Hans Posegga

Инженер Брайан, приехавший из Сан-Франциско в Южную Америку на заработки, полюбил индейскую девушку и узнал от неё местонахождение золотых ворот, построенных древними инками. Но, открыв чужестранцу секрет, Има бросается с обрыва. Потрясённый случившимся, мучимый вопросами, почему Има покончила жизнь самоубийством, Брайан оставляет несметные сокровища и решает уехать, взяв с собой одни воспоминания.

Документальный фильм об австрийском мальчике, ставшем диктатором в нацистской Германии. Три части рассказывают о трёх периодах жизни Гитлера. В части первой показана жизнь Гитлера в 1889-1933, до момента, когда он стал премьер-министром. Вторая часть — правление Гитлера до начала Второй мировой войны (1933-1939). Третья часть — война, поражение Германии и смерть Гитлера (1939-1945).

a Romanian adventure movie.

A convoluted roundelay of sexual encounters and unwitting fluid exchanges results in a white woman giving birth to a black baby.

Dressman turns bank robber to afford the lifestyle he wants

A man returns every year to visit his estranged family and friends in this drama dripping with biting social commentary. His 40-year-old buddies are part of the nouveau riche who consider themselves elite and are content to sandbag it at work. Teutonic sentimentality is lampooned, and the narrow minded are held up to ridicule. Some fine performances outweigh the passages of unintentional humor in this second film from director Ulrich Schamoni.

A man returns every year to visit his estranged family and friends in this drama dripping with biting social commentary. His 40-year-old buddies are part of the nouveau riche who consider themselves elite and are content to sandbag it at work. Teutonic sentimentality is lampooned, and the narrow minded are held up to ridicule. Some fine performances outweigh the passages of unintentional humor in this second film from director Ulrich Schamoni.

Two old school friends, both in their late twenties. One lives on his parent’s rural estate and does nothing; the other half-heartedly pursues work as a journalist in Düsseldorf.

An animated film that is critical of society. After being kissed by a "celestial" muse, an inventor succeeds in building a machine that will clothe the naked of the world. But after a "devilish" inspiration, the inventor expands heedlessly into new markets, leading to ever-increasing growth of the machine until it finally enslaves its inventor, who has become a war profiteer.

Manfred and Hilke live a live perfectly complied with each other in West Berlin. They managed to elude from the bourgeois conformity, which they loath. But when Hilke finds out about her pregnancy she estranges from her partner. Trying to keep her former life as it was, she desperately looks all over the city to get an abortion.

Short documentary on the making of Henry Levin's Genghis Khan, which filmed on location in Yugoslavia. The final film's epic battle scenes are contrasted with the mundane reality of life on a film set.

Kristl was a member of the prestigious Zagreb Studio of Animation and his early works as painter and filmmaker had brought him instant acclaim and instant censorship. He fled Croatia and lived in Germany; he died there in 2004. Poor People, a “collective scream” of Cold War fear, was produced just after he left his country.

A satirical examination of the ways the influx of German tourists to Spain affects the local population.

Feature-documentary "pointing up a thousand facets of this world and probing to determine what may lie beneath the surface".

A rich man's daughter seduces migrant workers.

A documentary about the building and commissioning of VAK Kahl, the first commercial nuclear power plant in the FRG – gleaming images of a bright future. Oscar nominated documentary short from West Germany, 1961.

In his experimental short film "Brutalität in Stein" (Brutality in Stone), Alexander Kluge demonstrates how Nazi architecture used dimensions of inhuman and super-human scale to bolster the regime's politics of the same kind. Shots of huge neo-classical architectural structures from the Nazi period are confronted with equally anti-human national-socialist language as a voice-over.

A documentary short film by Ferdinand Khittl on Munich's 800th anniversary.