Miguel González Sinde

Julia, an only child of an affluent, bank owning family living in Madrid, escapes from her family to get over her grief that her boyfriend has been imprisoned. Julia is a well educated woman, having studied in Switzerland and England, who wants to become a writer. Julia drives to a little village in Asturias called "Corralbos del Sella" and there she stays in a mansion "llendelabarca" of an old childhood friend "Pilara" she had spent many a happy summer with. Also living there is Pilara's mother in law Tia Gala, and her grandson Juanito. Julia's relationship with caretakers, teacher and priest makes Julia, a woman of the spanish capital, perhaps for the first time to not feel so alone.

After his son dies, an elderly man comes back to Spain from the US and hopes to find out which of his granddaughters is true, and which one is bastard.

In the mid-fifties, El Nini lives in the poorest and most forgotten rural Castile (Spain). He is a child with no more knowledge than those provided by nature. El Nini lives with his father in a cave, and with him he devotes himself to the hunting of water rats, the only means of subsistence they know. But when they are tried to deprive them of their roof and their livelihood, violence will erupt uncontrollably.

Dr. Molinos, a prestigious cardiologist, and his wife Isabel are going through a serious marital crisis. They live in Oviedo, in the oppressive Spain of the 50s, in the company of two maids: Escolástica and Jovita. His only daughter, Maribel, entered a convent of nuns. The unexpected love felt by Dr. Molinos for Julia, a young doctor who is much younger than him, makes him feel alive again.

A group of nuns find an abandoned baby girl at the doorstep of their convent.

A young man, son and grandson of soldiers, refuses to perform military service, causing a commotion in the whole family. Finally, social, environmental and family pressures, will force the young to make a decision that will have unforeseeable consequences.

A 50-year-old playwright (Jesus Puente) bemoans his fate from his secluded home in Northern Spain in this depressing drama. Side plots include an actress and former acquaintance who comes to visit and his amorous diversions with a 20-year-old local woman.

Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.

Детектив Херман Арета принимает дело, рекомендованное его бывшим комиссаром. Новый клиент, по имени Мигель Сампедро, является зрелым гомосексуалистом, которого после 20 лет связи, только что, бросил его партнер, и он хочет знать, есть ли между ними кто-то третий. Когда они оба оказываются мертвыми, кажется, что один убил другого, прежде чем покончить с собой.

A Nobel prize winner returns to his natal city looking for his home.

К частному детективу Херману Арете приходит неизлечимо больной человек, который хочет увидеть свою давно сбежавшую дочь перед своей смертью. Но когда Арета начинает расследование, это приводит его в тёмную изнанку Мадрида, где он обнаруживает, что не только он ищет девушку. Кто-то другой тоже заинтересован в ней, кто-то могущественный и опасный, который ни перед чем не остановится, чтобы помешать Арете раскрыть правду...

Their sexually dissatisfying marriage life changes when Paula discovers her latent masochism after raped by her husband, Fernando. She welcomes Celia, a vicious young woman whom she has met in a park and, in the end, Paula ends up officiating as a dog of both, while Celia will eventually dominate the situation.

Gustavo is morbidly dominated by his mother, Doña Leticia, who refuses to accept another woman in her son's life.

Drama based on the true life of a group of middle class and members of the Communist Party of Spain, who were involved in clandestine political activities during the sixties.

José is a happily married executive, with children, a flat in Madrid and a house in the suburbs. It's Friday and the weekend seems to follow the usual pattern: football match with mates, travel to the mountains and family visit. Nevertheless, José feels no motivated by his routine, he no longer distinguishes leisure from their obligations, all of which result in an unexpected final decision by his attentive wife.

Joseph and Helen, who had been boyfriends, there meeting some years later and fall madly in love again, but now the two are married. His hard and clandestine love story addition is determined by the circumstances of the times in which they have lived: the last years of the Franco regime and the beginning of the transition.

Diego , the son of a prostitute stabs Maria , suddenly it begins to happen a number of miracles attributed to the intercession of the dead woman . Patients from all over town arrive to implore and consider her as a saint.

A memory of Marilyn Monroe (1926-1962), woman, actress, goddess, myth, in the words of the Spanish director and scriptwriter José Luis Garci, who returns to his childhood and recovers a lost paradise.

Any given Sunday of 1974 in Spain, soccer games in several stadiums, the sarcastic voice of commentators, the inevitable presence of advertising. Goal! The victors and the defeated.

Arriving at a copper mine in South America, Jonathan (Chris Mitchum) arrives and comes into conflict with the brutal mine manager.