Constantin Drăgănescu

Otto, a seventeen-year-old punk, becomes involved in the social services investigation of his girlfriend Laura’s death. He is caught up in a vicious circle created by his parents, his mute grandpa and Laura’s mother. Laura is still part of his life through video recordings that he edits constantly, trying to make sense of the events. Through this process, Otto must take his portion of the responsibility for what happened.

A subway train is blocked between stations on the morning after the fire in the Colectiv Club in Romania.

In a small village close to the mountains, Mariana and Puiu are a young family with two children: Carmen and Mircea. One morning, the mother and the ten year-old daughter leave for Bucharest, having a hospital as their destination. One doctor alone, Sitaru, believes that Carmen, who can no longer smile, stands any chances at survival. He believes he can perform a miracle and save Carmen's life. Struggling for her daughter, abandoned by almost everybody she trusted, Mariana discovers she is pregnant. After dr. Sitaru operates on the little girl, in a risky manner, Carmen begins to feel increasingly worse. Without any hope, Mariana leaves the hospital and rushes to take Carmen home: while one life ends, another one begins to flicker.

Бывший дирижер, а ныне уборщик Андрей Филипов собирает свой старый оркестр, участники которого по просшествию 30 лет стали продавцами, бродягами или алкоголиками, и отправляется в Париж на концерт. Это путешествие сопровождает масса комических ситуаций.

Tacke, an old graveyard digger, finds out he has only two months left to live. This is the moment he discovers he does want something out of life: a glamorous funeral service in the cemetery's « downtown » area, where he had spotted for a long time an splendidly situated burial site. Everything goes smoothly, especially that the town's luxury funeral home has just acquired Lady Di's hearth. Tacke has some money for the funeral ceremony, he also has some friends who would mourn for him, but he is out of luck: the funeral site he was hoping to acquire was just given to somebody else.

Мальчик убеждает своего отца поехать в город и починить телевизор. Для этого им придется проделать нелегкий путь.

Being forced into prostitution by her father, she finds solace in her friends and her journal.

Инопланетный космический корабль падает прямо в краеведческий музей маленького городка в Луизиане. Выбравшийся из него пришелец принимает форму первого же обнаруженного им организма — сохранившегося в вечной мерзлоте Луизианы мамонта…

Sebastian (Rutger Hauer) sets up an ingenious plan to transform a woman from an unknown to a star by appearing together in the television show "Hidden Camera Live".

When his credit card has just been swallowed by distributor Bruno Lussac, State Inspector Débé crosses the limits of home ethics when he learns that he has just been banned from banking. Disguised as a Southerner for a costume party where he was supposed to arrest drug dealers, he lures his colleagues into robbing a bank; he causes a bloodbath but comes out victorious of this heist. For his accomplices, the informant, and pretty peacekeeper Cécile Barko, known as Cyborg, this is the start of a crazy run.

In 21st century Bucharest, to go out in the city on Saturday evening at the arm of a beautiful woman is a risky financial investment. Ovidiu, an unassuming high school teacher, never could afford it. Looking for a source of income more substantial than a teacher's salary, Ovidiu plunges into a fabulous world - the beggar mob.

Овидиу живет в Константе и зарабатывает на жизнь тем, что продает продукты, взятые из холодильника родителей. Он мечтает о том, чтобы открыть собственный киоск, но чтобы начать свой бизнес, нужны деньги, которых у него нет. Поэтому, когда местный мафиози предлагает Овидиу ссудить значительную сумму денег в обмен на незначительную услугу, тот, не раздумывая, соглашается. Все, что от него требуется, — доставить сумку по нужному адресу…

A documentary which follows the most important events of Constantin Brâncuși, a Romanian artist.

Из преисподней на землю попадает «ангел тьмы» и превращается в прекрасную девушку - Веронику Искариот. Здесь, среди людей, погрязших в грехе и пороке, у «ангелочка» вполне определенные планы. Но им не суждено было воплотиться: попав под машину, Вероника оказывается в доме доктора Харриса. Пленненный красотой пострадавшей и повинуясь профессиональному долгу, молодой человек берется выходить девушку. И, неожиданно для себя, «темный ангел» влюбляется в своего «ангела-хранителя»...

Фильм описывает положение в Румынии в конце Второй мировой войны, обращаясь к одной из самых драматических и спорных тем в современной истории Румынии - перевороту 23 августа 1944 г. В фильме затронуты и период мятежа легионеров 1941 года, отречение короля Михая, правление, арест и казнь маршала Антонеску, установление правительства Петру Гроза, смерть Маниу и казнь Пэтрэшкану. Большая часть эпизодов основаны на исторических документах того времени.

Along the Black Sea coast, we see a man and a woman arguing. They are apparently vacationers. Before long, the man has gotten back into their car and driven off, stranding the woman in a remote area. She hitches a ride with a delivery truck driver. At one of his stops, she gets off his truck to go to get some water. When the driver comes back to his truck and sees her gone, he assumes she has found another ride, and leave her. Once again, she is stranded. This time, the location is a lighthouse. She and the keeper have no recourse but to become acquainted, and for the next few days, that is what they do. Eventually, the man who left her in the lurch comes back to look for her, and finds her at the lighthouse.

Mișu and Mitică are two best friends. Everything changes when Cornelia shows up.

Three sequences which could have formed separate stories are linked together to give a larger perspective on the nature of reality and film. The three episodes are joined together by one film crew at work. In the beginning, the crew is introduced as they juggle their dual roles as State-supported propagandists who laud their government and society, and as private movie makers working on their own film. Next, they are in a restaurant looking for suitable locations to film when the eatery’s owner is induced to wax long and lugubriously on his miserable life. In the last segment, two extras are in the background of a scene, sitting at a table in a restaurant. It slowly becomes apparent to one of them that the man he’s sitting with tortured him more than 40 years ago at a Nazi concentration camp during World War II.

In a devastating story rife with visual metaphors, Romanian director Mircea Daneliuc traces the slow mental disintegration of a confirmed gambler, using his disorder as an allusion to a greater national and social disorder. Set in the 1930s, the middle-class gambler meets an elderly man who seems to bring him good luck at the gaming tables. Rather than treasure his friendship and the good fortune it brings, the gambler takes advantage of his friend, and by his actions drives the man to suicide. Unable to reconcile his own mental demons, the gambler wanders through the house of his dead friend, and his experiences there only serve to unsettle his mind more and more and more. In the last reels of the film, the fantasies of the hero's deranged mind take over.

An young agronomist insists to start using a new corn variety, but the collective farm chief is against it.