Solveig Nordlund
Рождение : 1943-06-09, Stockholm, Sweden
История
Nordlund grew up in Stockholm and has a BA degree in Art History from the University of Stockholm. In 1962, she met Alberto Seixas Santos, whom she married, and her interest in cinema grew. In 1970, this interest transformed into a profession when she became an assistant on several films: Quem Espera por Sapatos de Defunto Morre Descalço by João César Monteiro (1969–1970), O Recado by José Fonseca e Costa (1970–1971), Pedro Só by Alfredo Tropa (1970–1971), and Fragmentos de Um Filme-Esmola by João César Monteiro (1972). With Brandos Costumes, by Alberto Seixas Santos (1973–1974), her name began to enter the credits as editor. She worked on editing the films of many directors, such as Manoel de Oliveira, João Botelho, Alberto Seixas Santos, and Thomas Harlan, as well as political documentaries.
In 1973-1974 she received a scholarship from the Calouste Gulbenkian Foundation and completed internships in Paris under the guidance of, among others, Jean Rouch. In 1974, she was in Cinequipa and, in 1975, Cinequanon, where she worked as an editor on TV series. As the founder of the Grupo Zero, Solveig participated in some films that were directed by multiple filmmakers, such as A Lei da Terra (1976). In 1978, she made her debut as an individual director in fiction films with Nem Pássaro, Nem Peixe.
She directed several films in collaboration with the Cornucopia Theater that were based on the plays of Franz Xaver Kroetz (Música Para Si, Viagem Para a Felicidade, both in 1978 and Outras Perspectivas in 1980) and Karl Valentin (E Não se Pode Exterminá-lo? - 1979). Her first feature film was Dina e Django (1983), followed by Até Amanhã, Mário (1994), Comédia Infantil (1998), Aparelho Voador a Baixa Altitude (2002) and A Filha (2003). She also directed short films and documentaries about writers, such as Marguerite Duras, J.G. Ballard and António Lobo Antunes. She is the founder of the independent film production company Ambar Filmes.
In 1998, she made her debut as a theater director with A Noite é Mãe do Dia, by Lars Norén, while working for Belém Cultural Center and Teatro da Malaposta. She currently collaborates with Artistas Unidos, where she has directed the plays Vai Vir Alguém (Someone Is Going To Come), Sonho de Outono (Autumn Dream) by Jon Fosse, Traições (Betrayal), Há Tanto Tempo by Harold Pinter and Scenes from a Marriage by Ingmar Bergman.
Director
A documentary overview on the life and work of the writer Mia Couto.
Producer
Biographical documentary Solveig Nordlund says that 50 years of life in Portugal. The evolution of Portugal from fascism to the current crisis. A retrospective of his life in Portugal through their films or films in which collaborated. A personal look at the transformation of a country that is not his but who adopted her.
Director
Biographical documentary Solveig Nordlund says that 50 years of life in Portugal. The evolution of Portugal from fascism to the current crisis. A retrospective of his life in Portugal through their films or films in which collaborated. A personal look at the transformation of a country that is not his but who adopted her.
Screenplay
Inspired in the book with the same title by António Lobo Antunes.
Director
Inspired in the book with the same title by António Lobo Antunes.
Director
A film about the sculptor José Pedro Croft, while it is a journey to the origins of creativity. José Pedro Croft is a sculptor who constantly crosses borders, from drawing to installation, from painting to sculpture, in a constant and surprising game. It mixes color and form, the banal with the solemn, and transforms space by introducing unusual materials. The theme of the film is this constant passage from one form of expression to another, this constant game, introducing one more element: the look of the filmmaker.
Producer
The story of a man who sees his life change radically upon confronting his progressive loss of memory. As his neurological condition advances, it affects not only his own life but the lives of all those who surround him.
Director
The story of Carla and Marta, the daughter who is seriously ill. In Barcelona, Carla discovers a special mirror, which is an open door to the past: it keeps the reflection for several years instead of returning it immediately. Carla offers her daughter the mirror and it will change their lives forever.
Director
"I write to have a mountain of books when I die." Psychiatrist António Lobo Antunes is one of the most internationally recognized Portuguese writers. His novels, usually settled in Lisbon, are published in prestigious publishers in several countries (Christian Bourgois, Random House, Luchterhand). In Nordlund's film, the characters and scenes from his books constantly interrupt the writer's speech. Lisbon invades his home. The voices of the characters impose themselves to the writer's house. António Lobo Antunes compares his writing to a watercourse that leaves to freely find its way.
Director
A young couple kisses while waiting for the bus, completely oblivious to everything around them. The bus leaves, the day goes by, the kiss goes on.
Writer
Nuno, a boy of nine, runs away from home on the night of the 24th of April 1974. He hides in a mysterious building that is being abandoned in great haste. People are running down the stairs, cars are leaving, finally Nuno and a dog are the only ones left. They become friends and fall asleep together. In the morning they wake up with screams from the street. Nuno thinks that it is his mother calling for him and runs to the window. The street its full of people, tanks and soldiers. It’s the 25th of April. And Nuno believes that it was his mother who made the revolution just to find him.
Director
Nuno, a boy of nine, runs away from home on the night of the 24th of April 1974. He hides in a mysterious building that is being abandoned in great haste. People are running down the stairs, cars are leaving, finally Nuno and a dog are the only ones left. They become friends and fall asleep together. In the morning they wake up with screams from the street. Nuno thinks that it is his mother calling for him and runs to the window. The street its full of people, tanks and soldiers. It’s the 25th of April. And Nuno believes that it was his mother who made the revolution just to find him.
Screenplay
Ricardo Monteiro is a successful television producer specialising in reality shows. He is 45 years old and he has just received an award for the most popular television show of the year, when he receives an ultimatum from his 18-year-old daughter Leonor. If he does not come home that same evening to celebrate her birthday he will never see her again. Ricardo is distracted by business or other commitments and he is too late for the last flight home. When he returns next day the apartment is empty and Leonor is gone. At first Ricardo thinks that it is only a game, but there are no phone calls or messages and after a while he gets worried and starts looking for her. He discovers that she has quit school without telling him and that she has lost all contact with her old friends. She has become a complete stranger.
Director
Ricardo Monteiro is a successful television producer specialising in reality shows. He is 45 years old and he has just received an award for the most popular television show of the year, when he receives an ultimatum from his 18-year-old daughter Leonor. If he does not come home that same evening to celebrate her birthday he will never see her again. Ricardo is distracted by business or other commitments and he is too late for the last flight home. When he returns next day the apartment is empty and Leonor is gone. At first Ricardo thinks that it is only a game, but there are no phone calls or messages and after a while he gets worried and starts looking for her. He discovers that she has quit school without telling him and that she has lost all contact with her old friends. She has become a complete stranger.
Screenplay
В недалёком будущем население планеты медленно вымирает, на свет появляются преимущественно «Зоты» — дети с сильными генетическими отклонениями, и они подлежат уничтожению. Молодая пара приезжает в отель с подтверждением, что их будущий ребёнок будет нормальным…
Producer
В недалёком будущем население планеты медленно вымирает, на свет появляются преимущественно «Зоты» — дети с сильными генетическими отклонениями, и они подлежат уничтожению. Молодая пара приезжает в отель с подтверждением, что их будущий ребёнок будет нормальным…
Director
В недалёком будущем население планеты медленно вымирает, на свет появляются преимущественно «Зоты» — дети с сильными генетическими отклонениями, и они подлежат уничтожению. Молодая пара приезжает в отель с подтверждением, что их будущий ребёнок будет нормальным…
Producer
Based on the book by Henning Mankell (Sweden), this story takes place in Mozambique and is about a young boy, Nelio, who loses his entire family during a time of civil war. A wounded Nelio is found by a baker in the capital Mapouto; refusing medical treatment, the boy instead asks for sanctuary so he can tell his terrible tale. This he proceeds to do, starting with how the fighters arrived in his village and slaughtered many, to his captivity, his escape and his teaming with other orphaned street urchins to become their leader in survival.
Writer
Based on the book by Henning Mankell (Sweden), this story takes place in Mozambique and is about a young boy, Nelio, who loses his entire family during a time of civil war. A wounded Nelio is found by a baker in the capital Mapouto; refusing medical treatment, the boy instead asks for sanctuary so he can tell his terrible tale. This he proceeds to do, starting with how the fighters arrived in his village and slaughtered many, to his captivity, his escape and his teaming with other orphaned street urchins to become their leader in survival.
Director
Based on the book by Henning Mankell (Sweden), this story takes place in Mozambique and is about a young boy, Nelio, who loses his entire family during a time of civil war. A wounded Nelio is found by a baker in the capital Mapouto; refusing medical treatment, the boy instead asks for sanctuary so he can tell his terrible tale. This he proceeds to do, starting with how the fighters arrived in his village and slaughtered many, to his captivity, his escape and his teaming with other orphaned street urchins to become their leader in survival.
Director
Solveig Nordlund's "A voice in the night"
Director
Editor
Mai Zetterling is interviewed in the summer of 1984 in her house in southern France. Seventeen years have passed since the Girls were made in Sweden and were adversely affected by the criticism. Zetterling discusses why she left Sweden and resides at crucial times in her life; The drama period, to be celebrated actress and then to move to pave his way in the male-dominated director's profession. A guiding star in Zetterling's life has been to constantly expand its boundaries.
Director
Mai Zetterling is interviewed in the summer of 1984 in her house in southern France. Seventeen years have passed since the Girls were made in Sweden and were adversely affected by the criticism. Zetterling discusses why she left Sweden and resides at crucial times in her life; The drama period, to be celebrated actress and then to move to pave his way in the male-dominated director's profession. A guiding star in Zetterling's life has been to constantly expand its boundaries.
Director
The life of a drug abuser through messages on his answering machine.
Editor
Mário, eight years old, a kid who begs in the tourist paradise of Madeira island. One day in his life, from morning to evening.
Writer
Mário, eight years old, a kid who begs in the tourist paradise of Madeira island. One day in his life, from morning to evening.
Director
Mário, eight years old, a kid who begs in the tourist paradise of Madeira island. One day in his life, from morning to evening.
Editor
A director is having trouble looking at the pictures in the movie she has made of breed dogs and dog owners since she is a fierce race breeding opponent.
Director
The famous tragedy of Charlemagne and his nephew the Duque of Mantua, in conflict about a murder. The play, six hours long in its complete version, is performed each year in several villages of Saint Thomas Island, an ancient Portuguese colony. The characters, interpreted only by men wearing masks and sumptuous clothes in European style, are transmitted from father to son, and declaim an unalterable text. Several interviews with them lead us to understand the almost sacred function they are representing.
Editor
Harry Friberg receives a photo assignment at Lindarängen's airport in Stockholm. The assignment turns into a nightmare when the photographer is invited to a crayfish party by the company's director.
Editor
Ambulatory history, freely inspired by Georg Büchner's biography (1813-37) and the reasons that led him first to political intervention and then to strict isolation. With students of unidentified present time (1968? 1970?), the themes developed, in Büchner, are triggered by the publication of "The Messenger of Hesse", a pamphlet addressed to the peasants, urging them to revolt. Their misunderstanding, as well as the repression of the young revolutionaries, leads Büchner to a particularly skeptical and painful attitude...
Director
A spaceship on it's way to Orion.
Director
Atmospheric depiction of an abandoned homestead from the early 1930s to the late 1970s.
Editor
Dina (Maria Santiago) is a teenager brought up by her grandmother, employed as a housekeeper for a fairly well-off family. Since Dina only has her grandmother, she spends her time fantasizing about her life and reading comic-book love stories -- activities that do nothing to improve her dim perspective of reality. Due to these handicaps and her own inexperience, she gets involved with Django (Luis Lucas), a shady character who decides to use her as bait to attract men and then rob them. One day when both are in a taxi with robbery in mind, the driver gets suspicious so Django shoots him, and so does Dina. She escapes and runs away -- though it seems like she has learned too little too late. This story unfolds against a time of upheaval in Portugal (mid-1970s) when the military government is formulating a constitution and social changes are happening everywhere.
Screenplay
Dina (Maria Santiago) is a teenager brought up by her grandmother, employed as a housekeeper for a fairly well-off family. Since Dina only has her grandmother, she spends her time fantasizing about her life and reading comic-book love stories -- activities that do nothing to improve her dim perspective of reality. Due to these handicaps and her own inexperience, she gets involved with Django (Luis Lucas), a shady character who decides to use her as bait to attract men and then rob them. One day when both are in a taxi with robbery in mind, the driver gets suspicious so Django shoots him, and so does Dina. She escapes and runs away -- though it seems like she has learned too little too late. This story unfolds against a time of upheaval in Portugal (mid-1970s) when the military government is formulating a constitution and social changes are happening everywhere.
Director
Dina (Maria Santiago) is a teenager brought up by her grandmother, employed as a housekeeper for a fairly well-off family. Since Dina only has her grandmother, she spends her time fantasizing about her life and reading comic-book love stories -- activities that do nothing to improve her dim perspective of reality. Due to these handicaps and her own inexperience, she gets involved with Django (Luis Lucas), a shady character who decides to use her as bait to attract men and then rob them. One day when both are in a taxi with robbery in mind, the driver gets suspicious so Django shoots him, and so does Dina. She escapes and runs away -- though it seems like she has learned too little too late. This story unfolds against a time of upheaval in Portugal (mid-1970s) when the military government is formulating a constitution and social changes are happening everywhere.
Editor
The movie begins with the Jönsson gang making a minor burglary. It goes wrong and the gang leader, Sickan, gets caught. After he has spent 10 months in jail, Vanheden and Rocky come to welcome him when he's released. But he doesn't take notice of them, and he's picked up by the mysterious banker Wall-Enberg Jr. instead. He wants Sickan to perform a burglary in Switzerland, in order to retrieve the famous Bedford Diamonds. Sickan does this but is fooled by Wall-Enberg and nearly gets caught. When he returns to Sweden and re-unites with his old gang members, he's set on revenge, both physically and psychologically...
Editor
A story about doomed love between two people from different worlds and the impact in their lives.
Director
Woman packs up her things to go to an elderly care facility, and talks.
Editor
A woman arrives home, apparently coming from her job, and sets out about house chores and placing every object around her with extreme care. The only company she has is the radio, tuned to a station of popular music hits that the audience can ask for by telephone. There is a single hint that she may have breast cancer. Then, she sets the table for a large dinner - for one - including a champagne bottle. She commits suicide by pills overdose, before she utters a word.
Director
The film of a performance of a selection of cabaret comedy sketches by Karl Valentin, with Jorge Silva Melo as stage director. The show was a complete success and has become almost legendary. Solveig Nordlund shot it, adding some more sketches that weren’t included on the show.
Director
A woman arrives home, apparently coming from her job, and sets out about house chores and placing every object around her with extreme care. The only company she has is the radio, tuned to a station of popular music hits that the audience can ask for by telephone. There is a single hint that she may have breast cancer. Then, she sets the table for a large dinner - for one - including a champagne bottle. She commits suicide by pills overdose, before she utters a word.
Director
A woman translates the front page of H.P. Lovecraft's book “The Silver Key”. Her husband, a journalist, listens. The book describes the conflicts between the real and the imaginary, and tells how Randolph Carter, the film's character, leaves everyday life in search of his childhood dreams.
Writer
A train trip with a mother and her son, to whom she speaks.
Director
A train trip with a mother and her son, to whom she speaks.
Editor
A short film.
Director
The agriculture reforming process, after the 1974 revolution, is seen through an analysis of the social structures and class struggles of the Portuguese society.
Editor
A portrait of the everyday life of a typical middle-class family in parallel with the fall of the "Estado Novo", the 48-year dictatorship led by Salazar. The daughters' conflicts and frustrations with their parents, their grandmother and their maid find an obvious echo in the country's collective events. The Carnation Revolution is about to explode.
Assistant Editor
Lúcia is courted by António, from the same social class, although she keeps a loving memory of Francisco, a half-adventurer marginal.
Assistant Director
The tribulations of two friends who, in despair, start begging from door-to-door, and are given a bundle including, literally, a pair of deadman's shoes
Director
A documentary on two young men applying for the job of models
Director
Marguerite Duras.is interviewed twice, first in 1984 and then in 1993, on her life and work as a writer and filmmaker.
Interviewer
Marguerite Duras.is interviewed twice, first in 1984 and then in 1993, on her life and work as a writer and filmmaker.
