Måns Månsson
Рождение : 1982-01-09, Stockholm, Sweden
Director of Photography
В 1973 г. пятеро мужчин и шесть женщин переплыли Атлантический океан на плоту в рамках научного эксперимента по изучению причин насилия и сексуального влечения. События трехмесячного путешествия оказались крайне неожиданными. Используя архивные материалы и воссоединив членов экспедиции, доживших до наших дней, фильм проливает свет на произошедшее.
Producer
После наполненной вечеринками жизни главная героиня фильма получает в наследство от своего умершего отца многоквартирный дом. То, что казалось ей выигрышным лотерейным билетом, стало настоящим проклятием, заставившим ее плутать по самым темным уголкам шведского рынка жилья.
Director of Photography
После наполненной вечеринками жизни главная героиня фильма получает в наследство от своего умершего отца многоквартирный дом. То, что казалось ей выигрышным лотерейным билетом, стало настоящим проклятием, заставившим ее плутать по самым темным уголкам шведского рынка жилья.
Director
После наполненной вечеринками жизни главная героиня фильма получает в наследство от своего умершего отца многоквартирный дом. То, что казалось ей выигрышным лотерейным билетом, стало настоящим проклятием, заставившим ее плутать по самым темным уголкам шведского рынка жилья.
Director of Photography
Действие фильма происходит в альтернативной реальности, где конфликт на севере Европы заставляет малыша Джимми и его отца бежать вместе с миллионами других беженцев из Швеции на Ближний Восток.
Director
Отец-одиночка и поэт Андерс теряет работу литературного критика после того, как написал отрицательную рецензию на свою собственную книгу. Не имея никакого образования, он устраивается в фирму «Ярден», которая занимается импортом автомобилей, и здесь ему предстоит стать частью бездушной капиталистической машины. Вместо имени у него теперь лишь номер, а коллеги, главным образом, иммигранты, подозревают, что его послали шпионить за ними, потому что не может швед дружить с выходцами из других стран. Данный фильм — экранизация повести Кристиана Лундберга «Ярден».
Director
The film follows the performative duel, or fara fara (meaning face-to-face in Lingala) between two of the DRC’s biggest stars, Koffi Olomide and Werrason. Papa Wemba announces the face-off to an enormous gathering at two adjacent stages where the superstars and their entourages compete in an epic test of musical endurance and style to see who can win by playing the longest.
Screenplay
94-year old Esther, a pensioner with bad sight, is in search of her artist daugther’s public decoration. Endless phone conversations takes her through municipal bureaucracy and lost culture secretaries. Will she ever get an answer to the eternal question: Where does the art really go?
Producer
94-year old Esther, a pensioner with bad sight, is in search of her artist daugther’s public decoration. Endless phone conversations takes her through municipal bureaucracy and lost culture secretaries. Will she ever get an answer to the eternal question: Where does the art really go?
Director
94-year old Esther, a pensioner with bad sight, is in search of her artist daugther’s public decoration. Endless phone conversations takes her through municipal bureaucracy and lost culture secretaries. Will she ever get an answer to the eternal question: Where does the art really go?
Director
The Swedish artist Måns Månsson has placed a fictional character in a real environment to explore the fascinating new relationship that has arisen between Africa and China, where democracy is one commodity among many others. No dialogue was written in advance, and the minimal story about the worthless t-shirts is just a pretext to conduct a cinematic experiment set in the Chinese city, where tens of thousands of African migrants are in the process of establishing themselves and creating a new life, in a historical parallel to the exchange that has always taken place between East and West. But this time, the West is not invited to the party. However, the reference to the lost souls in the American photographer William Eggleston's film of the same name suggests a tragicomic and existential absurdity independent of time and place.
Cinematography
Retired police detective Roland Hassel (Lars-Erik Berenett, who played Hassel on TV in the 1980s) is determined to solve the 1986 assassination of Swedish Prime Minister Olof Palme. Without access to police files, however, the best he can manage is to attend an inept re-enactment on the 25th anniversary of the murder...
Writer
Retired police detective Roland Hassel (Lars-Erik Berenett, who played Hassel on TV in the 1980s) is determined to solve the 1986 assassination of Swedish Prime Minister Olof Palme. Without access to police files, however, the best he can manage is to attend an inept re-enactment on the 25th anniversary of the murder...
Director
Retired police detective Roland Hassel (Lars-Erik Berenett, who played Hassel on TV in the 1980s) is determined to solve the 1986 assassination of Swedish Prime Minister Olof Palme. Without access to police files, however, the best he can manage is to attend an inept re-enactment on the 25th anniversary of the murder...
Cinematography
Janne, a 60 year old party promoter is arranging a nightclub at the annual tennis week in the small coastal town of Båstad, where he also teams up with his older sister Jackie. But an accident turns his life upside down and forced by the people around him, he desperately seeks a way out.
Camera Operator
Doktor Glas face ethical complications when a woman, Helga Gregorius, asks for help in preventing her husband, the disgusting Pastor Gregorius, to have sex with her.
Editor
Over a year, we follow the former Swedish Minister of Defense, Anders Björck, in his work as governor of Uppsala County. The official position is almost 400 years old, and the job consists of sitting at a big desk, having lunch meetings with other governors, cutting ribbons at opening ceremonies, holding speeches and eating dinner with the King and Queen of Sweden. It is hard work, but someone has to do it. Björck gives the viewer full access, making this personal portrait both humorous and very, very serious.
Cinematography
Over a year, we follow the former Swedish Minister of Defense, Anders Björck, in his work as governor of Uppsala County. The official position is almost 400 years old, and the job consists of sitting at a big desk, having lunch meetings with other governors, cutting ribbons at opening ceremonies, holding speeches and eating dinner with the King and Queen of Sweden. It is hard work, but someone has to do it. Björck gives the viewer full access, making this personal portrait both humorous and very, very serious.
Director
Over a year, we follow the former Swedish Minister of Defense, Anders Björck, in his work as governor of Uppsala County. The official position is almost 400 years old, and the job consists of sitting at a big desk, having lunch meetings with other governors, cutting ribbons at opening ceremonies, holding speeches and eating dinner with the King and Queen of Sweden. It is hard work, but someone has to do it. Björck gives the viewer full access, making this personal portrait both humorous and very, very serious.
