Director
Selection of hand-painted films made from serpentine dance performances between 1895 and 1907, with original music by Carol Robinson. Produced for ARTE / Lobster Films.
Director
Several men in a basement barbershop become excited by women walking past the window. The ankles and knees of the passersby are visible to the men below, causing pandemonium among the barbershop customers. Possibly released in 1901.
Director of Photography
In this movie, dancer Ella Lola performs a Turkish variation of a "Danse Du Ventre", the oriental belly dance. In her dance she shakes, twists and turns around in a very energetic dance. The elements of Turkish folklore can be felt despite the lack of sound as the differences from this and other belly dances are very notorious when her traditional Turkish dress swings in a marvellous way as she dances. Unlike other films about exotic dances, Lola's movies (the other was "Ella Lola, a la Trilby") were of a less erotic nature and more focused on the realistic representation of the dance. A professional dancer since a very young age, Lola's dancing is very graceful and showcases an enormous control over her body.
Director
Director: William Heise
Production Company: Edison Manufacturing Company
Country: USA
Director of Photography
“A file of Spanish soldiers line up the Cubans against a blank wall and fire a volley. The flash of rifles and drifting smoke make a very striking picture.” (Edison film catalog)
Director
The famous show makes a parade.
Director
The famous show makes a parade.
Director
A preadolescent boy, dressed like a street urchin, performs acrobatic stunts for the camera.
Director
The Reading's [Pennsylvania] pitcher has just let a Newark [New Jersey] batsman walk to first. Our camera is stationed about twenty feet from the bag, and the satisfied grin of the runner is great as he touches first and gets up on his toes for second. Next man cracks first ball pitched for a two-bagger, and races for the base with a wonderful burst of speed. First baseman just misses a put out. Very exciting. Man on the coaching line yells, and umpire runs up and makes decision. Small boy runs past back of the catcher close to the grand stand, where there is great commotion. A most excellent subject, treated brilliantly.
Director
"Shows the beach at Long Branch, N.J. immediately after a heavy storm. The breaking waves dash over a row of spiles, throwing a spray high into the air."
Director
The children come sliding down the hill on their sleds, and run the gauntlet of volleys of snowballs thrown by boys on both sides of the street.
Director
The skaters dart to and fro, swinging their hockeys and trying to hit the disc toward the goal.
Director
This single camera position film shows an officer and six enlisted men of the army as they demonstrate the assembly drill of a gatling gun. See also: gatling gun-firing by squad, and gatling gun crew in action.
Director of Photography
A woman in a white gown performs a skirt dance, using her arms to produce circles and other patterns within the folds of her costume. Her legs and feet appear to be bare. (Library of Congress)
Producer
A woman in a white gown performs a skirt dance, using her arms to produce circles and other patterns within the folds of her costume. Her legs and feet appear to be bare. (Library of Congress)
Camera Operator
Ten horse-drawn pieces of equipment of the Buffalo Fire Department pass by a stationary camera that looks down a broad avenue as they come toward it...
Director
"Two men, with hands tied, are eating huckleberry pies for a wager, direct from the plates. Their faces and shirts are clean when they start. Extra ludicrous when colored."
Director
A young boy dances on a table top.
Producer
Shows ten horses hitched to fashionable carts driven past the judges and grandstand to show their style, action and high-stepping movements. Among the drivers, Charles F. (Fatty ) Bates, the noted whip, shows up very prominently. The horses are all of very high class, and the action is of the very best. The film is clear, sharp and catchy.
Camera Operator
Shows ten horses hitched to fashionable carts driven past the judges and grandstand to show their style, action and high-stepping movements. Among the drivers, Charles F. (Fatty ) Bates, the noted whip, shows up very prominently. The horses are all of very high class, and the action is of the very best. The film is clear, sharp and catchy.
Director
The victim is lying on a trolley car fender. Ambulance drives up and the injured man is removed in a stretcher.
Director
"Two German anglers are fishing, with odd results. One gets a bite, and pulls in a length of stovepipe. The other is so astonished that he falls overboard."
Director
A Victorian couple dancing.
Director
A vaudeville routine: two denizens of the Bowery dance while under the influence. She's wearing a light dress with a full skirt. He wears a white sport coat and tie. Both have hats. On a small stage, she approaches him gingerly, leaning forward. He grabs her close, she leans into him, and he waltzes her around. (IMDb)
Director
A commercial. Four men sit in animated conversation in front of a billboard for Admiral Cigarettes. The billboard fills the entire background
Camera Operator
Great horse racing on the famous Hartford track, showing start and finish of a 2.04 3/4 heat run by the fastest harness horse in the world, John R. Gentry.
Camera Operator
The busiest corner in Chicago. Cable cars and street traffic of all descriptions. Hundreds of shoppers. Fine perspective view looking north toward the Masonic Temple.
Camera Operator
The 'Laughing Waters' of Longfellow's 'Hiawatha.' A beautiful view of this picturesque and celebrated waterfall.
Camera Operator
From Edison films catalog: A long line of horses, mules and ponies are led, driven and ridden into the yards, where they are sold and distributed.
Director of Photography
“This film is remarkable in several respects. In the first place, it is full life-size. Secondly, it is the only accurate recent portrait of the great inventor. The scene is an actual one, showing Mr. Edison in working dress engaged in an interesting chemical experiment in his great Laboratory. There is sufficient movement to lead the spectator through the several processes of mixing, pouring, testing, etc. as if he were side by side with the principal. The lights and shadows are vivid, and the apparatus and other accessories complete a startling picture that will appeal to every beholder.” (Edison Catalog)
Director
“A comic subject, clear, bright and characteristic. Shows four girls in their night dresses, engaged in an animated pillow fight. During the action the pillows become torn, and the feathers fly over their heads and about the room in great numbers, producing with the white dresses and the black background a novel effect. Sharp, full of action, and popular in character.” (Edison Catalog)
Director of Photography
"Musicians are seated, playing, while the graceful Dolorita dances. It is the Danse-du-Ventre, the famous Oriental muscle dance."
Director
Director
"The famous parade ground of Metropolitan fashion. Exquisitely gowned women, club men, actresses, millionaires pass by on their afternoon stroll." - from the Edison Catalog
Director of Photography
“This subject taken just after the recent first fall of snow, shows two enthusiastic horsemen indulging in a "brush" with their respective horses and cutters.” (Maguire & Baucus)
Director of Photography
1897 version of Annabelle Moore performing a serpentine dance.
Director of Photography
This picture was taken at one of the curves on the Lehigh Valley Railroad, along the beautiful Susquehanna River. The train is seen rapidly approaching in the distance, clearly outlined against the grey mountains. Smoke can be seen pouring in volumes from the stack of the locomotive, and as the train approaches closely, she sounds a whistle, warning some section men, who are working on the tracks in the foreground. As she rushes by the camera, the swing motion of the train gives a vivid idea of the lightning speed at which she is traveling. (Edison film catalog)
Director of Photography
A woman and a young girl each carry containers of bird feed, and they toss occasional handfuls to the chickens and doves in the farmyard. Most of the chickens stay nearby, but the doves occasionally fly off and then return to eat more.
Director
The camera shows a water ride at Bergen Beach at Coney Island. A raised track filled with water forms a chute, and a small boat full of park visitors slides down the chute. Alongside, empty boats are hauled back up to the top of the ride.
Director of Photography
A lady watering the garden with a hose, a mischievous boy stops the flow of water until she looks for the cause, when he permits the water to flow, resulting in the lady taking an unexpected bath. The father then appears and chastises the youthful culprit. One of the best films ever made.
Director
The dancer Fatima, well-known for her dancing shows at the World's Exhibition in 1893, performs for the camera. She opens her act by twirling around a few times, and then she does the 'muscle dance' for which she had attracted considerable notoriety.
Director
They get ready to kiss, begin to kiss, and kiss in a way that brings down the house every time.
Director
Vaudeville dancer Amy Muller performs a portion of her stage routine, which features dancing on her toes. She dances on one toe for part of the performance. Later, she also twirls and does cartwheels.
Director of Photography
A fellow in a wide-brimmed hat, with a willowy stick for a rod and a baited hook, sits down on a plank hanging over a bridge above a stream. He sticks the rod under his seat and picks up his bottle to take a swig. Behind him creeps a joker who removes the large flagstone that's holding the fisherman's plank in place (IMDb)
Director of Photography
“The watchful father disturbs a dream of bliss, and the bucolic lover is taught a lesson. He made a great hit.” (Edison film catalog)
Director of Photography
A short film depicting the execution of Mary, Queen of the Scots. Mary is brought to the execution block and made to kneel down with her neck over it. The executioner lifts his axe ready to bring it down. After that frame Mary has been replaced by a dummy. The axe comes down and severs the head of the dummy from the body. The executioner picks up the head and shows it around for everyone else to see. One of the first camera tricks to be used in a movie.
Director
Princess Ali, of Barnum and Bailey's circus, performs an Egyptian dance in the Edison Company's studio. As she dances, some musicians perform in the background to provide accompaniment.
Director
In a long, diaphanous skirt, held out by her hands with arms extended, Broadway dancer Annabelle Moore performs. Her dance emphasizes the movement of the flowing cloth. She moves to her right and left across an unadorned stage. Many of the prints were distributed in hand-tinted color.
Director
Former lightweight boxer Billy Edwards, now a trainer and writer of the sport, takes on a challenger named Warwick in an exhibition match. The match is scheduled for five rounds of 20 seconds each. A large crowd has gathered behind the ring to watch the fight.
Producer
Former lightweight boxer Billy Edwards, now a trainer and writer of the sport, takes on a challenger named Warwick in an exhibition match. The match is scheduled for five rounds of 20 seconds each. A large crowd has gathered behind the ring to watch the fight.
Director
Samoan Islanders from Barnum & Bailey's Circus perform a dance.
Director
The participants are natives of Ceylon. Their dance is very interesting being so different from Western ideas of harmonies of motion.
Director
By Fiji Islanders. A peculiar dance by genuine savages, dressed or rather undressed, in their native garb. The revel takes its name from the paddles they hold in their hands.
Director
"Firemen in working uniform, rubber coats, helmets, and boots. Thrilling rescue from burning building. Smoke effects are fine." - from the Edison Catalog
Director
A scene from Charles Hoyt's 'A Milk White Flag': A brass band marches out, led by bandmaster Steele Ayers. When Ayers reaches his position, he turns around and directs the musicians as they take up their own positions.
Director
James J. Corbett and Peter Courtney meet in a boxing exhibition.
Director
A charming representation of the Mikado dance by three beautiful Japanese ladies in full costume. Very effective when colored.
Director
Annie Oakley was probably the most famous marksman/woman in the world when this short clip was produced in Edison's Black Maria studio in West Orange, New Jersey. Barely five feet tall, Annie was always associated with the wild west, although she was born in 1860 as Phoebe Ann Oakley Mozee (or Moses)in Darke County, Ohio. Nevertheless, she was a staple in the Buffalo Bill Wild West Show and similar wild west companies. Because of her diminutive stature, she was billed as "Little Sure Shot." The man assisting her is this appearance is probably her husband, Frank E. Butler. Annie had outshot Butler (a famous dead-eye marksman himself) in a shooting contest in the 1880's. Instead of nursing his bruised ego because he had been throughly outgunned by a woman, Butler fell in love, married Little Sure Shot, and became her manager.
Director
Lee Martin, one of the cowboy stars in 'Buffalo Bill's Wild West', rides a bronco as a crowd looks on. While the horse is trying to throw Martin off its back, another cowboy stands on top of a fence rail and occasionally fires his six-shooter, to spur on both horse and rider.
Director
Hadji Cheriff, a performer known for a variety of unusual abilities, demonstrates part of his act in the Thomas Edison studio. He has a large knife in his hand at the opening of the act. He then hurls the knife away and begins a rapid series of dance-like motions, executing numerous cartwheels and whirling movements.
Director
The Glenroy Brothers perform a portion of their vaudeville act, "The Comic View of Boxing: The Tramp & the Athlete", which depicts a boxer with a classic style trying to contend with an opponent who uses a very unorthodox approach.
Director
A referee and five fans (including a waiter in his apron) look on as two young men box. The dark-haired, slightly taller boxer throws a right and the light-haired smaller one goes down; but he's up before the referee starts counting. After the knockdown, the boxers mostly hit each other's gloves. The fans, at least one of whom is sitting inside the ring, show no animation. They're all men, dressed in a range of late 19th-century garb.
Director of Photography
Long before Hollywood started painting white men red and dressing them as 'Injuns' Edison's company was using the genuine article! Featuring for what is believed to be the Native Americans first appearance before a motion picture camera 'Buffalo Dance' features genuine members of the Sioux Tribe dressed in full war paint and costume! The dancers are believed to be veteran members of Buffalo Bill's Wild West Show. Filmed again at the Black Maria studios by both Dickson and Heise the 'Buffalo Dance' warriors were named as Hair Coat, Parts His Hair and Last Horse. Its quite strange seeing these movies at first they all stand around waiting to begin and as they start some of the dancers look at the camera in an almost sad way at having lost their way of life.
Director
From Edison films catalog: One of the most peculiar customs of the Sioux Tribe is here shown, the dancers being genuine Sioux Indians, in full war paint and war costumes. 40 feet. 7.50. According to Edison film historian C. Musser, this film and others shot on the same day (see also Buffalo dance) featured Native American Indian dancers from Buffalo Bill's Wild West show, and represent the American Indian's first appearance before a motion picture camera.
Director of Photography
Первый дошедший до нас звуковой фильм. Этот фильм - первый настоящий звуковой кинофильм, который сохранился до наших времён. Его продолжительность всего 18 секунд. Звуковая дорожка фильма была записана на фонограф Эдисона - первый в мире диктофон, использующий восковые валики. Из-за разницы скоростей киноленты и валика фонограмма не совпадала с изображением. Реставраторам пришлось синхронизировать звук и видео.
Director
Первый дошедший до нас звуковой фильм. Этот фильм - первый настоящий звуковой кинофильм, который сохранился до наших времён. Его продолжительность всего 18 секунд. Звуковая дорожка фильма была записана на фонограф Эдисона - первый в мире диктофон, использующий восковые валики. Из-за разницы скоростей киноленты и валика фонограмма не совпадала с изображением. Реставраторам пришлось синхронизировать звук и видео.
Director of Photography
King of the slack wire. His daring feats of balancing as he performs his thrilling feats in midair show that he is perfectly at home.
Director
King of the slack wire. His daring feats of balancing as he performs his thrilling feats in midair show that he is perfectly at home.
Director of Photography
"A glove contest between trained cats. A very comical and amusing subject, and is sure to create a great laugh." (by Edison Films)
Director
"A glove contest between trained cats. A very comical and amusing subject, and is sure to create a great laugh." (by Edison Films)
Director of Photography
The famous army scout in an exhibition of rifle shooting. A fine picture of the principal, and beautiful smoke effects.
Director of Photography
Eugen Sandow, who claims to be the strongest man in the world, appears in the Edison Company's film studio.
Director
Eugen Sandow, who claims to be the strongest man in the world, appears in the Edison Company's film studio.
Director
The pursuit of Hop Lee by an irate policeman.
Director
The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.
Director of Photography
The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.
Director of Photography
An athlete demonstrating various poses.
Director
An athlete demonstrating various poses.
Director of Photography
Two gamecocks are fighting inside a wire cage, while two spectators look on in the background. The two men agree to make a bet on the outcome. One of them shows his money to the other, who is commenting on the fight.
Director
Two gamecocks are fighting inside a wire cage, while two spectators look on in the background. The two men agree to make a bet on the outcome. One of them shows his money to the other, who is commenting on the fight.
Director
A man (Thomas Edison's assistant) takes a pinch of snuff and sneezes. This is one of the earliest Thomas Edison films and was the first motion picture to be copyrighted in the United States.
Cinematography
A man (Thomas Edison's assistant) takes a pinch of snuff and sneezes. This is one of the earliest Thomas Edison films and was the first motion picture to be copyrighted in the United States.
Director of Photography
Annabelle (Whitford) Moore performs one of her popular dances. For this performance, her costume has a pair of wings attached to her back, to suggest a butterfly. As she dances, she uses her long, flowing skirts to create visual patterns.
Director of Photography
“Interior of Barber Shop. Man comes in, takes off his coat; sits down, smokes; is handed a paper by attendant, who points out a joke; both laugh. Meantime the man in the chair is shaved and has his hair cut. Very funny.” (Edison's Latest Wonders, 1894)
Director
Luis Martinetti, a contortionist suspended from acrobatic flying rings, contorts himself for about thirty seconds. This is one of the first films made for Edison's kinetoscopes.
Director
Annabelle (Whitford) Moore performs one of her popular dances. For this performance, her costume has a pair of wings attached to her back, to suggest a butterfly. As she dances, she uses her long, flowing skirts to create visual patterns.
Director of Photography
The Glenroy Brothers perform a portion of their vaudeville act, "The Comic View of Boxing: The Tramp & the Athlete".
Director
The Glenroy Brothers perform a portion of their vaudeville act, "The Comic View of Boxing: The Tramp & the Athlete".
Director
“Interior of Barber Shop. Man comes in, takes off his coat; sits down, smokes; is handed a paper by attendant, who points out a joke; both laugh. Meantime the man in the chair is shaved and has his hair cut. Very funny.” (Edison's Latest Wonders, 1894)
Director of Photography
Немой короткометражный фильм Уильяма Диксона. Премьера состоялась в США 9 мая 1893 года. 17 октября 1894 года прокат фильма был в Великобритании. Кузнецы работают и по окончании работы выпивают бутылку пива. Съёмки проводились с апреля по май 1893 года в Вест-Орандже. В этот фильм были приглашены актеры, которые перед камерой играют роль кузнецов. То есть именно в «Сцене в кузне» начинает зарождаться такая профессия, как киноактер.
Director
Немой короткометражный фильм Уильяма Диксона. Премьера состоялась в США 9 мая 1893 года. 17 октября 1894 года прокат фильма был в Великобритании. Кузнецы работают и по окончании работы выпивают бутылку пива. Съёмки проводились с апреля по май 1893 года в Вест-Орандже. В этот фильм были приглашены актеры, которые перед камерой играют роль кузнецов. То есть именно в «Сцене в кузне» начинает зарождаться такая профессия, как киноактер.
Director
One of the pictures to be seen in the machine, for example, was that of a blacksmith shop in which two men were working, one shoeing a horse, the other heating iron at the forge. One would be seen to drive the nail into the shoe of the horse's hoof, to change his position and every movement needed in the work was clearly shown as if the object was in real (life). In fact, the whole routine of the two men's labor and their movements for the day was presented to the view of the observer.
Director of Photography
William K.L. Dickson and William Heise shake hands in this early experimental film.
Director of Photography
Early Edison short showing two men fencing.
Director
William K.L. Dickson and William Heise shake hands in this early experimental film.
Director
Early Edison short showing two men fencing.
Director
Director of Photography
William K.L. Dickson and William Heise shake hands in this early experimental film.
Director of Photography
William K.L. Dickson brings his hat from his one hand to the other and moves his head slightly, as a small nod toward the audience. This was the first film produced by the Edison Manufacturing Company to be shown to public audiences and the press.
Director
William K.L. Dickson brings his hat from his one hand to the other and moves his head slightly, as a small nod toward the audience. This was the first film produced by the Edison Manufacturing Company to be shown to public audiences and the press.
Director of Photography
Experimental film fragment made with the Edison-Dickson-Heise experimental horizontal-feed kinetograph camera and viewer, using 3/4-inch wide film.
Director
Experimental film fragment made with the Edison-Dickson-Heise experimental horizontal-feed kinetograph camera and viewer, using 3/4-inch wide film.
Director of Photography
Experimental film fragment made with the Edison-Dickson-Heise experimental horizontal-feed kinetograph camera and viewer, using 3/4-inch wide film.
Director
Experimental film fragment made with the Edison-Dickson-Heise experimental horizontal-feed kinetograph camera and viewer, using 3/4-inch wide film.
Director
Lost film from 1891, directed by William K.L. Dickson and William Heise. The film stars James C. Duncan.
Director
Unfound film from 1891, directed by William K.L. Dickson and William Heise. The film stars James C. Duncan.
Director
Lost film from 1891, directed by William K.L. Dickson and William Heise. The film stars Fred C. Devonald and James C. Duncan.
Director
Lost film from 1891, directed by William K.L. Dickson and William Heise.
Director of Photography
Experimental film that follows up on the results of "Monkeyshines, No. 1". Once again, an Edison company worker moves around in front of the motion picture camera.
Director of Photography
Experimental film made to test the original cylinder format of the Kinetoscope and believed to be the first film shot in the United States. It shows a blurry figure in white standing in one place making large gestures and is only a few seconds long.
Director
Experimental film that follows up on the results of "Monkeyshines, No. 1" and "Monkeyshines, No. 2". Once again, an Edison company worker moves around in front of the motion picture camera. Lost film.
Director
Experimental film that follows up on the results of "Monkeyshines, No. 1". Once again, an Edison company worker moves around in front of the motion picture camera.
Director
Experimental film made to test the original cylinder format of the Kinetoscope and believed to be the first film shot in the United States. It shows a blurry figure in white standing in one place making large gestures and is only a few seconds long.
