Paul Holzki

Рождение : 1887-09-26, Saadan (East Prussia, now Poland)

Смерть : 1960-01-26

История

Paul Holzki (28 September 1887 in Saadan, Ortelsburg district - 26 January 1960) was a German cinematographer. He worked with Leni Riefenstahl on the 1938 documentary Olympia.

Фильмы

Олимпия
Cinematography
История олимпиад от Античности до 1936 года от Лени Рифеншталь. Спорт, как средство формирования человеческого тела, красота которого является неотрывной частью общей красоты природы. Режиссеру и операторам были предоставлены для съемок всевозможные средства: подводные камеры, дирижабли, воздушные шары и т. д.
Олимпия 2
Cinematography
Документальный фильм об Олимпийских играх 1936 года в Берлине, снятый для пропаганды нацизма.
For Her Sake
Sound
The young married couple Sigvard and Isabella Löfgren are constantly being sought by different companies where they are trading on the bill. Sigvard is a traveling salesman and Isabella works as a secretary at a theatre agency seeking artists for a revue.
Vienna, City of Song
Camera Operator
Steffi is in love with the unemployed musician Pepi. Still, her father the musical instrument retailer, Ignaz Korn, wants her to marry one of his card playing buddies, the butcher Burgstaller. When the typesetter, Cäsar Grün, purposely misprints a winning lottery number in the newspaper, Korn and Burgstaller, thinking they have won, pay the drinks for everybody in the Bock Café and then give away their businesses.
Мелодия мира
Cinematography
Отображение состояния общества в 1929 г., контраст сходства и различий в религии, традициях, искусстве и развлечениях со всего мира.
Und Nelson spielt
Cinematography
Rudolf Nelson and the Weintraub Syncoptators lead thru a short musical revue, featuring eccentric dancers, singers, and a small chorus-line.
The Eleven Devils
Director of Photography
Die elf Teufel / The Eleven Devils was made in Berlin in the summer of 1927, in the last throes of the silent movie era. But Die elf Teufel strikes one today as a prophetic film. One of its early captions is "Football, the sport of the century ". We are shown a ball bathed in light like some sacred relic, and observe how, even in those early days, fans on the terraces wouldn't shy away from using their fists.
Frühere Verhältnisse
Director of Photography
Das Mädel aus der Hölle
Director of Photography
Erniedrigte und Beleidigte
Director of Photography
Yvette, die Modeprinzessin
Director of Photography
Die Geliebte des Königs
Director of Photography
Die Jagd nach dem Tode - 4. Teil: Die Goldmine von Sar-Khin
Cinematography
Malatti's father has unexpectedly survived the fall from the train and now vows to take cruel revenge on McAllan. In Lhasa, the old capital of Tibet, seat of the Dalai Lama and at the same time a "forbidden city" for all foreigners, there is another dramatic encounter between the engineer and Badhama. In a dark dungeon, he thinks he recognizes McAllan and tries to stab the man he holds responsible for all the misfortune. He does not realize who he is stabbing, killing his own daughter in the process. The Dalai Lama's servants arrest Badhama and throw him in the dungeon. Malatti's father is sentenced to death, while McAllan sees the light of day again and is released.
Die Jagd nach dem Tode - 3. Teil: Der Mann im Dunkel
Cinematography
The old man and McAllan then got into a physical altercation on the roof of a train that was moving at full speed, in which Malatti's father fell. McAllan assumes that his adversary died in the process. When a gang of rogue robbers board the train, McAllan's life doesn't seem worth a damn anymore. But then, almost out of nowhere, his faithful servant Lubzang appears and saves his master's life at the last moment. Malatti, also on board, falls into the clutches of the gang and is sent to Tibet by the sinister fellowsabducted to be offered as a sacrifice to the goddess Bhawani. However, a kind-hearted member of the gang of robbers takes pity on her and helps the exotic beauty to escape. A little later, Malatti meets Lubzang, who has meanwhile broken away from his master McAllan. He takes her with him.
Die Jagd nach dem Tode - 2. Teil: Die verbotene Stadt
Cinematography
In Calcutta, McAllan meets the beautiful Indian woman Malatti, with whom he immediately falls in love. The engineer quickly neglects his professional obligations and follows her. After some complications, the two of them finally get closer at her home, even if Malatti's father Badhama rejects this connection. Badhama only agrees to the planned marriage when he learns how wealthy this white man must be. After some time, McAllan returns to his large construction site, where things are going haywire. Many workers die in an explosion, and McAllan is now liable with his fortune. As a result, the engineer, who became impoverished overnight, suddenly becomes uninteresting for Malatti's father as a son-in-law, especially since with a solvent Japanese man who offers a lot of money for his daughter's hand,
Die Jagd nach dem Tode - 1. Teil
Director of Photography
The American engineer McAllan is appointed site manager for a major project in Asia. He is to oversee the branch line of the railway line from Calcutta to Beijing. One day, the railway company in question called him to Calcutta for an interview: they were planning to stop running the branch line for cost reasons. However, McAllan is passionate about the project and uses all his powers of persuasion not to just call off construction. In fact, the construction work will continue, and the engineer is even willing to vouch for it with his private fortune.
Maulwürfe
Camera Operator
Die Ehe der Frau Mary
Cinematography
Plot unknown
Augen
Cinematography
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