которые помогают ему в его борьбе. Но представители корпорации Muzak пытаются расстроить его планы, и посылают своего агента Йагера охотиться за молодым человеком…

A psychotic saxophone player lures victims to deserted spots with his music and then guns them down.

A psychotic saxophone player lures victims to deserted spots with his music and then guns them down.

A psychotic saxophone player lures victims to deserted spots with his music and then guns them down.

A psychotic saxophone player lures victims to deserted spots with his music and then guns them down.

No-Wave film directed by Gordon Stevenson from Teenage Jesus & the Jerks. Mirielle Cervenka (Exene's sister) plays a young woman named Rose who is afflicted with a case of extreme stigmata.