Yuri Gagarin

In Ivry sur Seine, in the Parisian suburbs, the Gagarin housing estate was a symbol. Destroyed in 2020, this film brings it back to life, through the eyes of Adnane Tragha, who grew up across the street, and through the words of its former inhabitants. Back in the deserted city, they evoke their memories of the place. Daniel, Loïc, Karima, Yvette, Foued, Samira and Mehdy tell us about their lives, their experiences and their feelings. The difficulties as well as the solidarity, the stigmatization as well as the mutual aid, the good memories as well as the bad. Crossing temporalities and experiences, "We grew up together" paints, through small subjective touches, the story of a city like so many others. This film is a "counter-history", the rehabilitation of a word that is too rare, a hymn to working-class neighborhoods. "At the same time documentary, fiction, archival work, We grew up together is multifaceted, like the city.

Spain, 1519. Ferdinand Magellan, Portuguese navigator in the service of King Charles I, undertakes, at the command of five ships, a commercial expedition to the Moluccas. The story of the first circumnavigation of the world, completed by Juan Sebastián Elcano in 1522.

How in 1959, during the heat of the Cold War, the government of the United States decided to create a secret military base located in the far north of Greenland: Camp Century, almost a real town with roads and houses, a nuclear plant to provide power and silos to house missiles aimed at the Soviet Union.

“Chasing the Moon,” a film by Robert Stone, reimagines the race to the moon for a new generation, upending much of the conventional mythology surrounding the effort. The series recasts the Space Age as a fascinating stew of scientific innovation, political calculation, media spectacle, visionary impulses and personal drama. Utilizing a visual feast of previously overlooked and lost archival material — much of which has never before been seen by the public — the film features a diverse cast of characters who played key roles in these historic events.

July 20, 1969. Apollo 11 lands on the surface of the Moon. Such a feat was apparently performed to the greater glory of all mankind, but actually it marked the end of the space race disputed by the two great superpowers of the time in their eagerness to arrive before and the beginning of the spread of the Cold War into space. Nowadays, the struggle continues, but the main competitors and their purposes are others.

Молодому журналисту и писателю Андрею Лентулову, известному прямотой своих взглядов, свободой мысли и дерзостью суждений, предлагают переехать из Питера в Таллин, чтобы работать в местной газете. Там Андрей с головой уходит в полный противоречий роман с редактором Мариной, бесконечные случайные связи, но, что самое главное - яростное сопротивление системе. Какой была борьба бунтаря, любимца женщин и «самого аморального сотрудника» против жесточайшей цензуры, слежки и ханжества, и кто в ней победил?

A story about four British scientists who have created a probe which will take a seven year long trip to the largest moon orbiting Saturn, Titan. Designing and building a vehicle that will travel more than 2 billion miles across space is not an easy task as it is shown in Destination Titan. The documentary follows the story behind the creation of a probe that is the culmination of a lifetime endeavor which will be strapped onto what is essentially a giant bomb and hurled out of earths atmosphere on a seven year long journey. will they succeed? This documentary is presented by John Zarnecki and features the famous TV host and astronomer Patrick Moore.

An attempt to reconstruct the complete version of Pier Paolo Pasolini's segment of La rabbia.

A French documentary or, one might say more accurately, a mockumentary, by director William Karel which originally aired on Arte in 2002 with the title Opération Lune. The basic premise for the film is the theory that the television footage from the Apollo 11 Moon landing was faked and actually recorded in a studio by the CIA with help from director Stanley Kubrick.

В первый час нового 1965 года все советские граждане (у кого, конечно, был телевизор) смотрели праздничную программу с участием Павла Рудакова и Сергея Лаврова, Ларисы Мондрус, Татьяны Шмыги, Леонида Енгибарова, Аркадия Райкина, братьев Сазоновых, Иосифа Кобзона, Майи Кристалинской, Муслима Магомаева, вокального октета «Лайне» и эстрадного оркестра под управлением Эдди Рознера, Юлии Пашковской, Владимира Шубарина, Эдуарда Хиля, квартета «Аккорд». Среди гостей «Голубого огонька» космонавты Гагарин, Беляев и Леонов

Начиная с совершенно разных позиций, Пазолини и Гуарески пытаются посредством монтажного фильма дать ответ на один из важнейших вопросов человеческого существования: почему наша жизнь отмечена недовольством и страхом? И Пазолини, и Гуарески в ответ субъективно комментируют кинематографические и фотодокументы послевоенного периода, такие как эпизоды советской интервенции в Венгрии, убийство Лумумбы, независимость Танганьики, израильское нападение на Египет, подъем власть Кастро на Кубе, Ава Гарднер в Риме и Софи Лорен в Полесине, коронация английской королевы Елизаветы, избрание Эйзенхауэра, де Голля у власти, независимость Алжира, смерть Мэрилиб Монро, бегство Гагарина в околоземной орбиты с триумфальным возвращением на землю. Пазолини черпает нашу боль в гнусных действиях западного общества, а Гуарески пытается ее защитить, видя в ней надежду на будущее.