Dominga Sotomayor
Рождение : 1985-01-01, Santiago, Chile
История
Dominga Sotomayor is a Chilean director and screenwriter.
She was born in Santiago de Chile in 1985. Her first feature film, ‘Thursday Till Sunday’ (2012), was developed at the Cinéfondation Résidence, won the Tiger Award at the International Film Festival Rotterdam, and was named best film at IndieLisboa, New Horizons, and the Valdivia International Film Festivals. She co-directed ‘The Island’ (2013), which also claimed a Tiger Award. In 2015, her medium-length film ‘Mar’ had its premiere in the Forum section at the Berlin International Film Festival, and she also released ‘Aqui, Em Lisboa’, a collective film directed with Gabriel Abrantes, Denis Côté, and Marie Losier.
Producer
Brutal torturers of Pinochet's dictatorship are serving sentence in a luxury prison at the foot of the Andes. Fearing of transferring to a regular jail, the officers will go to great lengths to stay fury and violence in the mountains.
Producer
Chile, 1976. Carmen heads off to her beach house to supervise its renovation. Her husband, children and grandchildren come back and forth during the winter vacation. When the family priest asks her to take care of a young man he is sheltering in secret, Carmen steps onto unexplored territories, away from the quiet life she is used to.
Co-Producer
The Patagonian steppe is battered by a grey wind... Mora is 13 years old and intends to become a "gaucho". She questions the school and asserts her individuality towards her parents, two environmentalists from Italian-speaking Switzerland whose dream of autonomy turns into a nightmare. Mora goes deep into the steppe to help the only friend she has, Nazareno, an old Mapuche who has lost his horse, Zahorí.
Director of Photography
Масштабный и меланхоличный альманах от семи режиссеров со всего мира, посвященный беспрецедентному моменту нашей эпохи и отдающий дань кинематографу и его адептам.
Director
Масштабный и меланхоличный альманах от семи режиссеров со всего мира, посвященный беспрецедентному моменту нашей эпохи и отдающий дань кинематографу и его адептам.
At day Jorge, at night Erica. At the dawn of the new changes that cross the country, Jorge / Erica talks about him/her self, his relationship with his/her body, his family and the society that surrounds him in San Antonio de los Banos, a small town near Havana, Cuba
Associate Producer
In the form of a filmed epistolary conversation, two young, experienced filmmakers discuss film, present and past family, heritage and maternity. The personal and profound reflections—which are embodied in the graceful images taken day-to-day—are suddenly echoed by the political emergency of a country.
Writer
In the form of a filmed epistolary conversation, two young, experienced filmmakers discuss film, present and past family, heritage and maternity. The personal and profound reflections—which are embodied in the graceful images taken day-to-day—are suddenly echoed by the political emergency of a country.
Editor
In the form of a filmed epistolary conversation, two young, experienced filmmakers discuss film, present and past family, heritage and maternity. The personal and profound reflections—which are embodied in the graceful images taken day-to-day—are suddenly echoed by the political emergency of a country.
Director
In the form of a filmed epistolary conversation, two young, experienced filmmakers discuss film, present and past family, heritage and maternity. The personal and profound reflections—which are embodied in the graceful images taken day-to-day—are suddenly echoed by the political emergency of a country.
Executive Producer
Lucas travels to visit his sister to a remote town in southern Chile. In front of the ocean and the fog, he meets Antonio, a boatswain in a local fishing boat. When an intense romance grows between them, their strength, their independence and their adulthood become immovable in front of the tide.
Producer
Демократия возвращается в Чили летом 1990 года. В изолированной общине юные София, Лукас и Клара сталкиваются с первой любовью и страхом, готовясь к новогодней ночи. Они могут жить далеко от опасностей города, но не природы.
Screenplay
Демократия возвращается в Чили летом 1990 года. В изолированной общине юные София, Лукас и Клара сталкиваются с первой любовью и страхом, готовясь к новогодней ночи. Они могут жить далеко от опасностей города, но не природы.
Director
Демократия возвращается в Чили летом 1990 года. В изолированной общине юные София, Лукас и Клара сталкиваются с первой любовью и страхом, готовясь к новогодней ночи. Они могут жить далеко от опасностей города, но не природы.
Producer
After a fire destructed my house, I return to the places where I grew up looking for childhood recollections. In this journey appears the memory of a photo for Karin Eitel, a young woman, tortured and detained during the dictatorship, to whom I owe my name. A story that my parents never told me, brings me closer to Karin and not just because of my name. In the background, the memory of a childhood in Chile, a country that reconstructed its democracy omitting its own history.
Producer
While Thomas spends his last weekend in Chile with his family, before traveling abroad for the first time, a flaw in the sewage system produces a flood of smelly water. The problem shows the essence of family relationships.
Producer
In precise, unhurried compositions of image and sound, Lamar’s feature debut portrays a man and his dying wife, living in a remote hut in the hills of Paraguay. All the stages of mourning are passed through in a single day in this wordless account of an emotional earthquake.
Writer
An actress travels to Lisbon representing a film where she has a secondary role, regarding nobody else was available to go. In the Q&A in the Cinematheque she doesn't know how to answer the audience questions.
Director
An actress travels to Lisbon representing a film where she has a secondary role, regarding nobody else was available to go. In the Q&A in the Cinematheque she doesn't know how to answer the audience questions.
Co-Producer
Welcome to Lisbon: there are mermaids by the Tagus and birds flying over the old city; there are mad scientists and singing fish; lost tourist guides and lost tourists; fado and sad guitars. What a weird city you may think - but no. Lisbon is about being different, sarcastic, welcoming to foreigners even in an economic crisis. Different directors became fascinated by our strangeness. We became fascinated by these directors. The city is never the same in these four episodes, here in Lisbon.
Editor
Welcome to Lisbon: there are mermaids by the Tagus and birds flying over the old city; there are mad scientists and singing fish; lost tourist guides and lost tourists; fado and sad guitars. What a weird city you may think - but no. Lisbon is about being different, sarcastic, welcoming to foreigners even in an economic crisis. Different directors became fascinated by our strangeness. We became fascinated by these directors. The city is never the same in these four episodes, here in Lisbon.
Director
Welcome to Lisbon: there are mermaids by the Tagus and birds flying over the old city; there are mad scientists and singing fish; lost tourist guides and lost tourists; fado and sad guitars. What a weird city you may think - but no. Lisbon is about being different, sarcastic, welcoming to foreigners even in an economic crisis. Different directors became fascinated by our strangeness. We became fascinated by these directors. The city is never the same in these four episodes, here in Lisbon.
Producer
Little Claire kills time with María, her Ecuadorian nanny, while waiting for her mother to arrive.
Producer
Martin goes on vacation to the beach with his girlfriend. Everything seems normal, until his mother arrives. Lightning strikes and there is a car to disappear.
Writer
Martin goes on vacation to the beach with his girlfriend. Everything seems normal, until his mother arrives. Lightning strikes and there is a car to disappear.
Director
Martin goes on vacation to the beach with his girlfriend. Everything seems normal, until his mother arrives. Lightning strikes and there is a car to disappear.
Co-Producer
Fragments of the daily life of Álvaro, who left Pinochet’s Chile in the 1980s to invent a new life for himself in Brazil.
Screenplay
A group of people gather for a family reunion in a house on an isolated island. They are waiting for the last person to join them, but as the evening arrives and he doesn’t arrive, a strange anxiety overwhelms them. The group dismantles and the family members wander away from the house separately, confronting the sea and an unspoken fear that slowly consumes them.
Director
A group of people gather for a family reunion in a house on an isolated island. They are waiting for the last person to join them, but as the evening arrives and he doesn’t arrive, a strange anxiety overwhelms them. The group dismantles and the family members wander away from the house separately, confronting the sea and an unspoken fear that slowly consumes them.
Thanks
Когда их родители умирают, Бьянка начинает курить, а Томас все еще девственник. Сироты исследуют «опасные улицы взрослой жизни», пока Бьянка не находит Масисте, бывшего мистера Вселенная, и входит в его темный особняк…
Development Producer
История чилийской семьи глазами детей, которые вместе с родителями едут на машине в четырехдневный отпуск на север страны.
Writer
История чилийской семьи глазами детей, которые вместе с родителями едут на машине в четырехдневный отпуск на север страны.
Director
История чилийской семьи глазами детей, которые вместе с родителями едут на машине в четырехдневный отпуск на север страны.
Editor
A child plays Wii tennis while his parents divvy up and and pack the furniture. One camera angle, one perspective, one situation, with a strong emotional charge. The child is immersed in the virtual world of the game while the real world stays off-screen.
Director
A child plays Wii tennis while his parents divvy up and and pack the furniture. One camera angle, one perspective, one situation, with a strong emotional charge. The child is immersed in the virtual world of the game while the real world stays off-screen.
Screenplay
Jose and Manuel are climbing the Montserrat mountain. They have not seen each other in some years, and they are in Spain for a funeral. It is a narrow, winding, uneven path up the mountain that makes communication difficult, until they reach an appropriate place to rest.
Director
Jose and Manuel are climbing the Montserrat mountain. They have not seen each other in some years, and they are in Spain for a funeral. It is a narrow, winding, uneven path up the mountain that makes communication difficult, until they reach an appropriate place to rest.
Director
Two women are traveling through a coast road, evading the pain left behind. The trip is interrupted when they see an old lady running at one side of the road, in front of the car. This encounter marks the beginning of the rest of their lives.
Writer
Two women are traveling through a coast road, evading the pain left behind. The trip is interrupted when they see an old lady running at one side of the road, in front of the car. This encounter marks the beginning of the rest of their lives.
Screenplay
Jaime, who’s been away from the city by his own free will, invites his family to watch an eclipse at his house on the mountains. The tensions in the group are apparent, but they slowly vanish, reaching the most transparent moment among the eclipse’s darkness.
Director
Jaime, who’s been away from the city by his own free will, invites his family to watch an eclipse at his house on the mountains. The tensions in the group are apparent, but they slowly vanish, reaching the most transparent moment among the eclipse’s darkness.
Director
Luciano is a special boy. He is 15 years old and he is obsessed with skies. This documentary its an invitation to live his fantasy of being a pilot for a day, and fly a Cessna.
Editor
Luciano is a special boy. He is 15 years old and he is obsessed with skies. This documentary its an invitation to live his fantasy of being a pilot for a day, and fly a Cessna.
Camera Operator
Luciano is a special boy. He is 15 years old and he is obsessed with skies. This documentary its an invitation to live his fantasy of being a pilot for a day, and fly a Cessna.
Director
A woman and her grown daughter attempt to break quarantine in order to see her other daughter's newborn child.
Producer
Summer of 1990. Chile and the world are going through great changes. In a small beach town off the Chilean coast, an eclectic group of teenagers, from very diverse social upbringings, are living their own transition to adulthood. These kids are actually guided by a director, who is trying to make a movie, and above all, to recreate an era that affected him, in a country where these kinds of social encounters are not possible anymore.
