Gary Betsworth

Главные герои — Наоми и ее друг-гей Илай. Нерушимость своей дружбы парочка решает скрепить составлением списка знакомых, с которыми дело не должно дойти до интимных отношений. Но в один прекрасный день Илай целует бойфренда Наоми, и дружбе приходит конец.

A lonely young monster with deadly black eyes encounters a kidnapped and abused young boy whose eyes have been sewn shut.

Three narratives ("Cutting Moments," "Home" and "Prologue") combine to create a shocking trilogy of modern American life, a portrait drawn with brushstrokes of hidden violence and disturbing cruelty. Directed by Douglas Buck, this unflinching film reveals what lies behind the drawn curtains of so-called "ordinary" households.

Acting as both pseudo-sequel to, and remake of, Cutting Moments, Buck's follow-up changes the focus from the matriarch to the father... or, more fittingly, the many fathers... and the sins they pass down. Eschews explicit violence for a more psychological approach, to a no less harrowing result.

In the center of a monotonous suburban existence, Sarah lives silently and in subservience to her icy husband Patrick. They have been together far too long, and Patrick's affections for his wife have all but vanished. Instead, his sexual urges are tempting him to lust after their own son. Realizing how far gone her husband is, Sarah undertakes drastic, shockingly sickening measures to salvage some sense of her life and purge her years of festering resentment.