John Fletcher

Follows the creation of Lindsay Anderson's The White Bus (1968), from pre-production to the shoot and in post.

A sports documentary about association football that follows a week in the life of West Bromwich Albion football club.

On a summer's day, a group of children improvise a circus at an abandoned farm in Suffolk.

Integration Report 1, Madeline Anderson's trailblazing debut, was the first known documentary by an African American female director. With tenacity, empathy and skill, Anderson assembles a vital record of desegregation efforts around the country in 1959 and 1960, featuring footage by documentary legends Albert Maysles and Richard Leacock and early Black cameraman Robert Puello, singing by Maya Angelou, and narration by playwright Loften Mitchell. Anderson fleetly moves from sit-ins in Montgomery, Alabama to a speech by Martin Luther King Jr. in Washington, D.C. to a protest of the unprosecuted death in police custody of an unarmed Black man in Brooklyn, capturing the incredible reach and scope of the civil rights movement, and working with this diverse of footage, as she would later say, “like an artist with a palette using different colors.”

Seminal piece of documentary filmmaking by New Wave director Karel Reisz following the daily activities of members of the Lambeth Youth club in late-1950s London.

Every Day Except Christmas is a 37-minute documentary film filmed in 1957 at the Covent Garden fruit, vegetable and flower market, then located in the Covent Garden area of East central London. It was directed by Lindsay Anderson and produced by Karel Reisz and Leon Clore under the sponsorship of Ford of Britain, the first of the company's "Look At Britain" series.

A montage of the night-life of Piccadilly Circus across the hours, from early evening to the last lingering passers-by.

The workaday boredom and crushing hardships of London's East End in the 1950s, seen from the point of view of two deaf-mutes who share a strong bond of friendship.

The workaday boredom and crushing hardships of London's East End in the 1950s, seen from the point of view of two deaf-mutes who share a strong bond of friendship.

A night at the Wood Green Jazz Club - an example of 'Free Cinema'.

A night at the Wood Green Jazz Club - an example of 'Free Cinema'.

Lindsay Anderson's early documentary film of a British amusement park, the irony of its manufactured fun on full display.