Ebrahim Saeedi

A Yazidi refugee camp in Iraqi Kurdistan is home tomore than 20,000 refugees, many of whom are victims of terrorist attacks by ISIS. Shilan is a young Kurdish nurse who volunteered to take care of them. Every tent in the camp has a story, and Shilan takes the responsibility of hearing the refugees out, empathising with the pain they are suffering. One day Shilan hears about a tent where a woman is refusing to eat her food or have any sort of contact with the outside. She decides to take action.

Radical Islamist militants attack a village in Iraq where a young Yazidi love couple prepares for marriage. From that moment onwards their lives are turned into a nightmare.

Kurdish childhood friends Hussein and Alan want to produce a film about the genocide of Kurdish people in Iraq, the Anfal campaign in 1988. They learn that, to achieve veracity by the means of cinema and to face their own identity, it's worth putting everything on the line - even their own life.

It's 2004, and the news that Saddam Hussein has died sends shock waves through the Middle East. Shaho is the son of an elderly man of Iranian Kurdish heritage; the old man's health is failing him after suffering a stroke, and he's convinced he doesn't have long to live. Shaho, his father and their family have been living in an Iraqi refugee camp for a while, but with the passing of Saddam, Shaho believes the time is right for them to return to Iran, where father can spend his last days in the land of his birth. However, as Shaho is making plans for the trip back to Iran, his cousin Sheelan visits the family for the first time in twenty years; her parents fled to Sweden when she was a child, where she's now a physician, and she wants her dying uncle to join her there where he'll be safe and well cared for.

A road movie set in Iraq in 2003 during the fall of Saddam. Two Kurds are looking for the parents of a five-year-old boy who has been found in the street in tears. His name is Saddam too. At the same time the boy's parents are looking for him everywhere, worried because of the boy's name which is now taboo. All the attempts of the two Kurds to get rid of the child fail: neither the Americans nor the men of religion at the mosque want him. Little Saddam begins to become a real problem. In the streets and all around them, they are surrounded by the chaos and crazy atmosphere of those days, with violence always on the verge of exploding.

The Other Side of Burka is a 2004 Iranian documentary directed by Mehrdad Oskouei. In the southern island of Qeshm, Iran, which is a very strict region in point of tradition and African-Arabic rules, all women are under the pressure of patriarch society. Their sufferance is manifested by different mental (Zar, Possession) and physical diseases which must be only treated by Zar Ceremony. For the first time, despite the danger these women face, this film tells us the sad story of their life and shows their confection in front of the camera. It tries to be an honest mirror which reflects their sufferance and unveils their Burka to reveal their real characters.

The Other Side of Burka is a 2004 Iranian documentary directed by Mehrdad Oskouei. In the southern island of Qeshm, Iran, which is a very strict region in point of tradition and African-Arabic rules, all women are under the pressure of patriarch society. Their sufferance is manifested by different mental (Zar, Possession) and physical diseases which must be only treated by Zar Ceremony. For the first time, despite the danger these women face, this film tells us the sad story of their life and shows their confection in front of the camera. It tries to be an honest mirror which reflects their sufferance and unveils their Burka to reveal their real characters.

A documentary short.